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Dans l'ombre de San Francisco

Titre original : Woman on the Run
  • 1950
  • Approved
  • 1h 17min
NOTE IMDb
7,2/10
5,4 k
MA NOTE
Dennis O'Keefe and Ann Sheridan in Dans l'ombre de San Francisco (1950)
Frank Johnson becomes an eyewitness to a murder. He's pursued around San Francisco by his wife, the police, and the killer.
Lire trailer1:37
1 Video
70 photos
Film noirCriminalitéDrameThriller

Frank Johnson devient témoin oculaire d'un meurtre. Il est poursuivi autour de San Francisco par sa femme, la police et le tueur.Frank Johnson devient témoin oculaire d'un meurtre. Il est poursuivi autour de San Francisco par sa femme, la police et le tueur.Frank Johnson devient témoin oculaire d'un meurtre. Il est poursuivi autour de San Francisco par sa femme, la police et le tueur.

  • Réalisation
    • Norman Foster
  • Scénario
    • Alan Campbell
    • Norman Foster
    • Sylvia Tate
  • Casting principal
    • Ann Sheridan
    • Dennis O'Keefe
    • Robert Keith
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,2/10
    5,4 k
    MA NOTE
    • Réalisation
      • Norman Foster
    • Scénario
      • Alan Campbell
      • Norman Foster
      • Sylvia Tate
    • Casting principal
      • Ann Sheridan
      • Dennis O'Keefe
      • Robert Keith
    • 106avis d'utilisateurs
    • 56avis des critiques
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    Trailer
    Trailer 1:37
    Trailer

    Photos70

    Voir l'affiche
    Voir l'affiche
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    + 64
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    Rôles principaux27

    Modifier
    Ann Sheridan
    Ann Sheridan
    • Eleanor Johnson
    Dennis O'Keefe
    Dennis O'Keefe
    • Dan Legget
    Robert Keith
    Robert Keith
    • Inspector Ferris
    John Qualen
    John Qualen
    • Maibus
    Frank Jenks
    Frank Jenks
    • Detective Shaw
    Ross Elliott
    Ross Elliott
    • Frank Johnson
    Jane Liddell
    • Messenger Girl
    Joan Shawlee
    Joan Shawlee
    • Blonde
    • (as Joan Fulton)
    J. Farrell MacDonald
    J. Farrell MacDonald
    • Sea Captain
    Steven Geray
    Steven Geray
    • Dr. Hohler
    Victor Sen Yung
    Victor Sen Yung
    • Sam
    Reiko Sato
    Reiko Sato
    • Suzie
    • (as Rako Sato)
    Syd Saylor
    Syd Saylor
    • Sullivan
    Tom Dillon
    Tom Dillon
    • Joe Gordon
    • (as Thomas P. Dillon)
    Frank Baker
    Frank Baker
    • Morgue Attendant
    • (non crédité)
    Steve Carruthers
    Steve Carruthers
    • Steve Carruthers
    • (non crédité)
    Spencer Chan
    Spencer Chan
    • Chinese Waiter
    • (non crédité)
    Mike Donovan
    • Irish Cop
    • (non crédité)
    • Réalisation
      • Norman Foster
    • Scénario
      • Alan Campbell
      • Norman Foster
      • Sylvia Tate
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs106

    7,25.4K
    1
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    10

    Avis à la une

    8banse

    The woman is Ann Sheridan...enough said

    This neat little thriller from 1950 is all the more interesting since Ann Sheridan is the woman in the title. Miss Sheridan is most convincing as she searches for her husband who witnessed a gangland murder and must find him before the underworld does. There are many tense moments along the way especially when she ends up riding on a roller coaster. Good support from Dennis O'Keefe, Robert Keith and Ross Elliott plus a good screenplay help this film rise above B status.
    7Prof-Hieronymos-Grost

    Excellent low budgeter

    While out late one night walking his dog, Frank Johnson finds himself in the unwanted situation of being a witness to a murder, the killer sees Frank and fires two shots but misses. The police arrive and inform Frank that as he can identify the killer he has to be taken in protective custody, as the man killed was also a witness in a case against a big mob boss and he will surely be the next target. However, fearful for his life Frank goes on the run. His wife Eleanor (Ann Sheridan) soon finds out that he husband is not the person she had been bored with, but an intelligent, talented and witty man that many people like for many reasons, believing her marriage was in permanent decline, she suddenly remembers why she loved him in the first place and sets out to find him with the help of a a very eager local reporter Danny Leggett (Dennis O'Keeffe) intent on a big story that might just save his own career. The search is made all the more frantic when Eleanor discovers Frank had been hiding a heart defect from her and that the police have ordered all pharmacies not to give out his required drug without their say so.

    Woman on the Run completes my viewing of Antonius Block's Top 100 Noir list and its a good one to finish with, it starts quite slowly but ups the tension with each passing minute,as the police and the killer also join the chase. O'Keeffe and Sheridan are both excellent in their respective roles and for such a low budget film, there is some very fine camera-work, in particular the scenes in the amusement park at the finish. The only thing that irked me just a little was the identity of the killer was given away too soon, albeit a nice twist, but then at a brisk 77 mins, I can't really have too much to complain about. I watched the Alpha Video disc and being a fan of Foster's work I would certainly be interested in seeing a better print of this film.
    wrbtu

    Feminine Film Noir with Snappy Dialog

    There's LOTS of snappy dialog in this film, all of it involving Ann Sheriden, & much of it involving Dennis O'Keefe as Danny Leggett or Robert Keith as Inspector Ferris. There are very few Film Noirs with a female lead, & this is one of them. Sheriden does a terrific job as the wife of a man on the run from the police & the mob. Is Ann faithful or faithless? Where's her husband? Does she care? These are some of the questions raised in the film. Lots of shadows, much of it filmed at night, but there are some sunny scenes. Look for #2 Son as one of the Chinese dancers. The dialog was so tart that it reminded me of `The Big Sleep,' & that's saying a lot. One big difference between that film & this, is that this film is a lot more easy to comprehend. I actually knew who they were talking about when they referred to `Susie' or `Ferris,' maybe because the number of characters in this movie were few, & their roles were very well defined. Exciting, suspenseful, good sense of humor, very well acted & directed. Too bad it's hard to find on video & it's never shown on TV. I rate it 9/10.
    dougdoepke

    More Than a Programmer

    Lots of imaginative touches in this suspenseful noir. Catch the midget in the phone booth, the mannequins from heck, or the camera that pulls away from the climax. Director Foster sure didn't treat this as just another programmer. For that matter, neither did the producers who popped for atmospheric San Francisco locations plus an A-list cast. All in all, there would appear to be a backstory to this unusual production.

    So who's going to help poor Sheridan now that a killer is searching for her estranged husband. Not the cops, since Keith is too ornery to sense her need. But then she comes across as a pretty tough cookie (as only Sheridan can) herself. And what about reporter O"Keefe. Is he really a help or just in it for himself. At first I thought the plot was a whodunit, but then it turns into a moody nail-biter, along the lines of urban classic DOA (1950). And what about those great SF locations that lend genuine atmosphere. Cameraman Hal Mohr does an expert job complementing the story with many of SF's exotic settings. In fact, the acting and production values manage to keep attention away from plot developments that at times are a stretch.

    I guess my only real reservation is with the camera pull-away at the climax. It's imaginative and heightens suspense, but also dilutes the outcome that we never get to see. Still, however you take that, the movie itself remains an exotic slice of b&w, and a tribute especially to its director and cameraman.

    (In passing-- why the title 'Woman' On The Run when it seems it's really a man.)
    GManfred

    Another 'Killer B'

    I knew it. I knew if I keep watching films from my Film Noir gift box I would come up with some good titles. This is one of them. Solid performances by Ann Sheridan and the dependable Dennis O'Keefe, and written and directed by Norman Foster. The pacing is good and I even went along with the plot contrivance which serves as the climax of the picture. Annie was coming to the end of her glamour period in Hollywood films and she turns in a hard-boiled performance as a wife in search of her missing husband. Always thought Dennis O'Keefe was meant for better things than B programmers but he gets a good role here in an 'almost A' picture. Our current rating of 7.6 may be a little gaudy, but it's a good addition to my Film Noir collection.

    Nice, isn't it, to come across a good movie when you weren't expecting one?

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The only known print of this film was destroyed in a fire in June of 2008, leaving only a few very low-quality--basically unwatchable--prints in the public domain. Eddie Muller, host of Turner Classic's "Noir Alley", did a bit of detective work and found a 35mm print at the British Film Institute. He had it shipped to UCLA Film and Television Archive where, with financial help from Muller's own organization, the Film Noir Foundation and the Hollywood Foreign Press Association's Charitable Trust, the film was preserved for future generations. This is one of Muller's favorite noir films for a number of reasons, including the pairing of two great actors, Ann Sheridan and Dennis O'Keefe , who he claimed improvised some of their dialogue, but mostly because of its use of San Francisco, Eddie's home town, while it was still a bustling, growing, blue-collar seaport.
    • Gaffes
      Later in the movie Mrs. Johnson, Danny, and a police detective (in that order) climb into the back seat of a car using the right door and are driven to police headquarters. When they arrive, they get get out in a completely different order!on the left side, the police detective, Mrs. Johnson and lady Danny.They would have had to climb over each other to get out of the car they way they did.
    • Citations

      Inspector Ferris: Don't you eat anything but dog food?

      Eleanor Johnson: He's not particular, and I'm lazy, so we eat out.

    • Connexions
      Edited into The Green Fog (2017)

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    FAQ13

    • How long is Woman on the Run?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 8 août 1951 (France)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Cantonais
    • Aussi connu sous le nom de
      • Woman on the Run
    • Lieux de tournage
      • Ocean Park Pier, Santa Monica, Californie, États-Unis(Amusement park and roller coaster scenes)
    • Société de production
      • Fidelity Pictures Corporation
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 17min(77 min)
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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