Jeux interdits
- 1952
- Tous publics
- 1h 26min
NOTE IMDb
8,0/10
14 k
MA NOTE
Une jeune française devenue orpheline après un raid aérien nazi devient amie avec le fils d'un fermier pauvre. Ensemble, ils tentent d'accepter les réalités de la mort.Une jeune française devenue orpheline après un raid aérien nazi devient amie avec le fils d'un fermier pauvre. Ensemble, ils tentent d'accepter les réalités de la mort.Une jeune française devenue orpheline après un raid aérien nazi devient amie avec le fils d'un fermier pauvre. Ensemble, ils tentent d'accepter les réalités de la mort.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 8 victoires et 2 nominations au total
Marcel Mérovée
- Raymond Dollé
- (as Pierre Merovée)
Denise Péronne
- Jeanne Gouard
- (as Denise Perronne)
Marie-Pierre Casey
- Infirmière
- (non crédité)
André Enard
- Le premier gendarme
- (non crédité)
Marcelle Feuillade
- La mère de Paulette
- (non crédité)
Roger Fossey
- Le père de Paulette
- (non crédité)
Avis à la une
I am incapable of writing reams about films I admire because words do no justice to the magic they conjure.
FORBIDDEN GAMES left me speechless when I first saw it two decades ago.
It is ABOUT two French children, a peasant boy, a Parisian girl, who become close friends as World War 2 ravages Europe.
The film LOOKS at the way warfare effects the innocent and transforms one's view of death.
Director Rene Clement sets the story in a rural village and peoples his story with some of the most authentic characters ever to tred the silver screen. He employs humour, horror and humanism to tell his story and solicits an incredible performance from moppet Brigitte Fossey.
It's a tearjerker, too, it's emotionally delicate, and it's perfectly manipulated drama -- all good drama is.
Its power is its apparent simplicity.
A love letter to cinema that is also one of the greatest and most haunting war movies ever made.
The imagery and the heart-rending music score will remain with you forever.
FORBIDDEN GAMES left me speechless when I first saw it two decades ago.
It is ABOUT two French children, a peasant boy, a Parisian girl, who become close friends as World War 2 ravages Europe.
The film LOOKS at the way warfare effects the innocent and transforms one's view of death.
Director Rene Clement sets the story in a rural village and peoples his story with some of the most authentic characters ever to tred the silver screen. He employs humour, horror and humanism to tell his story and solicits an incredible performance from moppet Brigitte Fossey.
It's a tearjerker, too, it's emotionally delicate, and it's perfectly manipulated drama -- all good drama is.
Its power is its apparent simplicity.
A love letter to cinema that is also one of the greatest and most haunting war movies ever made.
The imagery and the heart-rending music score will remain with you forever.
The first thing to bear in mind is that "Jeux interdits" was first a short ,part of a film made up of sketches -two others were to be made.For financial reasons,they were eventually jettisoned ,and "jeux interdits" had to be fleshed out to the proportions of a feature-length film.So additional scenes were shot more than one year after the first ones...and of course the children had grown up! Clement and his team had to make wonders to hide that.And they outdid themselves so brilliantly that nobody saw their "effects".
Now for the ending:Clement wanted a prologue and an epilogue:Fossey and Poujouly would read a book which told the tale of two children (Paulette and Michel).Those short sequences were eventually withdrawn,which explains this unexpected ending which still baffles the audience today.
As for the movie,needless to say it's one of the most important works of the French cinema.Some users did comment it so well I won't add anything except for Brigitte Fossey's performance,which will remain the most powerful one for such a young child.It was not surprising that Fossey enjoyed a brilliant career when she grew up...even if she never found a part so striking afterward.
Now for the ending:Clement wanted a prologue and an epilogue:Fossey and Poujouly would read a book which told the tale of two children (Paulette and Michel).Those short sequences were eventually withdrawn,which explains this unexpected ending which still baffles the audience today.
As for the movie,needless to say it's one of the most important works of the French cinema.Some users did comment it so well I won't add anything except for Brigitte Fossey's performance,which will remain the most powerful one for such a young child.It was not surprising that Fossey enjoyed a brilliant career when she grew up...even if she never found a part so striking afterward.
Never has the world of adults seemed so utterly stupid, brutal and senseless than through the eyes of two innocent children who have to deal with pain, loss, death and war. And yet, the film is gentle, subtle, inobtrusive in its portrayal of the grown-up's follies, and refreshingly unsentimental about presenting the pain and beauty of childhood.
A masterpiece.
Few other titles come to mind in which child actors have so much to bear, and they manage it effortlessly & unforgettably.
[The only thing that bothers me is the too convincing 'acting' of the dead /?/ dog...]
A masterpiece.
Few other titles come to mind in which child actors have so much to bear, and they manage it effortlessly & unforgettably.
[The only thing that bothers me is the too convincing 'acting' of the dead /?/ dog...]
10jonr-3
I don't know why I never managed to see "Les Jeux interdits" until tonight, an August evening in 2003, more than a half-century after the film's release. I'd heard about it ever since I started studying French in college in 1958.
The amount of comedy in the film surprised and pleased me. I'd always had the impression the film was morbid and creepy. I didn't find it so; poignant, occasionally disturbing, even heart-wrenching, but not morbid at all. The acting by the two children playing Michel and Paulette is the most amazing pair of performances I've ever seen. I learned from postings here that the film was made under far less than optimal conditions, but the flaws that do show up in the film, chief among them the abrupt and unsatisfactory ending, are so negligible in contrast to the overwhelming emotional and acting values throughout, that I rated this film a ten, the first time I've reached for the highest number.
I cannot imagine anything finer than this film, whose images will probably haunt me for the rest of my life.
The amount of comedy in the film surprised and pleased me. I'd always had the impression the film was morbid and creepy. I didn't find it so; poignant, occasionally disturbing, even heart-wrenching, but not morbid at all. The acting by the two children playing Michel and Paulette is the most amazing pair of performances I've ever seen. I learned from postings here that the film was made under far less than optimal conditions, but the flaws that do show up in the film, chief among them the abrupt and unsatisfactory ending, are so negligible in contrast to the overwhelming emotional and acting values throughout, that I rated this film a ten, the first time I've reached for the highest number.
I cannot imagine anything finer than this film, whose images will probably haunt me for the rest of my life.
A classic French foreign film, one of the best. A necessity for every foreign film lover's video library, along with Cinema Paradiso and Life Is Beautiful. This film haunts you and stays with you long after the film flashes its "finis". Part of this is due to the musical soundtrack, with its romantic guitar melodies, part of it has to do with the sadness of the storyline....the little girl's losing her parents and beloved dog early in the picture, but mostly the film lingers in your heart because of the outstanding performances by the child actors in this film, Georges Poujouly who plays Michel, and especially Brigitte Fossey as Paulette. Her little innocent face expresses all the horrors and trauma of war, what all the millions of children must have felt who were caught up in the barbarism of World War Two, when the security of a loving home was pulled out from under them. Never has the agony of a human being's suffering been so well captured on film, and I think Brigitte was all of six years old when she performed in this movie. A remarkable feat.
Le saviez-vous
- AnecdotesIn a television interview ("Vivement Dimanche Prochain", France 2, 17 April 2005) Brigitte Fossey, who played the little Paulette, revealed that the film had originally been shot as a short, and then it was later decided to extend it into a feature film. Unfortunately she had lost her milk teeth and Georges Poujouly (who plays the boy Michel) had had his hair cut to play in Nous sommes tous des assassins (1952). So, in many scenes of the movie Paulette has false teeth and Michel is wearing a wig.
- GaffesThe poor parents are killed by a Focke-Wulf 190. This kind of plane didn't exist at the moment of the "battle of France" in May and June 1940.
- Crédits fousThere are two alternate opening credits:The main credit starts with a story book and a female hand opens the book to reveal the credits. The alternate still has the same book but this time we are introduced to the two main characters who are sitting by a lake. In this version, Michel's hand is turning the page and in between the scenes he tells Paulette that he's going to tell a story.
- ConnexionsFeatured in Le ciné-club de Radio-Canada: Film présenté: Jeux interdits (1959)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Croix en Bois, Croix en Fer
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 33 284 $US
- Week-end de sortie aux États-Unis et au Canada
- 4 316 $US
- 26 avr. 2015
- Montant brut mondial
- 33 897 $US
- Durée
- 1h 26min(86 min)
- Couleur
- Rapport de forme
- 1.37 : 1
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