Journey Into Light

A well intentioned, inspirational film, "Journey into Light" features a powerful performance by Sterling Hayden in an unlikely role. Tall, rugged, and imposing, Hayden had screen presence and was most memorable as tough guys in such films as "The Asphalt Jungle," "The Killing," and even "Dr. Strangelove." However, as fallen preacher John Burrows, Hayden excels and exposes a reflective depth; his voice and conviction when challenging religious hypocrisy should have put him in contention to play "Elmer Gantry."

An ordained minister, Burrows has an alcoholic wife, and the church elders want her confined to an institution for treatment. However, Burrows refuses, and he resigns from the congregation. However, his wife, already distraught from the deaths of two children and fearful of hindering her husband's ambitions, takes her own life. Devastated by the loss, thus begins Burrow's downward spiral, and he drifts across the country doing manual labor; and, although he does not drink, he ends up on skid row. Wrongly arrested, he meets con artist Gandy, colorfully played by he dependable Thomas Mitchell, and eventually finds shelter and purpose with a street preacher and his daughter Christine, played by Viveca Lindfors; unfortunately, Lindfors does not convince as a blind woman, and she is an uncomfortable match for the formidable Hayden.

Directed by Stuart Heisler from a screenplay by Stephanie Nordli and Irving Shulman, which was based on a story by Anson Bond, "Journey into Light" covers familiar territory, but Hayden's earnest performance sheds fresh light. His mesmerizing speeches when challenging peddlers of religion fixate both his on-screen and off-screen audiences; perhaps Hayden, a stubborn individualist, was expressing his own beliefs and convictions. The generally fine cast, which not only includes Oscar winner Mitchell, but also boasts another Oscar winner, Jane Darwell, and the distinguished H. B. Warner. Although the film teeters at times on the corny and overly sentimental, edging into Frank Capra territory, "Journey into Light" will delight Sterling Hayden fans with its unique role for the tough under-appreciated actor.

This independent production could easily be taken for one of those semi-professional cinematic Sunday school sermons intended for church halls were it not for the menacing presence of Sterling Hayden in the lead and the contradictory visual stimuli of Elwood Bredell's crisp, unsparing documentary-style photography of skid row (Weegee, no less, was a technical consultant on the film), yet populated by an extraordinary collection of familiar Hollywood faces ranging from H.B.Warner to former Keystone Kop Hank Mann. (John Berkes, who is a standout as the piano-playing Racky, died shortly after the production wrapped.)

After feeling that both God and his congregation have forsaken him by abandoning his alcoholic wife to a miserable fate, the Reverend Hayden angrily rejects both, tears off his dog collar and spends a remarkable amount of the film's relatively short running time scraping ignominiously along the lower depths of Los Angeles while vehemently badmouthing God at every opportunity. This being Hollywood during the early fifties, surely he's eventually going to regain his faith and it will all end upliftingly? It sure takes him a long time, and comes suspiciously abruptly!

Yes if I had closed my eyes I could almost swear it was Ingrid Bergman speaking the female lead as the minister's blind daughter.Sterling Hayden usually played unsmiling granite face parts and this was no exception but I did see him smile once on the fairground ride as he accompanied Viveca.Thomas Mitchell crops up in many Hollywood films most notably as Gerald O'Hara in "Gone with the Wind" (1939) and "It's Wonderful Life" (1946), the year of my birth.I believe one of the "bums" also was in the latter film as this actor made a speciality of playing these drunks/down and out parts.The film is about spiritual redemption for an ordained minister who loses his faith and has to come to terms with the death of his drunken wife, (who incidentally had a passing resemblance to the late Jennifer Jones in some scenes).

I found some scenes rather mawkish and over sentimental and found it hard to believe that an intelligent man could stoop so low as to reach the lowest rung on the social ladder.Tonight was my first viewing of this film courtesy of Youtube.com and I rated it 6/10.

When Pastor Sterling Hayden's wife kills herself, he loses all faith in G*d, abandons his comfortable suburban parish and winds up on the Bowery. He's mentored by sly Thomas Mitchell, who collects commissions from every bum. He thinks he sees great possibilities in Hayden .... by his standards. But when kindly Ludwig Donath and his blind daughter, Viveca Lindfors, rescue him and give him a job as janitor at their mission, he drifts into an armed truce with G*d.

Hayden grumbles his way through the role, with most of the interest being provided by the bums, including H. B. Warner, Jane Darwell, Paul Guilfoyle, Billie Bird, and O. Z. Whitehead. For a trained cleric, Hayden keeps making theologically unsound arguments in a very unpleasant way. However we can be certain that under the direction of Stuart Heisler, things will turn out as ordained.

Sterling Hayden makes a strong impression in this severely dated story about a man's loss of faith, and his reclamation. For a 1951 major studio release, it plays like a Depression Era programmer, although sanitized due to post-early '30s industry censorship.

When his alcoholic wife Peggy Webber commits suicide, Hayden the reverend rebels and thinking God doesn't exist and men of the cloth are hypocrites, he quickly becomes a bum, with director Stuart Heisler depicting a quaint, stereotyped milieu of the Lower Depths filled with bums and flophouses. He's befriended by a charlatain (warm and fuzzy Thomas Mitchell) who's a petty criminal lording over the bums, but at the halfway point, the movie takes a corny turn as New World Mission preacher Ludwig Donath takes Sterling under his wing and he soon falls in love with Donath's blind daughter Viveca Lindfors. The movie turns overly sentimental at this point en route to a contrived, convenient happy ending.

Hayden is quite convincing as a bitter, self-pitying guy with a chip on his shoulder, but turning him into a romantic do-gooder hero is completely unbelievable. Lindfors' acting chops punch across her ultra-sympathetic character.