Le traître

For anyone who is used to freedom, this movie shows better than any other what it is like to live in a total police state. The Thousand-Year Reich is shown with every wart and blemish, making this one of the greatest propaganda movies for freedom. But it is a harrowing experience, a true thriller. For the life of me, I cannot understand why this film is not better known and why it is hardly available in public libraries. Could this reflect the conservative, McCarthyite influence on movies? I think it is a must-see.

Having served in the US Army-Europe in Germany it was easy to see that this work was an accurate depiction of the world as Germans saw it in those years. Going to the IMDb database confirmed that it was filmed in Wurzberg, a city I visited many times. One can not help but wonder what memories and nightmares came back to life for the German people in this movie, or the ones who viewed it, or even witnessed the movie being made. The film is so very realistic in script, acting, and setting that some must have almost thought WWII was alive again. For those that lived through WWII in that country it must have seemed as if those days were repeating themselves. Every detail of this movie is accurate as far as I could tell. It does not employ overused stereotypes, no action heroes, no earth shaking grand and glorious finale, it simply depicts a period of time in all its' tragedy and irony in a most realistic manner. This work deserves more praise and exposure than it has received. A must see for every WWII researcher and historian.

I have seen this film on cable several times. Some of the scenes that are supposed to be in Wurzburg are actually in Munich. The chase scene in the rubble towards the end of the film was near the old Bavarian "Rezidence" or Royal palace that the Wittelsbach family lived in near the old town area of Munich. I recognized the Kriegsmuseum building which is now the seat of the Bavarian state government. Other than that I really enjoyed the film. Having read countless stories about the demise of the once mighty Wehrmacht this film was, to me, accurate in its portrayal of soldiers beaten down and waiting for the inevitable end. Werner has been one of my favorite actors. His performances in "The Spy who came in from the Cold", "Fahrenheit 451" are very good.

Those were the outcasts of WW2.German war prisoners who decided to rebel against their country.

Karl-aka "Happy" - agrees to become a spy in the "pay" of Americans at the end of WW2 in his country .A country in ruins.The "Third Reich " which should have lasted one thousand years was collapsing.Oskar Werner gives a restrained moving performance.If "underacting" has a meaning (not meant pejoratively) ,that's exactly what it is.He watches his country fall as if he does not belong there anymore.He meets people he used to know ,a girl (Knef) he could love (but he won't),but he knows from the start that wherever he goes,he is an outcast.His new "Friends" use him as a pawn in their game,and " his motherland will not cradle him anymore" .

Anatole Litvak,an European who used to work in France -where the first scenes take place- in the thirties (and later would in the fifties/sixties)knows what he is talking about.He joined the army during WW2;and "decision before dawn" was one of his finest achievements .

Like this? try this...

Vent d' Est Robert Enrico 1993

A taut story, first-rate acting, and a compelling subject make this film worth seeing.

Espionage/spying is a tricky subject, but "Decision Before Dawn" handles it brilliantly. No flash, no Mata Haris, no absurd coincidences. Weaving human drama and the grim realism of war, this film is that rare gem that manages to teach without preaching.

Among the superb performances is our hero Happy, played with just the right blend of suspense and humanity by Oskar Werner. Happy (an ironic name given to him by his American overseers) is torn between love of his native land and his duty to what is right. Werner walks this tightrope better than most I've seen.

In the end, however, it's the script that is the true gem of the film. Peter Viertel is a master story teller, with such great screenplays as "Saboteur" and "The Hard Way" to his credit. Viertel, with a story by author George Howe, weaves an intricate, but not confusing, narrative of war and devotion and duty. He's one of the few _writers_ I look for when I check out "On TV This Week" on IMDB.