Your Witness

American lawyer Robert Montgomery learns Michael Ripper, who saved his life during the war, is being tried for murder and flies to Britain to help out. He learns that Ripper claims that although he shot the murdered man, who threatened him with a gun. The gun has vanished, but there seems to have been a witness whom no one can identify.

It's more an actor's show than a movie, with Montgomery offering his last theatrical performance -- he also directed . It's certainly watchable throughout, but little more. With Leslie Banks, Felix Aylmer, Jenny Laird and James Hayter.

I'm frequently amazed by the low scores, and detrimental reviews about older films on here.

Some films have you gripping the seat of your chair, others have plenty of whooping and hollering - this was comfortable armchair viewing, where you could almost smell the hay, the stables, and the flowers in the village church.

This might have a somewhat predictable storyline, but the softened focus and beautiful locations further enhance the performance by an excellent cast of recognisable characters.

The transition from bustling streets in the States, contrasts beautifully with the tinkling of bicycle bells in a quintessential English village, as the lead character enters the local inn - run by Mr Memory, from The 39 Steps.

The livery stables are as I remember some from the 1950s, with overhanging ivy, and leaning gates - in fact the portrayal of a post war village is perfectly played.

Having a somewhat predictable plot provides a suitable vehicle for an experienced and talented cast, to display their talents and ability to a greater effect - giving impeccable and almost imperceptible nuances to their characters and portrayals.

There was ample time for the enjoyment of these performances, whilst still absorbing the plot line, the anticipated conclusion in the courtroom, and the final scenes around the magnificent house and garden.

In his final film Robert Montgomery's boredom is only too apparent in this uninvolving courtroom drama that however boasts a cast that manages to include both Leslie Banks and Stanley Baker.

It bears a striking resemblance to the similarly titled 'Hostile Witness' (also directed by and starring a visitor from Hollywood, on that occasion Ray Milland), even down to the judge being played by Felix Aylmer; the later film's most obvious concession to the passage of time being that that was in colour.

"Your Witness" was made at the Toddington Studio owned by Warner Brothers. Several US film companies set up studios in the UK because of a British law mandating a certain percentage of the movies shown in theaters would be made domestically. And, like many of these productions, an American prestige actor appeared in the film....and in this case, Robert Montgomery not only starred in it but directed as well.

The story begins in the States and Adam Heyward (Montgomery) learns that an old British war buddy has been arrested for murder! Adam drops everything and heads to the UK to see what help he can provide. While Adam also is a lawyer, he cannot defend this friend in church because he doesn't have any standing (privileges) in British courts. Instead, he investigates and spends much of his time looking for a supposed witness who can verify that the killing was done in self-defense.

This is a film that is the epitome of competent. It's not a great film nor a bad one...just a well made one that is worth seeing, particularly if you like Montgomery. Worth seeing.

Robert Montgomery's final screen appearance,which he also directed,is a slow moving mystery which spends far too much of the running time on irrelevant scenes pointing up the supposed differences between the British and American character. Montgomery meets a gallery of UK stereotypes such as garrulous publican,dim witted police sergeant and stuffy judge.

The plot concerns RM travelling to England to help clear an old army buddy of a murder charge. There is some mild suspense during the last twenty minutes when the identity of a secret witness is revealed. Leading lady Patricia Cutts (called Patrcia Wayne here) is one of those rather horsey English blondes with a cut glass accent. Her acting is rather stilted and there is little chemistry between her and Montgomery. It's a far cry from his wonderful acting/direction job on Lady In The Lake.