Appointment with Venus

APPOINTMNET WITH VENUS is a light-hearted wartime comedy with an unusual premise: British officers going out of their way to rescue a cow from the Isle of Sark during the German occupation in WW2. Weirdly, this turns out to be a true story, and admittedly it is rather slight, almost a gimmick. What this film does benefit from are some assured performances from a typically like David Niven, alongside a wealth of character talent (Noel Purcell, et all) who bring the supporting roles to life. George Coulouris impresses as a kindly Nazi officer, and the whole thing has a light and breezy feel, even if it is a little forgettable.

With little way of defending it and few valuable resources to protect, the UK allows the German army to invade Channel Islands while the residents decide on a peaceful acceptance including non-violence resistance. However the Ministry of Agriculture is quick to point out that this means the Germans will have possession of one of Britain's finest cows, Venus, who also happens to pregnant with a calf. With the issue raised, the War Office dispatches Major Valentine Moreland to liberate the cow and return her to the safety and honest green grass of British-held territory.

Despite the fairly ordinary sounding title, this film has a premise that makes it sound like it can only be a funny little comedy that has plenty of light British wit. However the film is nothing of the sort and, while being a bit of a flop, it is also a rather strange beast that can't seem to settle into any one thing comfortably. After a bit of a comic tone that seems to be putting the tongue in the cheek we then suddenly get serious with more of a dramatic approach. The drama is never thrilling and it is all a bit silly and thus prevented me really getting into it – daring do in war movies is all well and good but much more important things really happened than this fictional case. Now I'm not sure about the true history regarding the Channel Islands but it might be a touchy issue over how little resistance was given up – hence we have the film making very deliberate points about how dignified and upright the residents are. Strangely the film also takes care to avoid painting all Germans as evil and the commander is quite a decent farmer – maybe not that surprising considering it was made in the 50's but still strange to see in an old war movie.

Niven is not that well known for this film and it is easy to see why as he does appear to be freewheeling in it. His presence is always appreciated but it is hard to watch this and not think of many stronger war films where he worked much better. Likewise Kenneth Moore is a strange find and he has very little to do. Johns is dull, Coulouris is far too careful and upright and the rest of the support cast just kind of do the basics without any feeling – Purcell being the only one to really add colour in an easy role.

Overall this is a mixed film that doesn't really do anything well as it isn't funny, dramatic, involving, interesting or exciting. The story will mean it sticks in my mind but other than that there is nothing special or memorable here.

The British garrison has been evacuated from the Channel Islands and soon after the Germans occupy the islands. The British send a very small expedition force to attempt to transport back to Britain a prize Guernsey cow named Venus. The Nazi commandant of the island recognizes the breeding value of this cow makes plans to have her shipped to Germany. The key members of the rescue team are Glynis Johns and David Niven - two actors who never disappoint. The commandant is a sympathetic character who treats the islanders with great respect. It's all rather bucolic and pleasant with just one nasty Nazi soldier who provides the tension to the story. It's a charming and engaging movie set in a fascinating locale and a reminder of a perhaps little remembered fact of this German occupation. The print I saw of this was great and I'll be watching this movie again.

This strange British Film-Makers production, has as its weird premise a story based almost unbelievably on fact. Writer Jerrard Tickell based his book on a story told to him by an officer involved in such an actual event. While the Island of this film is fictitious, it is thought the real events took place on the Isl of Sark (Channel Islands) during the German occupation of '40 - '45. Unfortunately for this film, the screen play by Nicholas Phipps (who also has a small acting part) tends to waver between comedy and propaganda. This is a pity, as there are many suspenseful moments throughout this terrific looking film. I suppose with a situation as crazy as this, it could be difficult to fully know just how to treat it, and do it full justice.

Both the Director: Ralph Thomas, (Conspiracy of Hearts '60 ~ Clouded Yellow '51 ~ Wild and the Willing '62) and his Director of Photography: Ernest Steward (The Assassin '52, aka: The Venetian Bird) were versatile artists indeed. Both were comfortable working with either solid drama or comedy. And while they are mostly remembered for their various British comedies, these men were certainly well capable of injecting a little more drama into this film, had it been a better script.

The cast is varied and interesting; the wonderful and very talented Glynis Johns gives a thoughtful performance, and with her big doe eyes and smooth husky voice, is fully believable as the Island girl being brought back to her homeland on a military mission. David Niven is warm (maybe a tad too warm) as the Major. Barry Jones is suitably serious as the Provost of the Isl. Kenneth More in a rare dramatic role (pity they didn't give him more) fully convinces as the pacifist artist who has turned his back on the war. It's his character that is let down badly by the screen treatment - maybe a slight spoiler here but vital info: In the film, More's character ends up joining the cause and flees to England, but in the book he remains to defend his Island colleagues from serious German retaliation --being a direct result of the part he played in the military operation-- If this film was made during the War years you would say it's home spun propaganda, but this is six years on, in 1951. What were they thinking...?

George Coulouris' German officer is treated rather humanely, given he disciplines his men for any mistreatment of the Island inhabitants. Some of the incidents portrayed too lightly, involve the 'cow' of the title, these tend to be given over to stretched situations. The end is simply tacked on as a British moral booster. Could have been very good, as is, it's good to look at, entertaining, and should please as a rainy day time passer that looks back at some resent history. The Masterpiece Collection DVD I looked at, is basic, but offers good quality image and sound for it's modest price.

It's the Second World War, and the Germans have just occupied the Channel Islands. The High Command have ordered a rescue mission on the (fictional) island of Amorel. David Niven is to lead the mission. He needs a local guide, and that turns out to be Glynis Johns. The preparations are extensive and unique, because they're trying to bring out a prize purebred cow.

Before you scoff, please be aware that something similar was done in rescuing the Aldenay breed from the Channel Island of that name. It's still absurd in retrospect, but everyone in the movie takes it seriously, which helps some with a cast that includes George Coulouris (in his first of nine appearances in director Ralph Thomas' movies) as the cultured cattle-breeding officer in charge of the island, and Noel Purcell as the navigator who knows the local waters. There's a suitable amount of flag-waving, islanders loyal to His Majesty, a cute kid, and a nasty German sergeant.

In short, this is pretty much a bog-standard movie with a great cast that makes it highly watchable. For me, I was enchanted as soon as Miss Johns' name appeared in the credits. There's extensive location shooting, with Sark standing in for the fictitious island, and a final race between the British PT boat and a pursuing German craft. This movie was near the end of the period when a serious movie could be made about such a subject. Soon enough, it would be all war-is-hell dramas and service comedies.