Capitaine sans peur

I admit on this particular story I'm not so au fait with they exact facts, so I am just reviewing this film based on what it is. A Truly wonderful timeless classic film. I am a big fan of Raul Walsh whom directed this film, in this film he has created another masterpiece. A 19th Century Captain of a British Fleet, the film is taken from the books of C. F. Forester. Gregory Peck is just amazing in his role of Captain Horatio Hornblower, Hornblower is a simple honest man who believes in his duty and honour. The scenery and film score add to the quality of this film, there are some superb wonderful truly romantic scenes with Lady Barbara Wellesley and also superbly acted by Virginia Mayo. This is just another great time classic film with a truly majestic director.

I don't know that much about the story of Captain Horatio Hornblower, so I can't vouch for the accuracy of this version. I saw it because I was interested in its director Raoul Walsh, who creates another of his roaring and high-spirited masterworks with this serene, honest, swiftly-paced adventure of the 19th-century British Fleet Captain, from the celebrated three novels by C. F. Forester. Walsh depicts Hornblower, fantastically incarnated by Gregory Peck, as a modest man characterized by a sense of duty and honor. Peck is perfect for the role. Aided by stunning Technicolor scenery and marvellous score, this simple epic on the high seas navigates through several battles in Spain, France, and South America. Walsh's staging of the battle scenes is flawless. But I was really impressed by the romantic moments by Hornblower and Virginia Mayo's Lady Barbara Wellesley. Their love scenes are wonderfully gentle and moving without being forcefully sentimental.

"Captain Horatio Hornblower" is a great timeless classic from a master director.

Great naval adventure, based on CS Forester's series of books. Solid plot, energetically directed. Special effects are great, especially for 1951.

Gregory Peck is his usual brilliant self. Solid support from Virginia Mayo, Robert Beatty and James Robertson Justice.

Great fun.

Raul Walsh directs this action packed adventure, based on three novels by C.S. Forester. Captain Horatio Hornblower(Gregory Peck) is a stern 19th-century seafarer during the Napoleonic wars. He sometimes hides the truth from the hands on the ship Lydia in order to survive battles with Spain and France in Central American waters. Eight months into his mission he takes on board Lady Barbara Wellesley(Virgina Mayo) and her hand-maid for the return trip to England. Their love is professed, but will not continue for she is promised to a Rear Admiral soon to be Hornblower's commander. Along the way back to British shores Lady Barbara comes down ill and Hornblower nurses her back to health. This is a prelude to a serious situation in his own home. He arrives and finds that his wife has died in childbirth. His thoughts return to Lady Barbara, but she has already married. Plenty of action with cannon laden majestic ships in battle. The supporting cast features: Robert Beatty, James Kenney, Alec Mango, Denis O'Dea and Christopher Lee. Almost two hours of sea-going adventure in beautiful Technicolor.

It's unfair that Raoul Walsh's name is labeled by the books as a second-level filmmaker in relation with, say, a Ford or a Hawks. He was an extraordinary crafted and prolific director, capable of incorporating standard studio material into his own personal worldview. `Captain Horatio Hornblower' is full of little moments that exceed any genre limitation. These `sparkles of Truth' may be the tracking shot along the empty room while Peck reads the letter of his deceased wife, or when Virginia Mayo kisses the youngster the way his mother used to did. So the adventure film becomes something bigger than life, just as `White Heat' used of the conventions of the gangster film to turn into metaphysics, or `Colorado Territory' departed the western into the depths of existentialism. This film is enjoyable from beginning to end, and it's a clear predecessor of Peter Weir's `Master and Commander', with which it shares a few tone, character and plot elements.