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Ajouter une intrigue dans votre langueA deported gangster's plan to re-enter the USA involves skulduggery at a Mexican resort, and gambler Dan Milner is caught in the middle.A deported gangster's plan to re-enter the USA involves skulduggery at a Mexican resort, and gambler Dan Milner is caught in the middle.A deported gangster's plan to re-enter the USA involves skulduggery at a Mexican resort, and gambler Dan Milner is caught in the middle.
- Réalisation
- Scénario
- Casting principal
Dorothy Abbott
- Card Player
- (non crédité)
Tol Avery
- Fat Hoodlum
- (non crédité)
Sam Balter
- Radio Broadcaster
- (voix)
- (non crédité)
Howard Batt
- Pilot
- (non crédité)
Richard Bergren
- Milton Stone
- (non crédité)
Edward Biby
- Lodge Guest
- (non crédité)
Avis à la une
We have watched this movie several times.
The first time was simply because this movie stars Robert Mitchum and Jane Russell.
Every viewing after that is because of Vincent Price.
Price doesn't just steal a scene: he steals the entire movie,
If you've never seen this film, you're in for a treat.
If you have previously seen it, then you know what I mean: watch it again for Vincent Price.
The first time was simply because this movie stars Robert Mitchum and Jane Russell.
Every viewing after that is because of Vincent Price.
Price doesn't just steal a scene: he steals the entire movie,
If you've never seen this film, you're in for a treat.
If you have previously seen it, then you know what I mean: watch it again for Vincent Price.
This brilliant and mind-boggling film noir might be more properly called an anti-noir, doing for the crime movie what 'The Missouri Breaks' would do for the Western. It's not every noir hero who both offers marriage guidance AND does his own ironing.
'His Kind of Woman' is, in fact, three movies. It starts off as a fairly straight film noir, although its poker-faced pastiche of 'Out of the Past' is a little TOO poker-faced. Then, when the hero goes to Mexico to meet the other characters, the plot stops dead and enters narrative limbo, in a kind of noir precursor to Bunuel's 'The Exterminating Angel': Six Noir Characters In Search Of A Plot.
Then lunacy truly takes hold, as the plot eventually arrives, and Vincent Price, playing a barmy ham actor, takes over from Mitchum (magnificent as ever, baffled and goaded by a plot even less alert than he!) as the presiding spirit, and turns a moody thriller into the giddiest farce, where all the unpleasant aspects of film noir (fatalism, misogyny) are happily overturned. Proof that genre-busting didn't begin with Melville or Godard.
'His Kind of Woman' is, in fact, three movies. It starts off as a fairly straight film noir, although its poker-faced pastiche of 'Out of the Past' is a little TOO poker-faced. Then, when the hero goes to Mexico to meet the other characters, the plot stops dead and enters narrative limbo, in a kind of noir precursor to Bunuel's 'The Exterminating Angel': Six Noir Characters In Search Of A Plot.
Then lunacy truly takes hold, as the plot eventually arrives, and Vincent Price, playing a barmy ham actor, takes over from Mitchum (magnificent as ever, baffled and goaded by a plot even less alert than he!) as the presiding spirit, and turns a moody thriller into the giddiest farce, where all the unpleasant aspects of film noir (fatalism, misogyny) are happily overturned. Proof that genre-busting didn't begin with Melville or Godard.
This is an odd but entertaining film.
Don't take any of the story too seriously -- the film seems to be a satire of classic cliches including a slick but really, really evil villain vs. the crude but sort-of worthy hero. I don't want to spoil it for you, but it does have a happy ending which should come as no surprise. The real treat of the film is Price mocking himself as a B-picture actor who gets a chance to be heroic and plays it for all the melodrama it's worth.
Don't take any of the story too seriously -- the film seems to be a satire of classic cliches including a slick but really, really evil villain vs. the crude but sort-of worthy hero. I don't want to spoil it for you, but it does have a happy ending which should come as no surprise. The real treat of the film is Price mocking himself as a B-picture actor who gets a chance to be heroic and plays it for all the melodrama it's worth.
Noir comedy adventures starring Robert Mitchum are a Hollywood rarity; especially this is true when the storyline is a good straight mystery to begin with adding fine touches of first-rate satirical comedy. He and Jane Russell, beautifully teamed as an adventurous tough-guy and a brave saloon singer are very smooth together, in a movie where Vincent Price supplies many of the laughs, and everything works as effortlessly as a wave crashing onto a Mexican beach's sands. The plot line is innately interesting. A gambler played by powerful Raymond Burr ensnares Mitchum by wrecking his enterprises. He then pays him to come to work for him. Object: to get back into the US from which he was deported as a crime boss--as a dead Mitchum, using his papers, etc. But where does Jane Russell fit into the plot? The joker in the deck is Price as a ham motion picture star who jumps at the chance to play a death-defying adventurer, and ends becoming a hero. The best moment in the film comes as Price and a mountainous cowardly deadpan brother-in-law of the Police Chief start off in a small boat overloaded with help for Mitchum--and slowly sink like a stone. But the battle on a boat is finally won, Price is thrilled to be wounded, Mitchum gets Russell and all comes out favorably in the end. The film was finished by Richard Fleischer with Howard Hughes after John Farrow had shot it already. Leigh Harline provided the music, Albert D'Agostino the inspired art direction. A very stylish B/W film all in all, with a leaven of comedy. The pace is surprisingly good, the gambling joint depicted very believably and the intricate storyline by Gerald Drayson Adams and Frank Fenton, Jack Leonard and others, holds together amazingly. This film was an enjoyable experience for many viewers when it was first released; a sultry romance, played by believable leads, added to the pluses. Mitchum and Russell are fine. Others in the huge cast include Charles McGraw, Tim Holt, Marjorie Reynolds, Jim Backus, Philip Van Zandt and many more, some familiar faces. A most enjoyable romp and a surprisingly good mystery.
A broke California gambler is paid thousands to travel to a resort in Mexico and meet someone who'll instruct him on what comes next. The plot is initially quite muddled and does not become clear until about halfway through. It starts as a film noir, turns into a romantic comedy, and finishes with furious action. Russell is a sultry presence and she and Mitchum have good chemistry. However, Price steals the film in a hilarious turn as a hammy Hollywood actor. The action scenes are not convincing. The bad guys take forever to aim their guns, allowing Mitchum and Price adequate time to react. There is also a ridiculously protracted scene where bad guys try to stick a needle into Mitchum.
Le saviez-vous
- AnecdotesIn later interviews, Robert Mitchum admitted that much of the script was made up as they went along.
- GaffesOne of the three whip marks on Milner's back is missing when he escapes his captors and backs away down the ship's corridor.
- Citations
Mark Cardigan: [Preparing to go out and rescue Dan Milner] Now might I drink hot blood and do such bitter business the earth would quake to look upon.
Helen Cardigan: [Rolling eyes] 'Hamlet' again...
Gerald Hobson: Mark, this is no time for histrionics.
Mark Cardigan: [Scoffing] What fools ye mortals be.
- ConnexionsFeatured in La nouvelle équipe: A Time of Hyacinths (1970)
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- How long is His Kind of Woman?Alimenté par Alexa
Détails
- Date de sortie
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- Aussi connu sous le nom de
- Su tipo de mujer
- Lieux de tournage
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- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 850 000 $US (estimé)
- Durée2 heures
- Couleur
- Rapport de forme
- 1.37 : 1
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