G.I. Jane

1951
Approved
1h 2min

NOTE IMDb

MA NOTE

Iris Adrian, Tom Neal, and Jean Porter in G.I. Jane (1951)

Ajouter une intrigue dans votre langueA civilian, ordered to report to his draft board, slips off into a dream about the army life ahead of him. He is assigned to a remote desert post where the soldiers crave female companionshi... Tout lireA civilian, ordered to report to his draft board, slips off into a dream about the army life ahead of him. He is assigned to a remote desert post where the soldiers crave female companionship. He forges orders that brings a platoon of WACs who are forbidden to fraternize with the... Tout lireA civilian, ordered to report to his draft board, slips off into a dream about the army life ahead of him. He is assigned to a remote desert post where the soldiers crave female companionship. He forges orders that brings a platoon of WACs who are forbidden to fraternize with the soldiers.

Réalisation
- Reginald Le Borg
Scénario
- Murray Lerner
- Henry Blankfort
Casting principal

Voir les informations de production sur IMDbPro

NOTE IMDb

6,2/10

MA NOTE

Réalisation
- Reginald Le Borg
Scénario
- Murray Lerner
- Henry Blankfort
Casting principal

Voir les informations de production sur IMDbPro

Photos12

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Avis des utilisateurs2

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wbrasle-1

A rare oddity

This independent film was a late night favorite in St. Louis in the '50s. It is rudimentary but fun with odd little songs, a wandering plot and everyone trying to create the best humor and spirit possible. The most famous line from the film is "Trucking, trucking" but you'd have to see the movie to get what that was all about. I actually have "G.I.Jane" on videotape, copied from a telecast. What's most interesting about this film is it sort of looks like a television show, yet it is a full production of realistic sets and costumes and scoring. I've always wondered if it actually played anywhere. I do know in 1950s St. Louis it was a favorite.

5boblipton

Fraternizing With The Enemy In The War Between The Sexes

Tom Neal is drafted in the army and winds up at a post in the desert. He bets his bunkmates that he can get women, and heads off. By forging orders, he gets a bunch of WACs led by Lieutenant Iris Adrian assigned to the post, and musical numbers ensue.

It's a Lippert production directed by Reginald Leborg, so I wasn't expecting much. Neal spends most of the time grumpy, and Miss Adrian, although a fine farceur, does likewise. On the other hand, the musical numbers include some good dancing, and Jimmy Dodd sings a few numbers well; he had appeared in soundies under Leborg's direction. Eventually it all ends clumsily, but there's some fun along the way. Jack Greenhalgh's cinematography was, for once, not ruined by muddy prints.