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Ajouter une intrigue dans votre langueThe Pittsburgh Pirates' brash and abusive manager receives the help of an angel to win games and become a better person in the process.The Pittsburgh Pirates' brash and abusive manager receives the help of an angel to win games and become a better person in the process.The Pittsburgh Pirates' brash and abusive manager receives the help of an angel to win games and become a better person in the process.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Peter Adams
- Court Room Spectator
- (non crédité)
Avis à la une
Paul Douglas plays the demanding manger of the Pittsburg Pirates whose team begins winning after being blessed from above. Look for a young Ellen Corby, the lovable grandmother on the Walton's TV series. Other cast members include Janet Leigh,Keenan Wynn and Spring Byington. The filming locations were old Wrigley Field in Los Angeles, home of the triple A Los Angeles Angels before the Dodgers arrived. Forbes Field in Pittsburg and Yankee Stadium were also used in this 1951 film. Some popular ballplayers can be seen also.It is a fun movie to watch, especially for a baseball fan.
In 1951, the year of this film's release, the Pirates were in a very long dry spell, 9 years prior to their first World Series appearance since 1927. The obvious set-up : "Heaven help the Pirates".
I saw this picture as an adolescent during its theatrical release, and 5 times recently. In addition to perfect casting of Paul Douglas, then in his prime - having recently filmed "Panic in the Streets" , the supporting cast is superb, notably Spring Byington and Ellen Corby as Sisters and Janet Leigh is a very credible love interest .Donna Corcoran is a wonderful orphan.
What I admire almost as much as the acting, premise and writing is the director's use of actual Pittsburgh locations, although there was no imperative to do so. Included: the King Edward Apartments, Forbes Field, PCC trolley cars, Bigelow Boulevard, Checker cabs. As a former Pittsburgher, I can attest to the authenticity of these elements.
A sentimental favorite of mine, but not just for Pittsburgh fans.
I saw this picture as an adolescent during its theatrical release, and 5 times recently. In addition to perfect casting of Paul Douglas, then in his prime - having recently filmed "Panic in the Streets" , the supporting cast is superb, notably Spring Byington and Ellen Corby as Sisters and Janet Leigh is a very credible love interest .Donna Corcoran is a wonderful orphan.
What I admire almost as much as the acting, premise and writing is the director's use of actual Pittsburgh locations, although there was no imperative to do so. Included: the King Edward Apartments, Forbes Field, PCC trolley cars, Bigelow Boulevard, Checker cabs. As a former Pittsburgher, I can attest to the authenticity of these elements.
A sentimental favorite of mine, but not just for Pittsburgh fans.
A wonderful baseball movie with more depth than the Disney rendition. Paul Douglas and Janet Leigh are wonderfully cast as the gruff team manager and female reporter out for a story. It was a treat to see Barbara Billingsley as the hat check girl in the resteraunt. Some very famous ball players make guest appearances, which is a real treat.
This is a touching movie that the whole family can enjoy. It has similarities and some serious differences with the modern Disney rendition of this film.
This is a touching movie that the whole family can enjoy. It has similarities and some serious differences with the modern Disney rendition of this film.
Before the New York Mets came along, the Pittsburgh Pirates were the first name in baseball for flat footed futility. At the time that Angels in the Outfield was made the Pirates had a long term lease on the National League cellar. In fact the only reason the Pirates drew any crowds at all was the presence of the premier slugger in the National League, Ralph Kiner. One shudders to think where they might have finished without him.
But that's reality. In this film some heavenly help is granted the Pirates, presumably by a long suffering Deity who's maybe a Pirate fan. That is on condition that manager Paul Douglas clean up his act. He's told that by unseen angel James Whitmore.
As it turns out Douglas is not the only one getting celestial visitations. He only hears angels, but little Donna Corcoran sees them behind every Pirate player on the field. When reporter Janet Leigh writes the story all kinds of complications ensue.
Even without the special effects of the 1994 remake, Angels in the Outfield still maintains an innocent charm that is irresistible to baseball fans of a perennial losing team. After all we found out in Damn Yankees the kind of outside help they've been getting to stay on top.
Nine years later the Pirates were in fact World Series winners, humbling the mighty Yankees in seven games. And for thirty years after that the Pirates were a contending ball club. They're back in the doldrums that Angels in the Outfield portrays. Maybe time for another heavenly assist.
But that's reality. In this film some heavenly help is granted the Pirates, presumably by a long suffering Deity who's maybe a Pirate fan. That is on condition that manager Paul Douglas clean up his act. He's told that by unseen angel James Whitmore.
As it turns out Douglas is not the only one getting celestial visitations. He only hears angels, but little Donna Corcoran sees them behind every Pirate player on the field. When reporter Janet Leigh writes the story all kinds of complications ensue.
Even without the special effects of the 1994 remake, Angels in the Outfield still maintains an innocent charm that is irresistible to baseball fans of a perennial losing team. After all we found out in Damn Yankees the kind of outside help they've been getting to stay on top.
Nine years later the Pirates were in fact World Series winners, humbling the mighty Yankees in seven games. And for thirty years after that the Pirates were a contending ball club. They're back in the doldrums that Angels in the Outfield portrays. Maybe time for another heavenly assist.
A real classic and one of my all time favorite movies. So many wonderful moments throughout the film. Paul Douglas is great as Guffy McGovern, a rough, tough hard-nosed baseball manager. His guardian angel changes his ways as the Pirates go from worst to first. Keenan Wynn - don't you think he's the role model for today's outspoken writers and sports radio guys? I cheer every time Guffy punches his lights out.
Yeah, the movie's syrupy and has a few clichés, but man, it sure resonated with me when I was younger and still does today. Whenever something goofy happens in a real baseball game I wonder if there's an angel out there wreaking some havoc on a hapless player.
Yeah, the movie's syrupy and has a few clichés, but man, it sure resonated with me when I was younger and still does today. Whenever something goofy happens in a real baseball game I wonder if there's an angel out there wreaking some havoc on a hapless player.
Le saviez-vous
- AnecdotesFavorite film of Dwight D. Eisenhower when President.
- GaffesDuring the climactic final game vs. New York, several players are shown with multiple uniform numbers on their backs at different times in the game. This is likely due to the use of actual game footage spliced into the film. Various players are shown with two, three, or even four different numbers. Hellman, the Pirates pitcher, has both #17 and #26. Similarly, the Giants pitcher is shown with #28 and #31. Two New York batters have three different numbers during the courses of their at-bats. One has #18, #2x (not visible) and #9, while the other has #x2 (not visible), #15 and #36. The New York catcher is actually shown with four different numbers - #10 (on the scoreboard), #5, #7 and #36.
- Citations
Aloysius X. 'Guffy' McGovern: Dogs have fleas, managers have sports writers.
- Crédits fousAnd Introducing Donna Corcoran
- ConnexionsFeatured in Sports on the Silver Screen (1997)
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- How long is Angels in the Outfield?Alimenté par Alexa
Détails
Box-office
- Budget
- 1 081 000 $US (estimé)
- Durée
- 1h 39min(99 min)
- Couleur
- Rapport de forme
- 1.37 : 1
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