La ruée sauvage des éléphants

The sixth Bomba movie starring Johnny Sheffield has Bomba learning to read from beautiful Lola (Donna Martell). Lola is interested in Bomba for more than his mind but, as was the case in most of these movies, Bomba will have none of that. So, to make him jealous, Lola starts flirting with one of two ivory poachers. Bomba doesn't care about the flirting but he does care about the poaching. So he steps in to put a stop to them killing his elephant friends.

No doubt some modern viewers will read some unintended subtext into the fact that Bomba was often uninterested in the attractive women throwing themselves at him in these movies. I think the real reason was the makers of these movies were aiming them at little boys who didn't like 'mushy stuff,' as well as the comic value that comes from some of these situations. Anyway, the series really needed a Jane like Tarzan had. It's unfortunate they didn't see it that way but that's just one of the many reasons this series never rises above middling juvenile entertainment. This entry is par for the course with the usual rear projection effects and stock footage but there is a nice supporting cast, which helps.

When you have seen one BOMBAs series film, it's the same with the JUNGLE JIM series too, you have seen all of them. More or less.... Unlike the TARZAN films, which were very variable, depending of the producers, directors and actors playing Tarzan, the BOMBAs and JUNGLE JIM's were all alike. Most of the time, the villains are all White, hunters, nazis, Uranium, diamond, gold seekers, or also ivory traffic goons. Many many stock shots, but all those films, which this movie belongs to, were all fun, excellent time waster, under the condition you watch them once in a while. Ford Beebe provided the bulk of Bomba. And the producer was at least not the infamous Sam Katzman but the famous Walter Mirish. Who will be famous for bigger budgets later. IN THE HEAT OF THE NIGHT, MAGNIFICENT SEVEN...

Elephants are strolling around as muscular Bomba (Johnny Sheffield) rides one through the African jingle. Bomba must swing into action when a snake threatens his bird. After this, Bomba visits attractive Donna Martell (as Lola). This shapely brunette is helping "old maid" schoolteacher Edith Evanson (as Miss Banks) teach the natives to read. Bored with her job, Ms. Martell is much more excited to be tutoring Bomba on the side. The jungle boy is a quick study, in academic areas...

Bomba learns to spell "L.I.O.N", but Ms. Martell is more interested in "L.O.V.E." A good jungle boy, Bomba is not interested in finding a mate. Frustrated, Martell decides to make Bomba jealous by seeming to be sexually available for trigger-happy John Kellogg (as Bob Warren) and amorous Myron Healey (as Joe Collins). On safari, this dastardly duo is out to shoot elephants and steal local ivory. Lola's idea is dumb and dangerous. You could say: Whatever Lola wants, Lola doesn't get.

**** Bomba: Elephant Stampede (10/28/51) Ford Beebe ~ Johnny Sheffield, Donna Martell, John Kellogg, Myron Healey

The least that can be said about "Elephant Stampede" (1951) is that it offers equal-opportunity eye-candy to both genders of viewers: Bomba (Johnny Sheffield) looks jacked and hunky, and his female friend in this episode, Donna Martell, has an especially nice back. Other than that, the plot of this film could not be more standard (ivory hunters....again), though at least it does deliver on the title promise by the end, even if only on a small scale. There is also one particular shot, of the bad guys shooting a vine that Bomba is swinging on, that I think I've seen reused in every Bomba film so far! ** out of 4.

Yet another cheap Monogram Pictures' Bomba film, with it's signature phony looking backlot jungle, poorly done rear projection, and an overuse of stock jungle footage. The entry has Bomba stopping evil ivory hunters and is less racist than most entries and also a slightly more enjoyable film than the rest of the series. After having watched five of the 12 Bomba films, I'm not sure I really need to see any more, though I'll probably make myself to just say I've seen all of them. Still, this was probably the most bearable of them that I've seen thus far.