Anna
- 1951
- Tous publics
- 1h 47min
NOTE IMDb
6,6/10
482
MA NOTE
Ajouter une intrigue dans votre langueAnna is a nurse and a nun, whose history catches up on her.Anna is a nurse and a nun, whose history catches up on her.Anna is a nurse and a nun, whose history catches up on her.
- Réalisation
- Scénario
- Casting principal
Vittorio Gassman
- Vittorio
- (as Vittorio Gassmann)
Lyla Rocco
- Un'infermiera
- (as Lilla Rocco)
Avis à la une
Finally found a vhs copy of Anna(1951) via Movie Classics...Bad copy chopped..sniped together but the essence of this sultry exciting Italian neo classic film is still there...Over 50 yrs since I first saw this film in the Regent Theatre in Newark,NJ with my family..but those images remain...Anna the Nun.,Anna the nurse, Anna the night club samba singer dancer, Anna the whore who loves one man & sensually lusts after another!!!!The songs "Anna" sung by Mangano(#1 Hit record) & also "Non Dimenticar" are unforgettable.. beautiful Mangano, the face of Italy has made some US films notably, Ulysseus,5 Branded Women, & The Tempest, but will be remembered by aging audiences as the supreme siren of neo classic Italian films, Bitter Rice,ANNA, & Gold of Naples etc...dont miss..& lets hope we get a better copy!!!
I saw the movie 'Bitter Rice" and 'Anna' as a young woman, and they and the star, Sylvana Mangano had a galvanizing affect on me. I went to Catholic convent school as a youngster but was enrolled in public schools in the fourth grade so I identified with convent life.
I have never forgotten the songs she sang nor her leading man, Vittorio Guzeman. Only tonight (March 30, I thought to enter her name on a music site and was amazed when the two songs appeared! I down-loaded them (Non Dimenticar) and (Anna)! I think the movies above mentioned are the greatest movies of all time. Haven't been able to see either of them since I was that young girl...
I have never forgotten the songs she sang nor her leading man, Vittorio Guzeman. Only tonight (March 30, I thought to enter her name on a music site and was amazed when the two songs appeared! I down-loaded them (Non Dimenticar) and (Anna)! I think the movies above mentioned are the greatest movies of all time. Haven't been able to see either of them since I was that young girl...
I loved the musical numbers. I wish I had a truly preserved copy of this movie. I never knew this movie existed until I saw "Caro Diaro". I have become a Silvana fan! "Silvana has 50 different faces, it all depends on which way she will face the camera. Each face she has, is truly beautiful. Bless Her Heart.............
I couldn't believe that some of these film's reviews are as new as 2010!! I saw this movie as a child (so long ago!) and never forgot it.
"La Mangano" (The stress goes on the first A: Mángano), at that time made a big hit here in Argentina, as did some other Italian beauties, like Silvana Pampanini and Gina Lollobrigida.
They were living LEGENDS.
"Bitter Rice" ("Riso amaro") shows Silvana Mangano as an incredibly sexy woman (same in this film, "Anna") and the baion she dances in one scene made history.
The love scenes between her and Vittorio Gasman are breathtaking, because both actors where terribly sexy.
At that time these movies were VERY osé, almost pornographic (they are so mild by comparison with what we see today...).
It's true what another reviewer says: "Only Rita Hayworth made such an impression when doing "Amado mio" and "Put the Blame on Mame" in "Gilda".
Nobody could get that feeling on film nowadays. As Gloria Swanson character puts it in "Sunset Boulevard": "We had faces then" (She meant in the silent era), but these Italian stars had faces AND BODIES to match!!
About Silvana Mangano, it's incredible the way this actress refined her looks after a while. Seeing her in "Morte a Venezia" ("Death in Venice"), by Visconti --1971--, where she plays Tadzio's mother, an extremely refined polish countess, it's almost impossible to associate her with the voluptuos woman in "Anna" and "Bitter Rice".
Her polished looks are even more glorious than when she was a sex bomb.
Same thing in "Gruppo di famiglia in un interno" --1974-- again by Visconti, with Burt Lancaster.
A true star that unfortunately had such a sad ending, but then, as Dorothy Parker put it when defending before Louis B. Mayer her bitter ending scripts: "Mr. Mayer, in real life there are no happy endings".
Silvana Mangano's was no exception.
"La Mangano" (The stress goes on the first A: Mángano), at that time made a big hit here in Argentina, as did some other Italian beauties, like Silvana Pampanini and Gina Lollobrigida.
They were living LEGENDS.
"Bitter Rice" ("Riso amaro") shows Silvana Mangano as an incredibly sexy woman (same in this film, "Anna") and the baion she dances in one scene made history.
The love scenes between her and Vittorio Gasman are breathtaking, because both actors where terribly sexy.
At that time these movies were VERY osé, almost pornographic (they are so mild by comparison with what we see today...).
It's true what another reviewer says: "Only Rita Hayworth made such an impression when doing "Amado mio" and "Put the Blame on Mame" in "Gilda".
Nobody could get that feeling on film nowadays. As Gloria Swanson character puts it in "Sunset Boulevard": "We had faces then" (She meant in the silent era), but these Italian stars had faces AND BODIES to match!!
About Silvana Mangano, it's incredible the way this actress refined her looks after a while. Seeing her in "Morte a Venezia" ("Death in Venice"), by Visconti --1971--, where she plays Tadzio's mother, an extremely refined polish countess, it's almost impossible to associate her with the voluptuos woman in "Anna" and "Bitter Rice".
Her polished looks are even more glorious than when she was a sex bomb.
Same thing in "Gruppo di famiglia in un interno" --1974-- again by Visconti, with Burt Lancaster.
A true star that unfortunately had such a sad ending, but then, as Dorothy Parker put it when defending before Louis B. Mayer her bitter ending scripts: "Mr. Mayer, in real life there are no happy endings".
Silvana Mangano's was no exception.
What a movie , this is the best Italian movie from he early 50s Silvana Mangano at the top of her game very beautiful , sensual and fantastic the musical number are great and the song El negro sumbon is extraordinary , La Mangano never was better here she is better than in Bitter Rice , Silvana Mangnao love to be a mother more than a movie star and for sometime she retired to have children with her husband producer Dino di Laurenti eventually Silvana comeback to the movie and she was as good as always she did few movies for Luchino Visconti and Pier Paolo Pasoline all of then were great, La Mangano die in 1989 of cancer she die in Madrid Spain her life at the end was sad her son die in a plane crash in 1981 she never recovery from his death
Le saviez-vous
- AnecdotesAlmost all of the actors were dubbed, including the stars Silvana Mangano (by Lydia Simoneschi) and Vittorio Gassman (by Gualtiero De Angelis). A curiosity: Character actress Tina Lattanzi lent her voice to French actress Gaby Morlay but as she appears in the film herself, she was in turn dubbed by Giovanna Scotto.
- GaffesWhen Anna is performing "El negro zumbon", she is initially shown dancing in a medium distance shot and her arms are fully outstretched. As she begins to sing there is a cut to a closeup and her right hand is now directly in front of her face.
- ConnexionsFeatured in Démons dans le jardin (1982)
- Bandes originalesEl negro zumbón
(Baião de Anna)
Music by Armando Trovajoli (as Roman Vatro)
Lyrics by Francesco Giordano
Sung by Flo Sandon's (Mammola Sandon)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Mitt röda blod
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 47 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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