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Le Désert de la peur

Titre original : Along the Great Divide
  • 1951
  • Tous publics
  • 1h 28min
NOTE IMDb
6,8/10
2,5 k
MA NOTE
Kirk Douglas and Virginia Mayo in Le Désert de la peur (1951)
Western

Ajouter une intrigue dans votre langueA U.S. Marshall and two deputies rescue a cattle rustler from a lynch mob led by a local cattle baron convinced that the rustler also killed his son.A U.S. Marshall and two deputies rescue a cattle rustler from a lynch mob led by a local cattle baron convinced that the rustler also killed his son.A U.S. Marshall and two deputies rescue a cattle rustler from a lynch mob led by a local cattle baron convinced that the rustler also killed his son.

  • Réalisation
    • Raoul Walsh
  • Scénario
    • Walter Doniger
    • Lewis Meltzer
  • Casting principal
    • Kirk Douglas
    • Virginia Mayo
    • John Agar
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,8/10
    2,5 k
    MA NOTE
    • Réalisation
      • Raoul Walsh
    • Scénario
      • Walter Doniger
      • Lewis Meltzer
    • Casting principal
      • Kirk Douglas
      • Virginia Mayo
      • John Agar
    • 36avis d'utilisateurs
    • 15avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos23

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    + 16
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    Rôles principaux30

    Modifier
    Kirk Douglas
    Kirk Douglas
    • Marshal Len Merrick
    Virginia Mayo
    Virginia Mayo
    • Ann Keith
    John Agar
    John Agar
    • Billy Shear
    Walter Brennan
    Walter Brennan
    • Timothy 'Pop' Keith
    Ray Teal
    Ray Teal
    • Deputy Lou Gray
    Hugh Sanders
    Hugh Sanders
    • Frank Newcombe
    Morris Ankrum
    Morris Ankrum
    • Ed Roden
    James Anderson
    James Anderson
    • Dan Roden
    Charles Meredith
    Charles Meredith
    • Judge Marlowe
    Sam Ash
    Sam Ash
    • Defense Counsel
    • (non crédité)
    Bob Burns
    Bob Burns
    • Juror
    • (non crédité)
    Lane Chandler
    Lane Chandler
    • Sheriff
    • (non crédité)
    Steve Clark
    Steve Clark
    • Witness Weaver
    • (non crédité)
    Russell Custer
    • Hanging Spectator
    • (non crédité)
    Steve Darrell
    Steve Darrell
    • Prosecutor
    • (non crédité)
    Al Ferguson
    Al Ferguson
    • Bailiff
    • (non crédité)
    Joe Garcio
    Joe Garcio
    • Trial Spectator
    • (non crédité)
    Augie Gomez
    • Trial Spectator
    • (non crédité)
    • Réalisation
      • Raoul Walsh
    • Scénario
      • Walter Doniger
      • Lewis Meltzer
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs36

    6,82.4K
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    Avis à la une

    dbdumonteil

    Father and son.

    This is the western Walsh made after "Colorado territory"("White heat" which is "Colorado'"s follow up is a masterpiece but not a western- and it nearly matches its brilliance.A rather short movie,it's an action-packed story which never loses momentum.Beginning with a very tense situation (a lynching) it remains suspenseful and absorbing all along the great divide.The characters are wonderfully depicted and any of them could be the subject of a movie.This is like" Colorado 's territory" or "pursued" ,an intellectual western.The hero,Merrick ,carries the weight of his father's death.Kirk Douglas gives a fine performance ,being in turn nice or unpleasant.What's really fascinating is that his tragedy is about to happen again:his prisoner may be innocent and he will have another fault on his conscience.Pop Keith (Walter Brennan) and his daughter Ann (Virginia Mayo who was at the time Walsh's favorite actress:she's in the two movies I mention above as well) are an endearing couple:the girl is a strong personality -the part was tailor-made for Mayo-while his papa is a resigned old man,whose favorite weapon is nothing but a ditty which he knows reminds Merrick of his past he cannot forget.One can go as far as saying that Merrick sees Keith as a father who returned from the grave.Another relationship father/son is also featured: Roden who demands Keith's head because he thinks that he killed his son Ed-"I buried my heart in the grave" he says- and his second son ,the ugly duckling.Roden speaks of his late offspring as a perfect boy .

    Walsh's movie raises many questions .Sometimes we wonder where justice really is and who is on the right side of the law.This exciting western deserves to be upgraded
    6jamesrupert2014

    Uneven and underwhelming

    Tough, up-right, and by-the-book Marshal Len Merrick (Kirk Douglas) is forced to transport a murder suspect (Walter Brennen) across an unforgiving desert with a lynch mob in pursuit. Whatever tension the film builds is wasted as Merrick repeatedly does foolish things (spending a night in the accused's house, allowing the potential killer's daughter to tag along (after she's pulled a gun on him), taking the pistol but not the cartridges from a potential threat etc.) but the biggest weakness is the blatantly obvious 'real killer', which makes the ending painfully predictable and unrewarding. Raoul Walsh was a great director but this oater, while beautifully filmed, suffers from a cliched script, unbelievable characters, and a lack of attention to detail. I'm not a huge fan of Douglas's clenched-tooth style of toughness but he's OK (as is Walter Brennen) but John Agar (who later would dominate the goofy world of low-budget '50s sci-fi) is out of his depth and Virginia Mayo is completely unconvincing as Brennen's tough ranch-girl daughter (and half of a contrived shoe-horned-in love story). All in all, a weak start to Douglass's extensive career in westerns.
    8darthfusion

    Solid Western with that classic movie vibe

    I caught this on the Grit channel a few weekends ago and while I don't really watch Westerns, I really enjoyed this movie. I didn't know Kirk Douglas was around long enough to be in Black & White movies!

    It's a solid movie with undertones of "obeying the law" vs "doing what's right".
    8Jimmy_the_Gent4

    The Movie Is Tougher Than It's Title

    This was Kirk Douglas's first western and the first time I have seen it. The plot concerns a federal marshal (Douglas) who saves an accused cattle rustler (Walter Brennan) from a lynching as he is also suspected of murder by the victim's father. Brennan swears he is innocent of the killing. Douglas takes the man in to stand trial. However he meets some opposition from the man's feisty daughter (Virginia Mayo).

    The title would make you think this may be a routine western adventure, but it is actually a tense, dark little psychological drama. This came out the same year as two other iconic Douglas performances, as the bitter cop in Detective Story and the heartless reporter in Ace In The Hole. Here he is a no nonsense but fair minded lawman and another fine addition to the list of great performances he has.

    Other notable things about it is the direction of Raoul Walsh, who keeps it tight and suspenseful. He is reunited with Virginia Mayo who appeared in one of his best remembered films White Heat just two years ago, she shows a lot of spunk and toughness in this part. Walter Brennan plays another one of his wily old coots, but since we don't know for sure if he is guilty or not, there is some danger to his performance as well.
    7ma-cortes

    Splendid Kirk Douglas Western who plays a US Marshal who battles pursuing vigilantes and the untamed frontier

    Colorful western wonderfully photographed in black and white on location in Arizona . Beautifully filmed , though little known Raoul Walsh film . Kirk Douglas' first Western has the usual horse opera cliches supported by magnificent cinematography by cameraman Sidney Hickox and thrilling musical score by David Buttolph. A U. S. sheriff named Len Merrick (Kirk Douglas) and two deputies (John Agar , Ray Teal) rescue a cattle rustler called Tim (Walter Brennan) from a lynch mob led by a local cattle baron , Ed Roden (Morris Ankrum) , convinced that the rustler also killed his son. Then the Marshal and deputies make their way across the desert with Tim and his daughter (Virginia Mayo) . Along the way they hold storm , betrayal and pursuits against a spectacular desert backdrop . A Marshal whose hide no bullet could touch...and the girl who got under his skin!. "Who's the prisoner now, law-man?". An adventure that avalanches from the bullet-proof of the Rockies to the fiery desert floor ! .

    His enjoyable film with an unusual detective element to the plot , containing noisy action , crossfire , formidable villainy , go riding , relentless chases , and gorgeous Arizona locations . A paronamic western , being spectacularly screened ; as the plot is plain and simple but little by little results more complicated and surprising , in which a sheriff must bring a falsely accused murderer to trial . This movie has a compelling combination of fine performances , intense drama , crossfire and spectacular outdoors . Director Raoul Walsh aims for psychological realism with a contemporary treatment and about an upright sheriff who has a dark past . A blending of talent actors with great leading players of whom Kirk Douglas holds the best character as the obstinate Marshal who'll stop at nothing to get his purports . Along with the alwys great Walter Brennan as a suspicious killer father , they are the key factors that lift this Warners Western above the ordinary . The hothouse plot drives mercilessly forward with action , shootouts , thrills , attacks and turns . The tale is strong one and the yarn is marvellously located against a background of Arizona and California mountains . Very good main and support cast giving hard-driving acting , standing out Virginia Mayo as the lady in distress and Morris Ankrum as the stubborn pursuer ; in addition notorious secondaries as John Agar , Ray Teal , Hugh Sanders , James Anderson, among others.

    Blazing and gorgeous cinematography by Sid Hickox shot on location in Mojave desert , Yuma , Arizona , and Alabama Hills, Sierra Madre Mountains , California. The motion picture was competently directed by Raoul Walsh . Direction in the capable hands of Walsh who ensures that the pace is surprisingly nice and action scenes hit hard . From his starts in the silent cinema he achieved successful films until the 50s and forward , early 60s , when he was less dominant , but is still stayed lots of lusty adventure , stories of comradeship and friendship , and Raoul Walsh usually makes the most of plentiful action scenes . Walsh was an expert director of all kind genres but with penchant for Western such as ¨Colorado territory¨, ¨They died with their boots on¨, ¨Along the great divide¨, ¨Saskatchewan¨, ¨King and four queens¨ , ¨A distant trumpet¨ , ¨The Sheriff of Fractured Jaw¨ ; Adventure as ¨Thief of Bagdad¨, ¨Captain Horatio Hornblower¨, ¨World in his hands¨, ¨Blackbeard the pirate¨ , ¨Sea devils¨ ; Warlike as ¨Objetive Burma¨ , ¨Northern pursuit¨, ¨Marines let's go¨ ; and Noir film as ¨White heat¨, ¨High Sierra¨, ¨They drive by night¨, ¨The roaring twenties¨. And this acceptable ¨Gun Fury¨, rating : 7/10 ; fairly straightforward movie and acceptable Western adventure . This decent Western film will appeal to Raoul Walsh enthusiasts.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Kirk Douglas' first western.
    • Gaffes
      When Dan Roden escapes into the barn at the end of the film, he is holding only the gun he seizes (having just been brought from jail, he had no weapon). After emptying the gun, he suddenly is seen reloading the weapon and magically now has a gun belt on and a furious gunfight ensues. Where did the gun belt and ammunition come from?
    • Citations

      Ned Roden: Who are you?

      Marshal Len Merrick: My name's Merrick. I'm United States Marshal here.

      Ned Roden: You're new in the territory.

      Marshal Len Merrick: The law isn't.

    • Connexions
      Featured in The True Adventures of Raoul Walsh (2014)
    • Bandes originales
      Down in the Valley
      (uncredited)

      (a.k.a. "Birmingham Jail")

      Traditional American folk song

      Sung by Walter Brennan and Virginia Mayo

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    FAQ14

    • How long is Along the Great Divide?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 4 juillet 1952 (France)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Espagnol
    • Aussi connu sous le nom de
      • Une corde pour te pendre
    • Lieux de tournage
      • Alabama Hills, Lone Pine, Californie, États-Unis
    • Société de production
      • Warner Bros.
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 28 minutes
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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