La Femme au voile bleu

I was a very impressionable young girl when I saw this movie...not on tv, but at the local theater. I remember running out of tissues, I cried so much. An elderly couple seated next to me passed me more tissues and reassured me that it was "only a movie". I have never forgotten this film, and I have yet to see it on tv. Jane Wyman should have had the Oscar that year.

As another reviewer noted, "The Blue Veil" is apparently entangled in rights litigation, which would certainly explain why this wonderful movie is never shown on TV nowadays; nor, sadly, is it available for release on video. Over the years I have noticed that a number of the great Jane Wyman's 1950's movies seem to have fallen off the radar screen. "Magnificent Obsession" and "All That Heaven Allows" seem to be the only titles that have been released to video or warrant reasonably frequent TV airings. While these two Douglas Sirk titles are undeniably fine, what about the others? I clearly remember seeing such Wyman films as "The Blue Veil", "So Big" and "Lucy Gallant" on TV in the 1960's and very early 1970's. Since that point, many of these 1950's and early '60's movies have disappeared into oblivion (at least in my immediate TV viewing area). As there does not appear to be any hurry to release these great films on video, I can only lament the loss.

There are several truly excellent movies that have apparently vanished from general distribution. THE BLUE VEIL sadly lies in a vault somewhere, for some unknown reason. My guess: some copyright dispute, be it literary or musical. Please, someone, "PAY THE TWO DOLLARS!"

As Louise, a governess, Jane Wyman gives a performance that is easily the equal of JOHNNY BELINDA. In two scenes alone, Miss Wyman could, and does, wring tears from a stone. She is supported by a fine cast which includes Joan Blondell, Charles Laughton and Natalie Wood. Performances which are of this caliber should not be allowed to disappear, unknown and unappreciated.

This was an RKO release, which spells TED TURNER. Why don't we bring pressure to bear where it counts? THE BLUE VEIL deserves to be seen.

Long before I saw my first TV (in the hardware store window on Main Street), Family Night at the drive-in theater was a huge treat. If the movie happened to be a "tear-jerker" - so much the better! I only saw "The Blue Veil" one time (almost 50 years ago) but I still rate it as my all-time favorite two-hanky movie (followed closely by "Imitation of Life"). I have looked for it on video but have not found it..... I wonder if it is as good as my memory of it... I'd bet "YES!".

Rumor has it that Hollywood wanted Bette Davis and Greta Garbo for the heroine in The Blue Veil, but neither lady would have been as good a choice as Jane Wyman. Normally I don't even like Jane Wyman, but in this tearjerker, she does a fantastic job and completely earned her Oscar nomination.

Jane stars as a war widow who seeks employment as a nanny after her baby dies shortly after the delivery. Her first job is taking care of Charles Laughton's infant son, and she learns to enjoy her work so much that Charles proposes, hoping to make her a permanent fixture in the family. Jane refuses, and when he marries someone else, she knows she won't last long in the house. The story continues, in a seemingly unrelated string of vignettes as Jane ages and travels from family to family. If you think it's just another O. Henry's Full House, you're going to be quite mistaken. Keep watching and keep your Kleenexes handy.

Joan Blondell was nominated for an Oscar for her supporting role in the film, but I have no idea why. Her daughter is played by Natalie Wood, and foreshadowing her future role in Gypsy, Natalie grows up in the shadow of her mother's love of showbiz. Joan sings a little and wiggles her shoulders in a semi-burlesque number, but that's about it. I don't know why she was singled out.

A wonderful touch to the story is that in every household Jane visits, when it's time for her to leave, the children in her care don't want her to go. It's very sad, and I'm sure you'll wish, as I did, that she stayed forever at someone's house, but she's just an employee who has to move on to where her work is needed. I can't stress enough how wonderful Jane is in this film. She's warm and loving, but at the same time, her early sadness in the film is always hiding behind her face. You can tell she's thinking of her own baby with every child she cares for. As the film continues and she becomes an old woman, she moves slower, changes her voice, and shows she's tired of life's struggles. My dad walked in and asked, "Who's that?" I said it was Jane Wyman and he said, "But who's the old lady?" Rent this drama to find out what she can really do. It's easy to see why it was her favorite role.