Home Town Story

It was fun watching Alan Hale Jr. try to make time with no nonsense secretary Marilyn Monroe. But I couldn't get past the ridiculous casting of a man in his mid to late 30 with a 10 year old sister. He looked closer to his mom's age!

A bit corny in its attempt to show how capitalism works when it isn't corrupted by heartless unsavory and greedy corporate criminals.

"Hometown Story" has to do with defeated local state senator Blake Washburn, Jeffrey Lynn, who's so embittered over his being turned out of office that after going back to his old job as editor of the Fairfax Herald decides to become a crusader against corporate corruption. Which in reality is attacking his opponents the new state senator McFarland, who defeated him, fathers business.

A angry young man with a chip on his shoulder Blake gets so involved in his anti-capitalistic crusade against old man John McFarland, Donald Crisp, over his sons defeat of him in the state elections that he completely overlooks the fact that the plant that he owns is the cleanest most environment-friendly and best run in the state. This make a now frustrated Blake turns his guns, or editorial, against every big business in the country who makes a profit regardless if it's done honestly or not! Trying on Blake's part to create a peoples revolution against big business/capitalism. This mindless action by Blake in 1951, at the hight of the Cold War, could well have had him both arrested and tried by the FBI and US Justice Department for treason!

Blake even though a likable guy is so obsessed with getting re-elected that he turns everyone who knows him like his fiancée Janice and best fiend reporter Slim Haskins, Marjorie Reynolds & Alan Hale Jr, against him. This leads Slim to almost end up almost punching him out in a confrontation he has with Balke in his office.

It takes a conversation that Blake has with John McFarland to fills the hot-headed editor in with what capitalism did in making America the great country that it is today. Later the near tragic accident that almost killed Blake's sister Kathy, Melinda Portman, and McFarland rescue of her that turned him in his negative ideas of capitalism around. Kathy trapped in a coal mine collapse, together with her new puppy Rags, painfully showed Blake the light as the forces of capitalism and the free market quickly and efficiently swung into action.

Old man, and business tycoon, McFarland using all the earth moving equipment that he had at his disposal ended up saving little Kathy's and her dogs life. In the end Blake now finally saw what capitalism had to offer the common working man and woman, and it was good. This all caused Blake to changed his mind as he became the biggest supporter of the capitalist system in the state. Rewriting and reediting all the bad things and press that ever said or wrote about big business making big bucks Blake now sees how important the benefits of capitalism is for the average working man and woman as well. Now with Blakes support all those big bucks will in the end help those, like his sister Kathy, who at first didn't seem to get, or benefit from, them. A bit condescending for my tastes in how great it is for corporations to make obscene profits which, we could only hope, in return helps all of us.

P.S Look for a young and scintillating Marilyn Monroe in the film in a bit part as sexy and unavailable, to at least the overly friendly Slim Haskins, Iris Martin. Iris' tight fitting sweaters are enough to make me want to get a job at the Fairfax Herald regardless of what I'll be paid in wages just so I can even get lucky enough to buy Marilyn a cup of coffee and have a chance to talk to her.

From an artistic perspective, this is an awful film. It did not start as a film originally, it started as a commercial, but was expanded into a movie. The film was commissioned by General Motors, and was never released commercially. The film production was supervised by the head of GM's film division, John K. Ford. The film was meant as corporate propaganda for GM, except the shoddy manner in which it was done makes Soviet propaganda look like a masterpiece. Basically the plot goes like this: a politician says something negative about the town's largest company. The company president then comes in and makes a five minute speech about how much the corporation has done and the glories of capitalism. Then later on a newspaper writer says something negative about the company. The corporate executive comes in again and makes a ten minute speech about how great their corporation, and every American corporation for that matter is. And so on and so forth. One of the characters is Alan Hale, better known as the Skipper on Gilligan's Island. Marilyn Monroe also has a small part, she is onscreen for less than two minutes. In the end of the movie, the politician/journalist's little sister gets buried in a cave-in. The company springs into action, and uses it's latest developed technology to save her. The company president flies the girl to a hospital and saves her life. The politician/journalist sees the light and how wonderful the corporation, and all corporations are. Barf.

This unreleased GM inhouse movie was on TV as a late night movie recently (probably because it had two minutes of yet-to-be-a-star Marilyn Monroe in it), it was so awful I had to find out who wrote, directed and produced it. As I said, it was produced by GM - the writer and director was Arthur Pierson. Four years later Pierson would direct "Born In Freedom: The Story of Colonel Drake", a 30 minute movie about the beginning of the oil industry. I had read how US corporations produced a lot of these propaganda films (as well as books etc.) in the 1950's and tried to get them out there before they came upon more subtle and persuasive techniques and not this hard, bang-you-over-the-head with Soviet-style shoddy propaganda. If anything, this movie is an artifact of that happening, and perhaps interesting in that respect.

Average programmer to fill the bottom of a double bill with Jeffrey Lynn his usual dull blank slate in the lead. He actually gives the film's worst performance not helping the meager story in the least.

Somehow they managed to wrangle Oscar winner Donald Crisp into a brief appearance, his last on screen work for three years-of course if this was the quality of stuff being offered no wonder he took a break, he's far better than this run of the mill junk deserves.

The real interest and the only reason the film is sought out today is for the presence in the cast of Marilyn Monroe and to a much lesser extent Gilligan's Island's Skipper, Alan Hale Jr.

Marilyn very much on the way up, her billing is far more prominent than the small part she plays would rate for anyone else, would play a few more minor roles like this throughout 1951. Within the year though she would be a minor star and within two a superstar permanently moving beyond this kind of routine assignment. She looks beautiful and handles the minimal demands of her secretary role well enough but she has a total of no more than five minutes screen time.

Strictly for those who are interested in seeing all of Marilyn's work, no matter how minor.

"Home Town Story" is a frustrating B-movie from MGM. It has a few excellent story ideas but manages to execute them quite poorly. Despite this, it is watchable.

Jeffrey Lynn plays Blake Washburn--an ex-senator with a serious chip on his shoulder. He's mad he lost the re-election and is bent on punishing the guy responsible. So, as the new editor of a newspaper, he's bent on attacking the MacFarland family business--because the factory owner's son beat Washburn in the election! If Washburn sounds like a petty jerk, then you are correct. In addition to using the paper for his personal vendetta, he seriously ignores his incredibly long-suffering fiancé. Therein lies much of the problem with the film--the main character is unlikable and you really want a piano to fall on his head (or some equally horrid accident). Additionally, the film has a very odd message about economics and capitalism that COULD have been excellent had the message not been hammered home so poorly. Overall, despite the MGM glitz and a few good actors (I like the Washburn kid), it's a film that needed more time to allow the plot to move realistically instead of being so rushed and contrived.