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IMDbPro

The Red Skelton Show

  • Série télévisée
  • 1951–1971
  • TV-G
  • 1h
NOTE IMDb
8,1/10
1,5 k
MA NOTE
Red Skelton in The Red Skelton Show (1951)
Trailer for The Red Skelton Hour in Color: Crown Prince of Comedy
Lire trailer0:48
1 Video
99+ photos
Sketch ComedySlapstickComedy

Ajouter une intrigue dans votre langueComedian Red Skelton hosts a variety show of comedic sketches, and a range of stars, to speak to an entire generation.Comedian Red Skelton hosts a variety show of comedic sketches, and a range of stars, to speak to an entire generation.Comedian Red Skelton hosts a variety show of comedic sketches, and a range of stars, to speak to an entire generation.

  • Création
    • Marcel Marceau
  • Casting principal
    • Red Skelton
    • David Rose and His Orchestra
    • Art Gilmore
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    8,1/10
    1,5 k
    MA NOTE
    • Création
      • Marcel Marceau
    • Casting principal
      • Red Skelton
      • David Rose and His Orchestra
      • Art Gilmore
    • 11avis d'utilisateurs
    • 2avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompensé par 2 Primetime Emmys
      • 4 victoires et 16 nominations au total

    Épisodes660

    Parcourir les épisodes
    HautLes mieux notés

    Vidéos1

    The Red Skelton Hour: The Red Skelton Hour In Color: The Crown Prince of Comedy
    Trailer 0:48
    The Red Skelton Hour: The Red Skelton Hour In Color: The Crown Prince of Comedy

    Photos118

    Voir l'affiche
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    + 112
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    Rôles principaux99+

    Modifier
    Red Skelton
    Red Skelton
    • Self - Host…
    • 1951–1971
    David Rose and His Orchestra
    • Themselves…
    • 1951–1971
    Art Gilmore
    Art Gilmore
    • Announcer…
    • 1954–1971
    Tom Hansen Dancers
    • Themselves…
    • 1957–1970
    Jan Arvan
    Jan Arvan
    • Paw Kadiddlehopper…
    • 1953–1971
    The Alan Copeland Singers
    • Themselves…
    • 1964–1969
    Bob LeMond
    Bob LeMond
    • Announcer…
    • 1951–1955
    Ray Kellogg
    Ray Kellogg
    • Police Officer…
    • 1953–1971
    The Skelton Dancers
    • Themselves…
    • 1956–1964
    Lucille Knox
    Lucille Knox
    • Self - Commercials…
    • 1951–1953
    Gilchrist Stuart
    • Butler…
    • 1954–1971
    Currie Pederson
    • Dancer
    • 1962–1970
    Jimmy Cross
    Jimmy Cross
    • Drunk…
    • 1954–1970
    Chanin Hale
    Chanin Hale
    • Silent Spot…
    • 1963–1971
    Pat McGeehan
    • Self - Announcer…
    • 1951–1952
    David Rose
    • Orchestrator…
    • 1954–1968
    Bonnie Evans
    • Dancer
    • 1964–1970
    David Sharpe
    David Sharpe
    • Old Lady -- Silent Spot…
    • 1964–1969
    • Création
      • Marcel Marceau
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs11

    8,11.4K
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    Avis à la une

    lonnadams

    what made it last so long?

    Red Skelton was watched weekly even before I was born. As I watched the shows, it was if he was part of our family. My father would laugh and giggle along with the rest of us. What made the show funny was not only the rehearsed script, but the ad lib comments. He included us as if we were right there with him. While some considered him as unprofessional by causing others to crack up on stage, we the audience found it funny to see the serious characters laughing and smiling on screen. I am sure the performers came on the program to enjoy a bit of lighthearted performing. If the program had been a professional polished perfect performance, I don't think the program would have lasted as long. It was funny, entertaining, and at times, very poignant. I think one of my most memorable performances was Freddy the freeloader with the Raggedy Ann doll that changed to a 'live' partner. It taught me that all people crave someone. It touched my heart then and every time I think of it. It was a Yuletide performance and it is in my memory as a child. Red Skelton wasn't only a performer, but a human being to share his humor and wit. It is one of the programs such as Leave it to Beaver, Father knows Best, and others to build a set of standards that make me a better man today! The statement God Bless was a statement at the end to wish everyone in every aspect of life to have their life improved.
    9bkoganbing

    America's Clown

    Red Skelton was one of the first to recognize that television was a coming medium of entertainment. He was not the only Hollywood personality to do this, but the difference between them and him is that he was on top on the big screen. Many had careers extended or a new lease on life was given to Hollywood names that no longer had box office pull. That was not true with Red Skelton, when he debuted in 1951 on CBS television he was on top of his box office appeal.

    What a rich array of characters he brought to the small screen. Anyone my age and a bit younger remembers Clem Kadiddlehopper, San Fernando Red, Freddie the Freeloader and so many more. These are indelible impressions formed on America's consciousness when it needed a laugh or two.

    The thing that always impresses me about Red Skelton is that he was so good at all types of comedy, he was quick with some unwritten dialog, he could do standup, he was a pantomimist the equal of Harpo Marx in my opinion. No less an authority than Groucho Marx thought that. I think Red Skelton would have been a big star on the silent screen when pantomime was what it was all about.

    He was the son of a former circus clown turned druggist and that's where he got his love for entertaining. He always described himself as a first and foremost a clown. But he was the proverbial sad clown, he had a lot of troubles in life with the substance abuse of his wife Georgia, and the death of their son Richard from leukemia. I well remember that being a big news item when I was a lad.

    He said he was put on earth to make people laugh, and Red, so you did.
    8gazzo-2

    Skelton was great. His show lasted, because He was the show.

    .......Playing Kaddiddlehopper, Col San Fernando, etc. the man was pretty wide ranging and a scream. I love watching him interact w/ Amanda Blake, or Don Knotts or whomever--he clearly was having a ball and I think he made it easier on his guests as well--so long as they Knew ahead of time it wasn't a disciplined, 19 take kind of production. Relax and be loose was clearly the name of the game there.

    He reminds me of guys like Milton Berle, Benny Hill, maybe Jerry Lewis some too. Great timing, ancient gags that kept audiences in stitches for decades, sheer enjoyment about what he was doing. His sad little clown he played was good too--but in a touching manner.

    Personally I think he's great, having just bought a two DVD set of his shows from '61 or so, it brings his stuff back in a fond way for me. I can remember seeing him on TV at the end of his run when he was winding up the series in 1971 or so.

    Check this out if you are a fan or curious. He was a riot.
    jwr4

    One of the best

    Red Skelton, Jackie Gleason, Milton Berle, Burns and Allen, etc., etc. Will there ever be others that will equal them? I doubt it. Their shows were meant to entertain, not to push a political agenda as so many programs seem to do today.

    As I understand, Red had several offers to do other television work but turned them down because he was expected to "modernize" his comedy, which he refused to do. Good for you Red! Shows were not flashy. There was no loud distracting music. Just pure comedy entertainment.

    The dvds or videos should be part of the collection of anyone who loves a good laugh.
    RedRiver48

    And May God Bless, Goodnight!

    This show is the best show that I have seen in a long time. It has my old buddy Red Skelton. I think this show is extrordinary If you want laughs, watch this This show is very well done

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Red Skelton had a reputation among comedy writers as being extremely difficult to work with, since he didn't like writers in general, and resented CBS for insisting that he use them on his show. He wanted to write all the sketches himself, his reasoning being that no one knew his characters as well as he did. Prior to taking the position as head writer on the show, Sherwood Schwartz, had it written into his contract with CBS that Skelton was under no circumstances allowed to discuss anything about a show's script with him before he was given it prior to taping, which often resulted in Skelton not knowing what a sketch was about, nor even what character he would be playing until shortly before airtime. That's why Skelton would often break character in the middle of a skit and turn to the audience and say something like "Don't blame me, folks, I don't write this stuff."
    • Connexions
      Featured in Blushing Bloopers (1990)
    • Bandes originales
      Holiday for Strings
      by David Rose and Sammy Gallop

      WB Music Corporation (ASCAP)

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    FAQ18

    • How many seasons does The Red Skelton Hour have?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 30 septembre 1951 (États-Unis)
    • Pays d’origine
      • Canada
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • The Red Skelton Hour
    • Lieux de tournage
      • CBS Television City - 7800 Beverly Boulevard, Fairfax, Los Angeles, Californie, États-Unis
    • Sociétés de production
      • CBS Television Network
      • National Broadcasting Company (NBC)
      • Sursum Corporation
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure
    • Mixage
      • Mono
    • Rapport de forme
      • 1.33 : 1

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    Red Skelton in The Red Skelton Show (1951)
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