Let's Go Crazy

According to IMDB, "Let's Go Crazy" was a hastily improvised movie that marks the first onscreen appearance by Peter Sellers. It seems that studio space was rented to make a movie and the movie was completed well ahead of schedule. So, in order to make the most of the space they paid for anyway, Peter Sellers and his friends quickly organized this short film. It consists of mostly of some comedy skits with Sellers playing various characters (including Groucho Marx) as well as quite a few local musical acts.

So is it any good? Well, considering how quickly it was tossed together, the movie is understandably rough. A few of the skits were very rough...such as the overly slapstick opening musical number which seemed more at place on a burlesque stage than on film. And, while I really enjoy much of Sellers' later work, his skits are VERY tough to love and come off as a bit amateurish. I did like the weird dance number with the older couple who mashed the snot out of each other...they were amazing and amusing acrobats. Overall, there's much more bad than good but the film IS well worth seeing for fans of Sellers, as it gives you insight into his early years where he was mostly an up and coming radio star...and occasional movie personality. Much more interesting as a curio than anything else.

Sellers Groucho impression and the comedy act finally were both great.

This film is actually mainly interesting as a record in its own right of the local (?Brighton?) variety acts who were featured to fill out the running time; they are notable in two respects, in that by modern standards none of them are particularly glamorous-looking, and in that they are actually all pretty talented -- these are run of the mill and nowadays apparently forgotten pier-end performers of the day, as it were, and they're still entertaining to listen to. (The only act I really didn't take to was that of Freddie Mirfield and his Garbage Men, with their knockabout orchestral gags.)

The Goon Show contribution consists of various improvised comedy dialogues chiefly featuring Peter Sellers in a selection of different characters: his Groucho Marx impersonation is rather good, others vary. Considering that the whole thing was made up and then shot by Sellers and Spike Milligan in the course of a left-over week of studio time (remaining after shooting on "Penny Points to Paradise" had been completed), it's quite tolerable, but of course by no means a classic.

This is an oddity - review and variety performers of variable quality interspersed with short sketches with Sellers playing various curious characters. Here he certainly shows potential and the relative restraint and lack of goony-ness allows him to demonstrate abilities which really reached their pinnacle in Dr Strangelove. Overall along with the better of the acts, quite entertaining.

One uncredited cast member (Mr Jollibottom)has a voice instantly recognisable to older British viewers. Wallace Eaton was the dismal barman in the long running radio comedy "Take it from Here", whose weekly role it was to serve a dismal pint of Mild and Bitter, and to listen, to the show's main star relate the goings on in the dreadful "Glum" household. Eaton was allowed dismal catch-phrases in the show such as "get yerself a trade". He had more of a career in the theatre than in film, appearing in "Fings ain't wot they used t'be"

Shot in just a week and looking more like it was shot out of a cannon, "Let's Go Crazy" works no better now than it did when it first came out. At least you get to sample the nightclub scene in Brighton circa 1951 and see Peter Sellers in his first starring role.

Cobbled together from some spare time left over from another movie Sellers was featured in, "Let's Go Crazy" is not a story but a revue. Set in an unnamed nightclub and restaurant, Sellers provides interstitial comedy bits in-between song-and-dance performers who worked the seaside English resort town of Brighton, where both this and that other movie, "Penny Points To Paradise," were shot.

Sellers fans do have reason to see this movie. He's only a featured player in "Penny Points" but gets more of the spotlight here. Pity the comedy is so weak. His first scene has him playing Giuseppe, the head waiter, trying to convince a patron to have the spaghetti.

"Cut off me legs and call my shorty!" Guiseppi whines when the guy insists on boiled beef and carrots.

The joke is when the patron finally agrees after a long song and dance, Giuseppe tells him the spaghetti is off, but they do have another dish: Boiled beef and carrots.

It gets little better. Asked if she has a reservation, another character Sellers plays in drag responds: "What do you think I am, a red Indian?" Doing a poor Groucho Marx impersonation, he asks a waiter played by Spike Milligan if he serves crabs. When Spike says yes, Groucho hands him a dead crab and says: "Then serve my friend, he hasn't eaten in three weeks!"

Sellers and Milligan were not yet Goons when this movie was first screened; it was released in May, 1951, the same month as "Penny Points" (probably on a double bill) and also the same month the Goon Show made its inauspicious debut as "Crazy People," which remained the troupe's name for its first two seasons. Perhaps that's the reason for this film's title, though it's missing the two other "Crazy People" cast members, Harry Secombe and Michael Bentine.

Instead of Secombe singing, you get a number of local performers who pad out most of the show. Bizarre is a kind way to describe them; their talent is either minimal or done poor justice by the flat style of director Alan Cullimore. Only a singer, Betty Ankers, ekes out a couple of engaging numbers; the rest are at best dull and at times, rather annoying.

Sellers plays five roles here. One, a milquetoast character named Cedric, is fun to watch for the two minutes you get with him, impressing a date with his bad French, but like the other parts he's an underwritten character. Clearly these were just improvised off-camera and then put on as soon as something vaguely amusing was developed.

Sellers was a comedy genius, but these were early days for him and his talent was never improvisatory. Goon fans seeking Milligan's crafty surrealism will be disappointed by the goofy faces and patter he puts on here in lieu of anything better. "Let's Go Crazy" is a milestone of sorts for Sellers fans, but a more honest title would be "Let's Go Splat."