NOTE IMDb
7,7/10
87 k
MA NOTE
En Afrique, pendant la Première Guerre mondiale, un capitaine de bateau, gros buveur de gin, se laisse persuader par une missionnaire guindée d'attaquer un navire de guerre ennemi.En Afrique, pendant la Première Guerre mondiale, un capitaine de bateau, gros buveur de gin, se laisse persuader par une missionnaire guindée d'attaquer un navire de guerre ennemi.En Afrique, pendant la Première Guerre mondiale, un capitaine de bateau, gros buveur de gin, se laisse persuader par une missionnaire guindée d'attaquer un navire de guerre ennemi.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Oscar
- 7 victoires et 9 nominations au total
Harry Arbour
- German Sergeant Major at Kungdu
- (non crédité)
Errol John
- Undetermined Role
- (non crédité)
Joseph Layode
- African Sergeant
- (non crédité)
Gerald Onn
- Petty Officer
- (non crédité)
John von Kotze
- German Officer
- (non crédité)
Avis à la une
To face a script in which most of the plot revolves around the dialogue of only two people in one location must be terrifying. Thank goodness for Katharine Hepburn and Humphrey Bogart. John Huston's adaptation of C.S. Forester's The African Queen was solid. And the decision to film on location in Africa helped develop the concept of nature as a viable character within the plot helps solidify the film. But without Katharine Hepburn, and Humphry Bogart, this film could have been reduced to a nice little travelog on the beauty and terror of African and the pretty animals living there. Within The African Queen each character undergoes metamorphosis. Charlie Alnutt grows from an apathetic man who enjoys the inside of a bottle, to a courageous man. Rosie in turn allows herself to be human, and vulnerable perhaps for the first time in her life. With lesser actors these changes would have appeared rushed, unexplained,and a dull beginning to an inexplicable romance. But it isn't. It's a captivating film. Rosie's brittle smile, Charlie's face as his vices are destroyed, these are moments of brilliance in an incredible film. I highly recommend it.
It's also worth noting that this was not an easy film to make. These performances survived crew and cast illnesses, constant mechanical errors and inclement weather. For more about the conditions it was created under, I suggest you read Katherine Hepburn's The Making of The African Queen or How I went to Africa with Bogart, Bacall and Huston and almost lost my mind. She's not the sanest author in the world, but all the more enjoyable.
It's also worth noting that this was not an easy film to make. These performances survived crew and cast illnesses, constant mechanical errors and inclement weather. For more about the conditions it was created under, I suggest you read Katherine Hepburn's The Making of The African Queen or How I went to Africa with Bogart, Bacall and Huston and almost lost my mind. She's not the sanest author in the world, but all the more enjoyable.
This is one of those films whose special effects and scenery must have been astounding at the time (1951), but which seem mediocre at best today. BUT, and that's a big 'but', this does not detract from the greatness of the movie overall. The scenery truly is beautiful, for one thing--and the direction and cinematography is great.
However, what truly makes this film a classic, and deservedly so, is the performances given by the lead actors. For their one film together, Humphrey Bogart and Katharine Hepburn pull out all the stops. Bogart is crude, dirty and a low-life river-rat with a heart of gold. He gives the Oscar-winning performance of his lifetime. Hepburn is prim and prissy, but always manages to win us over with her radiance and vulnerability, as well as that core of steel and strength she lends to all her on-screen characters. He's charming, in his way; she's achingly beautiful in hers. You can't help but warm to Charlie and Rosie, and truly, genuinely root for them to get together.
The ending is predictable; all 'opposites-attract' romance adventure stories are. You know without a doubt that the sunset will be there for Charlie and Rosie to ride off (or swim) into together. But you still hurt when Charlie hurts; and you still smile like a fool when he sees Rose, and when he tries to explain her forthrightness away by jungle fever. You believe the love, and that's what the African Queen is all about.
Oh, and the gin and leech scenes, of course. Those are brilliant, as everyone else here has already mentioned! ;)
However, what truly makes this film a classic, and deservedly so, is the performances given by the lead actors. For their one film together, Humphrey Bogart and Katharine Hepburn pull out all the stops. Bogart is crude, dirty and a low-life river-rat with a heart of gold. He gives the Oscar-winning performance of his lifetime. Hepburn is prim and prissy, but always manages to win us over with her radiance and vulnerability, as well as that core of steel and strength she lends to all her on-screen characters. He's charming, in his way; she's achingly beautiful in hers. You can't help but warm to Charlie and Rosie, and truly, genuinely root for them to get together.
The ending is predictable; all 'opposites-attract' romance adventure stories are. You know without a doubt that the sunset will be there for Charlie and Rosie to ride off (or swim) into together. But you still hurt when Charlie hurts; and you still smile like a fool when he sees Rose, and when he tries to explain her forthrightness away by jungle fever. You believe the love, and that's what the African Queen is all about.
Oh, and the gin and leech scenes, of course. Those are brilliant, as everyone else here has already mentioned! ;)
To me this film will always be the validation of Humphrey Bogart's long and distinguished career. His portrayal of the hard drinking Charlie was what made this film what it was. Also, he showed just how great an actor he was when he was able to match up against the woman who is generally considered to be the greatest actress in film history, Katherine Hepburn. Also, this film will always be recognized for having the perfect mix of action, romance and comedy and it will always be a classic.
An amazing romance-adventure classic highlighted by the brilliant performances of Bogart and Hepburn. Oscar winner Bogart's Charlie is a broken man who finds true hope and happiness in Hepburn's Rose. Rose finds love and meaning from Charlie. It's adorable to see them call each other "Missus" and "Mr. Almont" even when we know that they love each other. Even when they have their "first quarrel" near the end of the picture, we know that their lives have changed forever as a result of the other person. It's a film about true love. This is also a very funny film, which was a shock to director Huston. Bogart's stomach growling scene early on in the film is a hoot. More humor commences as both stars play off of each other wonderfully. The scenary is beautiful. No film has captured the essence and importance of nature better than this classic. This is the film that sparked other romance adventures such as "Romancing the Stone" and "Six Days and Seven Nights." Before you view those newer installments, you better check out the one and true original classic.
John Huston directed this classic WWI romantic adventure that stars Humphrey Bogart as Riverboat Captain Charlie Allnut, an alcoholic and aging veteran of the river who is persuaded to lead pious Rose Sayer(played by Katharine Hepburn) by her missionary brother(played by Robert Morley) who is later beaten and left to die of fever by the German occupiers. Rose buries her brother, then sets out on the river journey, determined to avenge her brother's death(and do God's work) by tracking down and destroying a German submarine with a torpedo. Along the way, the mismatched couple connect and fall in love... Fine adventure with two perfectly cast stars at their best. Bogart won an overdue best actor Academy Award for his wonderful performance, with superb direction making this an authentic and memorable journey indeed, overcoming the predictable(yet believable) inevitability of the romance.
Le saviez-vous
- AnecdotesSources claimed that everyone in the cast and crew got sick except Humphrey Bogart and John Huston, who said they avoided illness by essentially living on imported Scotch whiskey. Bogart later said, "All I ate was baked beans, canned asparagus and Scotch whiskey. Whenever a fly bit Huston or me, it dropped dead."
- GaffesThe propeller on the boat is made of bronze (stainless steel hadn't been invented yet). Bronze cannot be easily welded, even with the proper equipment, but he welds a new blade to the propeller. (In the book, Allnut makes a replacement blade out of iron, and rivets it to the bronze propeller.)
- Citations
Captain of Louisa: By the authority vested in me by Kaiser William the Second I pronounce you man and wife. Proceed with the execution.
- Crédits fousOpening credits prologue: GERMAN EAST AFRICA September 1914
- ConnexionsEdited into Spisok korabley (2008)
- Bandes originalesGod of Grace and God of Glory (Cwm Rhondda)
(uncredited)
Words by Harry Fosdick
Music by John Ceiriog Hughes
Meilleurs choix
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Détails
Box-office
- Budget
- 1 000 000 $US (estimé)
- Montant brut mondial
- 46 305 $US
- Durée
- 1h 45min(105 min)
- Rapport de forme
- 1.37 : 1
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