Le renard du désert

This is a fine biopic of a worthy and honorable opponent serving a despicable cause. Unfortunately, there is not enough North Africa Campaign in the film to satisfy a war film buff. When I first saw it in the theater, it did whet my appetite to learn more about this horrendous and costly war. I have been interested in it since. The acting is first-rate, and, unlike Enemy at the Gate, the British and American accents don't detract from the film, the British accents at any rate. As others have noted in their reviews of this film, Rommel probably wasn't anti-semitic. He deliberately ignored Hitler's orders to round up Jews during the invasion of France. He also never forgave Hitler for abandoning the Afrika Korps to their fate in 1942, not to Hitler's less than energetic attempts to keep the DAK supplied.

The story of the final years of the respected World War II German general, Erwin Rommel (James Mason).

I really didn't know much about Rommel going in to this film, and I don't know if I know all that much more coming out of it. Apparently he was British? And he answered to a silly Hitler that seemed liked a caricature of the real thing? I joke, but it is amusing how movies used to make no attempt whatsoever to get people's nationality correct.

Beyond that, the film is actually fairly decent because it operates more or less as a one man show for James Mason. And Mason is a joy to watch (and an even bigger joy to listen to). Not a bad story, either, although I am not sure how openly people were calling Hitler "evil" and trying to overthrow him.

I cannot count the number of times I've seen this excellent film. It is endlessly watchable. James Mason plays a very believable Rommel (at least he looked the proper age unlike the actor who played him in PATTON). True, this is an idolized portrait of Rommel, whose reputation in history (after all he was Hitler's favorite general, an autocratic and egotistical warrior who served his Furher with skill and zeal) was salvaged because of his final opposition to Hitler, an action that caused his death on Hitler's orders. It would be interesting, as one reviewer wrote, to see a German filmmaker's take on Rommel's life.

The script is tight, giving the cast excellent opportunities to create intelligent and believable characters. To the film's credit, the historical events are generqally presented with fairly good accuracy. As a side note: the voice of British General Desmond Morris (upon whose biography the film is based and who gives a running narration throughout) was dubbed by actor Michael Rennie (THE DAY THE EARTH STOOD STILL), but who is not credited.

Despite flaws that mark all historical movies of any age, but especially biographies, I highly recommend THE DESERT FOX, especially for it's acting.

Though The Desert Fox is good as far as it goes and James Mason is perfectly cast as Erwin Rommel, one would hope that a fuller biographical study might be done on the screen.

Erwin Rommel was one of a group of like minded military leaders in various countries who after World War I, rose to the top of their country's military establishment because they saw the value of the tank in any future war. Some of those people would be Charles DeGaulle in France, Dwight Eisenhower and George Patton in America, Marshal Tukachevksy in the Soviet Union and Rommel in Germany.

In 1942 Hitler as he was constantly doing sent Rommel in to bail out the Italians who up to that point had been running the desert campaign in North Africa. With less men and supplies, his tactical ability bedeviled the Allied command until The Second Battle of El Alamein.

The film starts with Rommel as desert warfare genius and then when he does become ill and is invalided out of North Africa, the Allies regain the initiative and beat his famed Afrika Korps. Rommel is then sent to Western Europe to supervise the defenses on the Atlantic.

There comes a point when Rommel does realize that his Fuehrer is destroying his country and becomes involved in the plot to kill him and overthrow the government. That is what most of the film deals with.

James Mason is a stalwart Rommel a perfect conception of the man they called The Desert Fox. In this mostly male film, Jessica Tandy has little to do but be loyal and supportive as Frau Rommel.

Luther Adler who among other parts he played in his long distinguished career was David Ben-Gurion. He goes the whole opposite way in his portrayal of a ranting and malevolent Adolph Hitler. How a man who took his Jewish heritage as seriously as Luther Adler did, prepare for the role of Hitler is beyond my scope. But then again, there were few actors as good as he.

Though Mason does a fine job given what limited material he had to work from, archives have been opened and we know a whole lot more about Erwin Rommel. Time for another biographical study.

While a highly rewatchable war movie, with a corker of a performance from James Mason, this motion picture does have its inaccuracies--beginning with its memorable opening. In truth, British commandos did not sneak or charge in, outfitted in nightfighting fatigues; they simply walked in, disguised in Axis uniforms with fake ids. Though the covert mission proved a fiasco, Rommel, in true chivalrous tradition, had these would-be assassins buried with full military honors. However, cinematically-speaking, it's a gripping moment, and it's considered the first true pre-credit movie sequence, a trick one would see quite often in later movies, such as the Bond films and others.

The movie focuses largely on the Field Marshall's involvement with the attempted assassination of Hitler, but just how much (or how little) Rommel was involved is still arguable. Curiously, James Mason once mentioned how he was up for the part of Rommel and was competing with another Fox contract-player, Gary Merrill (best known as Bette Davis's love interest in ALL ABOUT EVE). Mason was impressed by how well Merrill marched and strutted, doing bits of military-like physical action that didn't come easily to the urbane Mason. Even though Mason ultimately won the part over Merrill, he self-critically felt he didn't fully do the role justice (though many, including myself, wouldn't agree with him). Perhaps the studio opted for Mason to bring out a sympathetic quality, because viewers do tend to forget the numbers of Allies who died directly because of the main character! Rommel was a great general for his energetic and ingenious tactics, not for (possibly) wanting Hitler killed.

Don't get me wrong; this movie is still a joy.