L'enfant du désert

Although the CONNECTIONS link on IMDb does not say it, this is clearly a remake of "Captains Courageous"--the famous Spencer Tracy/Freddie Bartholomew film of the late 1930s. Now, Dean Stockwell plays the bratty rich kid and Joel McCrea takes Tracy's role as a friend and nursemaid (of sorts) to this kid. But, instead of being set at sea, this film is in the Old West--on the prairie. Instead of a fishing boat, the boy is taken on a cattle drive. When the brat is lost on a cross-country railroad trip, he is picked up by a group of cowboys. One takes the boy under his wing and shows him responsibility and kindness--things the boy truly needed to learn for himself. Because the basic story was so nice, this new film couldn't help but work as well--which it did, thanks to some excellent performances by Stockwell, McCrea and Chill Wills. Well worth watching--and nearly as entertaining as the original. This film's one advantage over the earlier film is McCrea's simple performance. Although Spencer Tracy won the Oscar for his performance, to me it was a bit broad in style.

By the way, the ending of "Cattle Drive" is very, very, very different from "Captains Courageous"--very!

Solid script, good plot, strong performances - especially from the young Dean Stockwell - and superb scenery make for a very entertaining film. Nothing gimmicky in technique but solid and professional with a decent pace. Story has an excellent moral being the taming of a spoilt Eastern kid by a gang of experienced cowboys on a cattle drive. It is, however, not a typical kid's picture - it has a wide appeal and works for adults as well as children. Reviewed January 2001 on a very rare appearance on British television.

This pleasant ,juvenile Western is a retread of the theme of the classic movie -and Kipling novel upon which it is based-Captains Courageous in that it deals with the education in life of a spoiled rich kid who is taken out of his comfort zone and forced to adjust to new situations and people Chester Graham Junior (a winning performance from Dean Stockwell)is the boy in question .He is left alone in the desert by mischance and can only get back to civilisation by joining a cattle drive bossed by the tough but fair Dan Matthews (the always excellent Joel Macrea).Chester is a fish out of water and struggles to adjust, making his dislike of the situation and his new colleagues all too plain until he sees the error of his ways learning lessons of the trail and life itself from his new boss and grizzled veterans played by genre luminaries Chill Wills and Bob Steele.There is one delightful touch when Macrea pulls out a picture of the woman waiting for him at end of trail -it shows his wife in real life ,Francis Dee, with whom he made a number of Westerns

Kurt Neumann,not a name usually linked with the genre, directs admirably and the colour photography by Maury Gertsman ,of Death Valley where the movie was shot is superb .Indeed the choice of ;ocation adds immeasurably to the impact of the movie as it is relatively little used in Westerns

This is not the only trail drive Western to draw its inspiration from a movie in another style -Red River being essentially a variation on Mutiny on the Bounty .This is not in the class of that magnificent movie but it is enjoyable and worth watching

I was about 11 years old when my parents took me to the Fox Theater in Inglewood, California to see this film. It just so happened that Dean Stockwell was appearing in person before the film and was answering questions from the audience. He was very shy and an adult male did most of the answering. I remember loving this film - perhaps because the star was present - as a western adventure involving a big locomotive. I remember the relationship between the father, looking for the boy, and the son as being more realistic than I had seen in films. By this age I was a veteran film-goer, seeing my first film, a Walt Disney film, at age of six. I gotta get a copy of this film to re-live it.

Most Westerns, apart from comedies, are about conflicts- heroes versus villains, cavalry versus Indians, sheriff versus outlaws- which can only be settled by violence. "Cattle Drive", however, is different. It is the story of a spoilt teenager, Chester Graham Junior, the son of a millionaire railway tycoon, who is travelling through the West on one of his father's trains. When the trains stops briefly to take on water, Chester is accidentally left behind, but he is rescued by a gang of cowboys on a cattle drive. The men have no time to take him in search of his father; they insist that he must accompany them to their destination, Santa Fe, and that he must help them with their work if he wants to be fed. At first young Chester's arrogant and snobbish attitude alienates the men, but he soon learns the importance of humility, hard work and cooperation, and wins them over. One of the cowboys, Dan, becomes his special friend. Dean Stockwell makes a personable young hero, teaming up well with the veteran actor Joel McCrea. (McCrea tended to specialise in Westerns, although I always think of him as the hero of Hitchcock's "Foreign Correspondent").

The film is said to be based upon Kipling's sea-story "Captain's Courageous", but I must admit that I have never read that book or seen the 1937 film that was based on it. The plot, however, can be seen as a distilled and simplified version of the literary genre known as the "Bildungsroman", a German word which literally means "education novel" but which can also be translated as "novel of character formation". The basic plot of such a novel is "young man (or woman) learns important lessons about life", and Dickens's "Great Expectations" is a good English language example.

At just over an hour and a quarter it is a very short film, even by the standards of the time. It is, however, an example of two trends that were to mark the development of the Western in the fifties. Firstly, it is shot in colour against the background of some spectacular scenery, actually in Utah and California's Death Valley, although the action supposedly takes place in New Mexico. The generic "Wild West town" set used for Santa Fe bears little resemblance to the real city of that name. Secondly, there is a greater emphasis on character than on action, although there are some exciting scenes of a cattle stampede and a sub-plot about Dan's attempts, with Chester's help, to capture and tame a wild black stallion. There is nothing particularly deep or significant about the film; some much better character-driven Westerns, such as "The Naked Spur" and "The Big Country" were to be made over the next few years. By these standards "Cattle Drive" is a lesser Western, but it is still a watchable and entertaining one. 6/10