NOTE IMDb
6,3/10
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MA NOTE
Après avoir détruit un fort Seminole, les soldats américains et leurs compagnons secourus doivent affronter les dangereux autochtones afin de se mettre en sécurité.Après avoir détruit un fort Seminole, les soldats américains et leurs compagnons secourus doivent affronter les dangereux autochtones afin de se mettre en sécurité.Après avoir détruit un fort Seminole, les soldats américains et leurs compagnons secourus doivent affronter les dangereux autochtones afin de se mettre en sécurité.
- Réalisation
- Scénario
- Casting principal
Dany Aldon
- Bit part
- (non crédité)
Carl Andre
- Trooper
- (non crédité)
Mel Archer
- Pvt. Jeremiah Hiff
- (non crédité)
Gregg Barton
- Pvt. James W. Tasher
- (non crédité)
Jere Beery Sr.
- Dead Indian
- (non crédité)
George Bell
- Trooper
- (non crédité)
Jimmie Booth
- Trooper
- (non crédité)
Rudy Bowman
- Trooper
- (non crédité)
Beverly Brandon
- Mme. Duprez
- (non crédité)
Bob Burns
- Indian Boy
- (non crédité)
Sidney Capo
- Indian Boy
- (non crédité)
Larry Chance
- Chief Ocala
- (non crédité)
Avis à la une
There are not very many films depicting the 2nd Seminole War of 1835-1842, in Florida. This is unfortunate as this was not only America's longest, but its bloodiest Indian war as well. Other films relating to this conflict include Seminole, and Naked in the Sun. Due to the sparsity of Seminole War films I will admit a bias for this film despite its ridiculous plot, bargain basement Hollywood surplus wardrobe (The soldiers are in a mix of fanciful fringed pants and ca. 1898 Spanish-American War hats and shirts etc.), and anachronistic armaments(the soldiers are using M-1873 Trapdoor carbines, the Seminoles the full length M-1873 rifle-both sides used flintlock weapons in 1840). A large chunk of the plot surrounds Cuban gun runners supporting the Warriors. In truth, despite 7 years of naval blockade of the Florida Coast, the US Navy never proved the fears of such a trade from Cuba...I could go on and on... True, this is nothing more than a transplanted "western" in the Swamps of Florida, although I detect a great deal of Director Walsh's previous Objective Burma in this flick (compare the gator pit in the Seminole village with the similar scene in the Japanese held village in Objective Burma) The true star of this one is the scenery, as, almost alone amongst the few Seminole War films, this one takes full advantage of the wildly beautiful Florida Wilderness. Other comments note the great underwater battle scene, but I am spellbound by the cypress swamp and saw-grass settings as well. You won't learn much about the War from this movie, but it does have some basis in fact. By 1840 the army was relying on small patrols like Cooper's in the film to track down hostile Seminoles for removal to the west. Thats about as close as it comes to the history books, but it is still an exciting action film with an O.K. musical score.
This Technicolor hokum set in 1840 follows a similar narrative arc to 'Northwest Passage' but instead of Alaska is located in the Florida Everglades and is far more tongue in cheek; with a noisy and anachronistic score by Max Steiner, plenty of gunplay, explosions and reptiles, and a worldly leading lady in Marie Aldon.
I saw "Distant Drums" for the first time when I was 10 or 11 years old and I recall it was a great film for me. Then I saw it as an adult and though it was not the great film I remembered it was still very good as an action and adventure sort of western. Since I'm not from the USA I didn't notice some historical mistakes -mainly the use of guns and rifles not yet invented by the time of the action- I learned about after reading some reviews here; I think those are major flaws in a movie.
However, I think my little knowledge about the Seminole wars in Florida give me the possibility of judging the film just at what it is: an adventure film. That established, "Distant Drums" appears to me as a highly entertaining and well done movie as well as a very original film mainly because of where the action is located. Is has great color, beautiful photography and incredible open wide sceneries in the Everglades. The plot -although kind of standard (a bunch of soldiers chased by savage Indians through the swamps- is however very well handled by director Roul Walsh and he keeps action going all along without major bumps. The sequence at the Seminole village is most impressive and tense as it is the final underwater knife duel between Captain Wyatt and chief Okala.
Gary Cooper (Wyatt) is very good as the leader of the escaping troop and shows the presence and self confidence a leader should. The rest of the cast brings a good support too, mainly Arthur Hunnicutt (Coooper's sidekick) and Ray Teal (one of the troopers), and Mari Aldon does a credible work as Cooper's romantic interest. Seminole chief Okala looks mean enough and a proper match for Cooper. Perhaps the less impressive performance is that of Richard Webb kind of dull as a navy officer involved in the mission.
In all this a decent action/adventure film, most entertaining and worth seeing for those who enjoy the genre.
However, I think my little knowledge about the Seminole wars in Florida give me the possibility of judging the film just at what it is: an adventure film. That established, "Distant Drums" appears to me as a highly entertaining and well done movie as well as a very original film mainly because of where the action is located. Is has great color, beautiful photography and incredible open wide sceneries in the Everglades. The plot -although kind of standard (a bunch of soldiers chased by savage Indians through the swamps- is however very well handled by director Roul Walsh and he keeps action going all along without major bumps. The sequence at the Seminole village is most impressive and tense as it is the final underwater knife duel between Captain Wyatt and chief Okala.
Gary Cooper (Wyatt) is very good as the leader of the escaping troop and shows the presence and self confidence a leader should. The rest of the cast brings a good support too, mainly Arthur Hunnicutt (Coooper's sidekick) and Ray Teal (one of the troopers), and Mari Aldon does a credible work as Cooper's romantic interest. Seminole chief Okala looks mean enough and a proper match for Cooper. Perhaps the less impressive performance is that of Richard Webb kind of dull as a navy officer involved in the mission.
In all this a decent action/adventure film, most entertaining and worth seeing for those who enjoy the genre.
Great looking locations and color photography with daredevil action reigns over this boy's own adventure, the style Warner Brothers has always been very good at. The characters are mostly left undeveloped, except Cooper's group leader Zachary. His past is well documented by his friend, played by Arthur Hunnicut in his usual relaxed manner, and it's mostly his destiny we are to care about. It's notable how larger than life Cooper appears to be even on television screen. His characterization, which is a combination of a western hero and Tarzan, doesn't offer very much range in acting but makes it interesting enough for this kind of adventure flick. Mari Aldon gets dragged through all the dangerous and beautiful scenery without having her make-up smeared and sometimes completely steals my attention from what is going on around her. Her role doesn't have much else to offer either. But I guess, by what I just said, her role work serves its purpose the way it was intended.
Almost everything you expect from a jungle adventure set in Florida is here including alligators, snakes and wild cardboard Indians. A great plus are the beautifully shot underwater scenes, short but crystal clear, crowned by a final duel under surface. This isn't one of the best movies from the director Raoul Walsh, but as a classic adventure and action for a more empty-headed moment it works truly well.
Almost everything you expect from a jungle adventure set in Florida is here including alligators, snakes and wild cardboard Indians. A great plus are the beautifully shot underwater scenes, short but crystal clear, crowned by a final duel under surface. This isn't one of the best movies from the director Raoul Walsh, but as a classic adventure and action for a more empty-headed moment it works truly well.
Distant Drums is directed by Raoul Walsh and stars Gary Cooper, Richard Webb, Mari Aldon & Arthur Hunnicutt. Known as a "Florida Western," the film is set during the Seminole Wars in the 1840s. It's written by Niven Busch and Martin Rackin, photographed predominantly on location in the Florida Everglades (in Technicolor) by Sidney Hickox and Max Steiner scores the music. Plot sees Cooper playing an Army captain who after destroying a fort held by the Seminole Indians retreats with his party into the Everglades where many of natures dangers lurk as the Seminole pursue them.
Not one for fans of Cooper, Walsh or Busch to get excited about. The story is as conventional as it gets, complete with a romantic angle, and the dialogue is boorish and lacking imagination. Were it not for the excellently constructed action sequences (check out the under water scenes) and the lush location photography, then this one would be consigned to the "please steer away from" pile. Busch is the main culprit since his writing is confused as to what it wants to achieve. The Seminole Indians are painted as savages, thus giving a one sided feel to a War not often seen in movies, yet other Native Americans are handled more sympathetically via the portrayal from Cooper. All in all we learn nothing about the War and the people involved as the film winds up as a jungle like adventure built around a number of set pieces.
Cooper is rugged and watchable as an Alligator Dundee type and Hunnicutt as always leaves a favourable impression as the scout. Mari Aldon is pretty but pretty one dimensional, while Richard Webb just seems out of place in the perilous locale and therefore unconvincing. But as previously mentioned, nobody here is helped by the tepid script. It's believed that this movie features the earliest known use of the Wilhelm Scream sound effect, a technique used to vocalise a character being torn to shreds by an alligator. A standard film it is then, one that really should have been a fine entry into a sadly untapped in to topic. It's like getting a beautifully wrapped birthday present that when opened reveals nothing but strips of mouldy old newspaper. 5/10
Not one for fans of Cooper, Walsh or Busch to get excited about. The story is as conventional as it gets, complete with a romantic angle, and the dialogue is boorish and lacking imagination. Were it not for the excellently constructed action sequences (check out the under water scenes) and the lush location photography, then this one would be consigned to the "please steer away from" pile. Busch is the main culprit since his writing is confused as to what it wants to achieve. The Seminole Indians are painted as savages, thus giving a one sided feel to a War not often seen in movies, yet other Native Americans are handled more sympathetically via the portrayal from Cooper. All in all we learn nothing about the War and the people involved as the film winds up as a jungle like adventure built around a number of set pieces.
Cooper is rugged and watchable as an Alligator Dundee type and Hunnicutt as always leaves a favourable impression as the scout. Mari Aldon is pretty but pretty one dimensional, while Richard Webb just seems out of place in the perilous locale and therefore unconvincing. But as previously mentioned, nobody here is helped by the tepid script. It's believed that this movie features the earliest known use of the Wilhelm Scream sound effect, a technique used to vocalise a character being torn to shreds by an alligator. A standard film it is then, one that really should have been a fine entry into a sadly untapped in to topic. It's like getting a beautifully wrapped birthday present that when opened reveals nothing but strips of mouldy old newspaper. 5/10
Le saviez-vous
- AnecdotesWILHELM SCREAM: This film contains the first known instance of "The Wilhelm Scream" (a sound effect of a man screaming, since used in over 400 other movies, at least 433). different variations of the sound effect are heard throughout the movie, heard two or three times during a fortress battle sequence when two soldiers are killed and let out Wilhelms. it's again during a scene in which the soldiers are wading through a swamp in the everglades, one of them is bitten and dragged underwater by an alligator and lets out a Wilhelm. six takes of this scream were recorded originally for the alligator scene by Sheb Wooley (actor of Private Jessup), the fifth take was used for the alligator scene though the fourth take became most popular. The scream for that character was recorded later. Six short pained screams were recorded in a single take, which was slated "man getting bit by an alligator, and he screams." The fifth scream was used for the soldier - but the 4th, 5th, and 6th screams recorded in the session were also used earlier in the film when three Indians are shot, one after another, during a raid on a fort. Although the "signature" or "classic" screams, takes 4 through 6 on the original recording, are the most recognizable, all of the screams are referred to as "Wilhelm" by those in the sound community. Ben Burtt, sound effects designer on Star Wars: Épisode IV - Un nouvel espoir (1977), named it "Wilhelm" after the character that let out the scream in La Charge sur la rivière rouge (1953). He discovered a file at Warner Bros. for this movie, which contained paperwork that was left over from the picture editor after the film was completed. One of the papers was a short list of names of actors who were scheduled to come in to perform various lines of dialogue for miscellaneous roles in the movie. After reviewing the names and even listening to their voices, one person seemed to be the most likely suspect: Sheb Wooley who had played the uncredited role of Private Jessup in "Distant Drums", and was one of the few actors assembled for the recording of additional vocal elements for the film. It is very likely he was asked on the spot to perform other things for the film, including the screams for a man being bitten by an alligator.
- GaffesWhilst in the 'swamp' the soundscape includes the 'laugh' of the kookaburra, indigenous only to Australia and New Guinea.
- Citations
[repeated line]
Screaming Voice: AAH!
- Crédits fousOpening credits are followed immediately by Lt. Richard Tufts (Richard Webb) writing in his LOG "I, Lieutenant Richard Tufts, United States Navy, do make this account of my perilous journey in the Territory of Florida in the year 1840."
- ConnexionsFeatured in WatchMojo: Top 10 Greatest Sound Effects in Movies (2013)
- Bandes originalesDistant Drums Theme
Written by Max Steiner
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