Le gouffre aux chimères

A powerful toasting of the media of the day. Imagine what this would have been like in the age of television. Kirk Douglas plays a self-centered heel, and does so very well. I also liked Jan Sterling as Lorraine. It's true that there is no really sympathetic character in this film, except maybe Leo, the man trapped in the cave. Someone wrote that he too, wasn't a sympathetic character, because he was trapped while collecting Indian artifacts for sale, but I don't think that would have bothered anyone in 1951. The tone of the film throughout was one of total cynicism, that seems a bit out of place for the times. Maybe that's why this movie was not a commercial success. It fits much better now, though, since everyone has seen the media behaving in such disgraceful fashion. However, that may rob it of some of its (probably intended) shock value. Grade: A

Of the many movies I viewed in the early 50's, so many ,like now, were here today, forgotten tomorrow. However some movies that became memorable and that were able to make a dramatic impact on this young guy include, Duel in the Sun and Gone with the Wind. Strangely enough, Ace in the Hole is the most memorable of all movies viewed. It is one that invades the mind and leaves one sad.

Few films I remember as vividly as this dark movie, the images linger to haunt me still. 'Why?' one might ask 'would a sombre movie like this made over 50 years ago remain so memorable, when so many others have vanished. Was it the surreal inhumanity of the plot, the repugnant newsman devoid of ethics, the exploitation of the trapped victim, the purposeful prolonging of the victim's entrapment to create a media frenzy, the ultimate commercial creation of an 'event' style attraction complete with a circus like atmosphere surrounding the cave while the victim remained entrapped and close to death.'

Supposedly based on a real incident, it's a tough movie to watch and more so if one is prepared to accept the premise that such inhumanity displayed in the movie has an element of truth.

I echo the desires of others to have the availability of this movie on VHS or DVD. In the interim my memory will continue to keep the images intact. See it if you can.

One of Billy Wilder's great movies, with a superb acting job by Kirk Douglas as the cynical, glory-seeking and even desperate reporter whose only goal is get back in the limelight by regaining his former big-city news desk job.

The idea of such a newspaper reporter manipulating events to stretch out a story at the expense of and disregard for the victim still seems nearly inhuman, but Douglas' performance makes it instantly believable. The story scenario in which locals, then passers-by and finally distant tourists gravitate to and then make a festival or circus out of the event (the film was also released under the title "The Big Carnival") is supported by the real events on which the story was most likely based: the West VA mine disaster in 1925 that trapped miner Floyd Collins and was reported for 17 days, much as in the film, by local newspaperman Skeets Miller, who crawled into the mineshaft for face-to-face interviews with the trapped and doomed Collins.

This movie fits nicely into the Film Noir genre, although it takes place largely under the hot, harsh glare of the Arizona sun, highlighting the sweat and grime visible on the characters' skin and creating a visual metaphor for the sorry state of their souls. I wonder if Henri-Georges Clouzot saw this film before he began filming "The Wages of Fear," because the visually pervasive atmosphere of sweat and filth and opportunism are equally present in both.

The movie very closely parallels the real events of January 30 to February 16, 1925 in terms of the general story line. There are some significant differences concerning the actions of the characters.

Floyd Collins, a cave explorer working alone (not a real good idea), was trapped in Sand Cave KY, near Mammoth Cave. He was not looking for treasure, but for a new cave suitable for commercializing to produce income in an economically depressed region...and this was before the Depression occurred.

He became trapped on the way out of the cave by a 27 lb. rock which rolled onto his leg in a narrow crawlway. The configuration was such that it could not be moved enough to get his foot past.

When he failed to return home, the family went searching and quickly found him only 150' inside the cave.

A huge rescue effort was mounted and a cub reporter, Skeets Miller, from Louisville KY showed up to cover the story. It became one of the three most widely broadcast events of the time. Besides the extensive newspaper coverage, the relatively new medium of commercial radio riveted listeners with hourly accounts. It quickly became the first media circus ever seen.

Because of the print and radio coverage people began flocking to the site. A carnival atmosphere did indeed spring up around the cave. The state police and National Guard were called out by the governor to control the chaos and the more than 20,000 onlookers. The similarity between the real event and the movie on this account are likely nearly identical.

As in the movie, a decision was made to drill a shaft and, also as in the movie, the rock was fairly unstable and prone to collapse from the pounding of the cable tool drilling rig. The longer the effort went on, the more unstable the cave passage became.

Unlike Kirk Douglas' character in the movie, Skeets Miller served a most honorable role. Due to his small build he became one of very few persons able, and eventually the only one willing, to enter in an attempt to deliver food and water to Collins. He received a Pulitzer Prize for his reporting. Also unlike the movie, there was no manipulation of the event to delay the rescue, but there was considerable disagreement over how to best do it. Area coal miners made the initial attempts and the event concluded with the above-mentioned shaft.

Collins was presumed to have died 3 days before rescuers reached him. Because the conditions were so unstable, the body was left in the cave. The family was able to remove him about 80 days afterward for a proper burial. Later, his glass-topped casket was returned to the now-commercial cave as a tourist attraction. It was removed once again, and finally, in 1989.

In 1982, a definitive account of the event was published in the book 'Trapped!'. A most informative read.

In a take-off of the 'Free Tibet' bumper stickers, vehicles are occasionally seen with a 'Free Floyd Collins' sticker.

Billy Wilder's first commercial failure, but one of his best films, almost up there with "Sunset Blvd." Ambitious reporter Chuck Tatum (Kirk Douglas) finds out a man is trapped in a collapsed mine. By spewing out bogus engineering, he manages the rescue of the poor man to become more complicated, and time consuming then needed. Meanwhile, it becomes an amazing news item, something that makes Tatum the best known reporter in the country. However, everybody's luck runs out at the end. Perhaps the cause of failure of this film is that there are no sympathetic characters here. Douglas plays a total creep, the trapped man's wife is a floozy "I'm not going to pray for him! Praying ruins my nylons!" in the film. Even the trapped man is somebody who was poking around Indian graves. The screenplay, and the lead performances are top class. The extensive location photography, and somewhat documentary look of the film makes the film feel more modern than most 1951 films. Billy Wilder calls this film "the runt of his litter" Don't be so harsh, Billy, it's an excellent picture!