Le fort de la vengeance

It is several months after the end of the civil war, and Ben Shelby (Ben Johnson) shows up at the Tallon Ranch to kill John Tallon (Dane Clark). Tallon had given himself up to the confederates just before the war ended and this led to a company of the Arizona volunteers being wiped out, Ben's brother among them. He meets John's young, blind brother Ned (Peter Graves) and Uncle Charlie. John is not around and Ben ,saying he knows John from the war, decides to wait for him. A problem comes up when he gets very close and Ned and Uncle Charlie. John has become a bank robber and a killer which Uncle Charlie has kept from Ned and asks Ben to also keep the secret because Ned worships his brother who supposedly was a war hero. Word finally reaches them that John is dead and Uncle Charlie and Ben have to tell Ned.

There are additional problems. The Indians find out they are going to be moved to Oklahoma, don't like the idea and go on the warpath. Local land baron Dave Parker, who also lost brothers in the Arizona volunteers, finds out about John Tallon's act of cowardice and wants all Tallon's dead. This is just an excuse to get their ranch.

AS you might guess. John Tallon finally shows up, but he is not the coward and killer you might expect, and Ben, besides fighting Dave Parker and the Indians, must face the possibility of killing a close friend's brother This is not exactly a B western. It was shot in New Mexico, has a cast of superb actors, more plot than there is in two current films( actually a plot worth of a major film) and complex, conflicted characters. I saw this film when I was very young and found out recently that it has not aged. It is well worth tracking down and watching. A very good sleeper

There is a problem with the color. The film was shot in Cinecolor, and it is just not as good as Technncolor of even Eastman color.The colors fade and blues and greens are lost. This film deserves a restoration.

The first half is a fine slice of emotional clarity, that stubborn homestead squatting like a tiny island on an ocean of redrock. The movie itself turns on Peter Graves's sightless Ned. If he's not likably appealing, then the plot doesn't work. But fortunately Graves hits the right notes without being maudlin, so we understand why others would sacrifice to help him. And when Ben (Johnson) finally turns around to help, we know there's more to family than blood kin.

I wish the second half were as streamlined and inventive. But instead, it falls back on a series of clichés. What purpose, for example, is that gunning down of Parker's men except to show how fast Johnny (Clark) is. Then there's the badly clichéd Indian attack. Sure, it's panoramic and I assume that was the real purpose. However, the attack is unimaginatively staged as though the circling Redmen have no other desire than to give the Whites some live target practice. It's like they have no military sense at all. And instead of the stereotypical good- hearted hooker, why not pair the sightless Ned with a homely girl. For glamour obsessed Hollywood that would have been a real departure. In a lesser Western, such shopworn episodes are expected. But for a movie that starts off so well, these are clichés pulling events down to the merely routine.

Nonetheless, the acting is first-rate, and I especially like George Cleveland's grizzled old Uncle Charlie. The chemistry between Ned and Ben and him is simply superb, and when he collapses in the doorway, there's a genuine sense of loss unusual for any Western. Then too, was there ever a better cowboy than the under-stated Ben Johnson with his authentic western twang. His gradual reconciliation with Johnny is both compelling and believable. I'm only sorry that this story of family parts finally fitting together just misses being a real sleeper.

The film packs thrills , noisy action , horse pursuits , crossfire , high body-count , cavalry charges and it is fast-moving and quite entertaining . Standard Western about an expedition heading for Fort Defiance and along the way suffering native american attack .It's just after the Civil War , an ex-Civil War soldier called Ben Shelby (Ben Johnson) arrives looking for Johnny Tallon (Dane Clark) whom he plans to murder . Shelby was the only survivor of a battle due to the cowardice of Tallon, that's why he is hell-bent on killing the man whose surrender got his brother killed, but then discovers that a rancher wants him and his blind brother (Peter Graves) killed. Ater finds out a rancher wants that same man and his blind brother killed. Tallon and and his companions have to confront Navajo Indians who go on the warpath and must now battle together postponing the inevitable showdown . This is killer country ... and the story of the guns that won its glory ! All the fury of the last Great Indian Wars !Where "Kill or Die" Was The Indian Cry!...a hunted man and his hunter fight side by side...across the blood-mad terror of the Navajo empire!

The picture gets Western action , shootouts , US cavalry go riding , a love story between a blind man and an ex-prostitute , and it results to be an enjoyable tale . Set during the Arizona Indian Wars with the violent upheaval of brave Indian chiefs as : Cochise , Jeronimo , Vitorio , Mangas Coloradas , when fear and violence spread throughout the land .This one shows a campy , amusing and entertaining glimpse in the Wild West . It's a medium budget film with acceptable actors , technicians , functional production values and pleasing results . There is plenty of action in the movie , guaranteeing some shoot'em up or stunts every few minutes .vBursting with appealing characters, thought-provoking themes as the peculiar relationship among two attractive characters : a blind and a prostitute , sub-plots , symbols , and with very decent filmmaking and interpretation . There is an odd implementation of shots in the camera work during some particular scenes as the film approaches its climax , as the battles between the stagecoach passengers and Navajos . Nice production design creating an adequate scenario with luminous outdoors , plains , montains and rocky landscapes under a glimmer sun and atmospheric sets but in B-series style . It stars the always agreeable Ben Johnson as former Civil War solider bent on killing the man whose surrender got his brother killed, and Dane Clark as a gunfighter who eventually gets redemption , but is Peter Graves who steals the show as the good blind brother attempting to keep his first love . Peter drafted United States Air Force, he studied drama at the University of Minnesota and then headed to Hollywood, where he first appeared on television and later made his film debut in Rogue River (1951). Numerous film appearances followed, especially in Westerns . However, Graves is primarily recognized for his television work, particularly as Jim Phelps in Mission impossible (1966). He made movies of all kinds of genres , Sci-Fi, drama , Western , Warlike , comedy , such as : Stalag , Beneath the 12-mile reef , It conquered the world , Killers from space , The clonus horror , The court martial of Billy Mitchell , The winds of war , Sergeant Ryker , Cruise missile , Legend of the Sea Wolf , Scream of the Wolf, Texas across the river , The Guns and the Fury , The rebels , Survival run, Let's make up , The night of the hunter , The slipper and the rose , being especially known for his special appearances in : Airplane I and II and Men in Black 2 . Peter Graves died of a heart attack on March 14, 2010, just four days before his 84th birthday. His partenaire is the attractive but unknown actress Tracey Roberts . They are accompanied by a fine support cast , such as :vGeorge Cleveland , Ralph Sanford , Dennis Moore and Iron Eyes Cody as Brave Bear ; the latter played several Indian roles , in fact he claimed Native American descent, although he was actually of Italian descent, with ancestors from Sicily , he labored for decades to promote Native American causes, and was honored by Hollywood's Native American community .

The motion picture was well directed by John Rawlins . This B-Hollywood filmmaker had a long and important cinematic career. At the beginning he was an actor, stunt man, gag writer and assistant director . For a while he sidelined as a comedy writer, then became an editor and later directed second features for First National in Britain from the early 1930s. Returning to the US, he joined Universal (1938-46), where he turned out "B" pictures and serials, including installments of the "Dick Tracy" and "Sherlock Holmes" series. And directing various Westerns such as : The Arizona Ranger , Strange conquest, Overland Mail, Men of the Timberland , Rogue River , shark river , Mississippi Gambler , among others. He had similar assignments at RKO (1947-48) and United Artists (1951-53), before branching out into television dramas. Rating : 6.5/10 . Decent and better than average Western.

For a fitfully simple b-western, FORT DEFIANCE has the most complicated case of post Civil War revenge, twofold: first there's Ben Johnson, who becomes a ranch-hand working for blind, extremely trustworthy Peter Graves, and secretly wants to kill Peter's older brother for backing out of one of the last battles... and then an entire posse wants both brothers dead...

Enter first-billed Dan Clark, extremely anticipated through expository dialogue, thirty-five minutes in, as his brother and new best friend are cornered by Indians in a cornering canyon, led by legendary faker Iron Eyes Cody...

There would be far more suspense along with anticipating tribal drums if the low-budget use of day-for-night... filming darkly in daylight masquerade a brightly moonlit night... wasn't so obvious... but the introduction of heart-of-gold-hooker Tracey Roberts, who even blind Peter Graves knows is pretty and genuine, adds some needed dimension: but what matters most takes place in the third act, after sunrise...

When Dane Clark, usually a kind of poor man's George Raft, really stands out, playing the heck out of the villainous yet faithfully-dependable scoundrel in what's an 11th hour crash-course of the ambiguous gunfighter persona... making you forget that most of the film's buildup didn't have him around at all.

It's just after the Civil War and Ben Shelby arrives looking for Johnny Tallon whom he plans to kill. Shelby was the only survivor of a battle due to the cowardice of Tallon. Thinking Tallon dead, another man who lost a brother at the same battle arrives to kill Tallon's blind brother. Tallon arrives to find Shelby and his brother fleeing. Then they are attacked by Indians and Shelby and Tallon must now fight together postponing the inevitable showdown.

Fort Defiance is an enjoyable western, due to the good performances, direction, cinematography and a tense, yet quiet atmosphere, and exciting blazing action as Shelby and the Tallons square off against vengeful white men and their Native American neighbors. Loved Dane Clark's witty comeback and his fast guns. Ben Johnson is excellent as always, but I reckon Peter Graves steals the scene as a blind man. The first half is slightly plodding, but picks up when the villainous Ned Parker and his gunnies turn up. It's then uphill all the way.