The Amos 'n Andy Show

Obviously keenecd never saw Amos 'n' Andy when it was on TV. Ironically, his/her remarks on how the media manipulates our thinking regarding blacks seem to mirror how keenecd's school manipulated its students. Keenecd, you should sue your school, lighten up, and watch some truly great comedy.

When I was a kid, I loved to watch Amos 'n Andy on my local independent television station. It was preceded by The Three Stooges Comedy Hour. Then Amos 'n Andy was canceled because the NAACP decided for me that I would think all black people are like the characters on the show. But I didn't believe that anymore than I thought all white people are like the Three Stooges. So, I could no longer watch one of the funniest comedy shows in television history. I also loved the beautiful theme song. It sounds very much like "Palermo." Anyone know the story of this music?

Seeing the amos N andy show in reruns when i was 5 in the late 50's in new york, i remembered some of the funniest shows I had ever seen. Having recently obtained the 73 shows known to be in existence, I am still laughing uproariously. It is a shame more people have not been exposed to these fine actors and the hilarious sketches they perform. It is also distinguished by the first show in TV history to have blacks perform in white collar occupations such as judges, lawyers, business owners and the like. if the Kingfisher isn't one of the most talented comedians in early TV, i don't know who is. The rubbery face and big sad eyes made him perfect for this part. The kingfisher was not the main performer in the radio program, but became so in the TV series. He is really the first actor to become prominant in a TV program where he was not intended to be when the stories were originally written. much the same as fonzi became the star at Happy Days. if you do not see these most funny shows, you are missing some of the early and funniest history of TV.

I've just watched a documentary on African-Americans on television which showed several clips from "Amos and Andy". It got me thinking about this show that I watched when it was syndicated in our area 40 years ago. For the record I am a middle-class white male, but I don't think it really matters that much. I haven't seen an entire episode in decades but my memories of the show seem to be similar to others so I will trust them. I too, agree that the show has something of a bad rap but I think the reasons why are interesting.

I agree with the several posters who have compared this to "The Honeymooners", which was obviously influenced by it. You have the men out front, not as smart as they think they are, hatching various schemes to make their dreams come true or cover up their missteps while smarter females lecture them for their foolishness when the smoke clears. Things like the lodge they belong to are obvious parallels. If the Honeymooners could be a classic, why couldn't Amos and Andy? The characters are not servants or shoe-shine boys. It's whole black community. I remember noticing that all the characters were black when I was a kid but just regarded it as a peculiarity. If the show taught me anything about blacks is that they are just like everyone else. Is that harmful? I agree that the fact that the series gave black performers jobs is not an "excuse" for racial stereotyping. But just search the IMDb for a look at the actor's careers after this show ended. Spencer Williams's career basically ended. Alvin Childress showed up on Perry Mason as a janitor. Tim Moore was blacklisted, (an ironic term). There's something to be said for employment.

So why is this show linked with Stepin Fetchit or "Rochester" as an example of black stereotyping such that it's been essentially banned from TV for four decades through the efforts of the NAACP, (ironic that Moore was banned by rightists and his show by leftists)? Firstly, while it does present an entire black community, it does use traditional elements of black humor- exaggerated dialects, references to lazy or untrustworthy characters, etc. However the same elements are present in later "black" shows such as "Good Times", which were not banned.

Perhaps a stronger reason was that the show was created and performed on radio by two white men, Freeman Gosden and Charles Correll, who had appeared on film playing the characters in blackface. That further links the show to racist stereotyping and illustrates that its genesis was certainly in the white man's view of comical black men. However subsequent documentaries have indicated that Gosden and Correll were anything but racists themselves and were respected by their TV counterparts who went on to make the characters their own in a series that was much toned down from the radio show.

I think perhaps the biggest problem with Amos and Andy is that it was the only show that attempted to depict black life in America in the 1950's. Whites had Joe Friday and Paladin and Dr. Kildare, so when they watched Ralph and Ed they didn't look at them as representatives of the white race. They just looked at them as a couple of funny guys. Blacks had no Joe Friday or Paladin or Dr. Kildare so these comic characters became their symbol. When it came time to move on, they were left behind.

After 2 years on the CBS Television Network, the video version of 'Amos 'n' Andy' found itself without a sponsor. The series was canceled. This was truly a shame, for it is indeed as funny as anything that has been on TV before or since.

Following an extensive industry wide hunt for the most talented and fittingly cast players to bring the longtime favourite radio series to the small screen, a special program featuring Hal Roach, Jr. and the creators Freeman Gosden and Charles Corell(all whites), was telecast to introduce us to the actors now playing the characters.

Pressure from the NAACP, whose position that the series, with its comical characters, was demeaning to Black Americans. The sponsor, Blatz Beer of Milwaukee, did not renew its sponsorship.We have always contended that Amos 'n' Andy no more represented a true picture of Black Americans than The Honeymooners' Kramden & Norton were meant to be an accurate portrayal of White Americans. They were both designed to make us LAUGH!!

The series was over, but went into syndicated re-runs which made most of us aware of these very funny episodes featuring such a great and talented cast.

I don't know of anyone who took the show 'seriously', for we all knew that Andy, Kingfish,Calhoun, Saphire, Momma, Madame Queen, Lightnin', etc. were all played for laughs, with Amos, his family and others providing a strong level-headed,serious counter balance.

Meanwhile, the Radio series continued, never seeming to attract any real criticism.

In the end, we the public were the losers; along with Alvin Childress, Spencer Williams, Jr., Tim Moore, Ernestine Wade, Amanda and Vivian Randolph, Johnny Lee, 'Nicodemas' Stewart and other Black players. They were picked from the best available talent, only to suffer a premature termination.