Ajouter une intrigue dans votre langueA down-on-his-luck driver joins a criminal's heists. Media coverage fuels public interest as their crimes grow bolder. When a hostage situation goes wrong, arrested suspects face danger from... Tout lireA down-on-his-luck driver joins a criminal's heists. Media coverage fuels public interest as their crimes grow bolder. When a hostage situation goes wrong, arrested suspects face danger from angry mobs. Police struggle to maintain order.A down-on-his-luck driver joins a criminal's heists. Media coverage fuels public interest as their crimes grow bolder. When a hostage situation goes wrong, arrested suspects face danger from angry mobs. Police struggle to maintain order.
- Réalisation
- Scénario
- Casting principal
- Nomination aux 2 BAFTA Awards
- 1 victoire et 2 nominations au total
- Tommy Tyler
- (as Donald Smelick)
- Boy in Miller Car
- (non crédité)
- Man Exiting Optometrist
- (non crédité)
- Man in Crowd
- (non crédité)
- Barbara Colson
- (non crédité)
- Man on Street
- (non crédité)
- Vi Clendenning
- (non crédité)
Avis à la une
Resume:
First watch: 2017 / How many: 1 / Source: DVD / Rating: 8
Anyway, I recall seeing Sound of Fury when I was around ten, on a Saturday afternoon matinee at the local cinema.
I recall being quite upset when I watched it; I recall also the two main actors, the reserved worker, Frank Lovejoy (Howard) and the flamboyant, arrogant conman, Lloyd Bridges (Jerry) - such a brilliant contrast of characters, even then at ten. Thereafter, I followed both actors in subsequent movies.
Of course, I did not follow this story very well at that age, but the final fifteen minutes or so riveted me to my seat, never to be forgotten. Hence, when I saw it recently again, I felt an odd mix of the same emotions from over seventy years ago.
Briefly, Howard (Lovejoy) is reluctantly enticed by Jerry (Bridges) to embark on a life crime because he has no job. Eventually, Jerry commits a truly heinous murder of a young man and forces Howard to help dispose of the body. When they are arrested for the murder, they are held at the central police station under heavy guard, awaiting trial.
Soon, though, the local media whips up citizen anger about the murder and eventually a mob begins to congregate at the cop shop, demanding justice. Without doubt, this story and production still ranks with me as a superb exposition and critique of how the media (and authority) gave the base aspects of American culture an opportunity to overwhelm due legal process.
The pacing and dialog are appropriate, the acting is superb, and the finale is a tour de force in editing and directing.
I think Sound of Fury should have won awards. Maybe the topic revealed much more than the producers were expecting in those times? Simply because it viscerally displayed a hard truth that many preferred to keep in the background, out of sight, even then.
Eight out of ten for this excellent production.
Recommended for adults, young and old.
Le saviez-vous
- AnecdotesMartin Scorsese owned the only remaining 35mm print and authorized its use for the film's upgraded new print in 2013.
- GaffesDuring the opening credits, a shadow of a stage light and other equipment is visible on the first truck as it pulls out of the gas station.
- Citations
Blind Preacher: You've got to look in your hearts and ask yourself, if you can answer one thing, how much is each of you guilty for all the evil in the world? Why do you do the things you do? Why?
- ConnexionsFeatured in Red Hollywood (1996)
Meilleurs choix
- How long is The Sound of Fury?Alimenté par Alexa
Détails
- Durée
- 1h 31min(91 min)
- Couleur
- Rapport de forme
- 1.37 : 1