NOTE IMDb
6,1/10
830
MA NOTE
Ajouter une intrigue dans votre langueIn 1876 Colorado, the Tomahawk and Western Railroad is expanding through the Rockies but some stagecoach operators, fearing a loss of revenue, plan to sabotage the railroad.In 1876 Colorado, the Tomahawk and Western Railroad is expanding through the Rockies but some stagecoach operators, fearing a loss of revenue, plan to sabotage the railroad.In 1876 Colorado, the Tomahawk and Western Railroad is expanding through the Rockies but some stagecoach operators, fearing a loss of revenue, plan to sabotage the railroad.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Robert Adler
- Bat
- (non crédité)
Raymond Bond
- Stationmaster
- (non crédité)
Paul Brinegar
- Henchman
- (non crédité)
Harry Carter
- Charley
- (non crédité)
Edward Clark
- Jet
- (non crédité)
Robert Filmer
- Deputy Sheriff
- (non crédité)
Joseph Forte
- Townsman
- (non crédité)
Avis à la une
Anne Baxter gets to do a Calamity Jane type role in A Ticket To Tomahawk where she is a hard riding fast shooting deputy to her father Will Wright. If Anne sang as well as acted, you'd swear she would have been poaching on territory established by Betty Hutton and later by Doris Day.
But the music is left to traveling man Dan Dailey who gets innocently dragooned into an attempted killing of her father. Wright and Baxter dispatch the perpetrators involved easily. Dailey can't ride and shoot as well as Baxter, but he's loaded with charm and in one instance an interesting friend in high places.
To complete the terms of a contract a Hooterville Cannonball type train must make a run to the frontier terminus of Tomahawk in Colorado. But their are a couple of miles of track missing for engineer Walter Brennan and fireman Arthur Hunnicutt to surmount. Never mind everybody pitches in and the results are ingenious and pretty funny.
Of course the owner of the existing stagecoach line is doing what he can to prevent the railroad from completing its mission. And they've got a spy in the railroad crowd in the person of devilishly charming and deadly Rory Calhoun. He's making some moves on Baxter and arousing the concern and jealousy of many.
Along for the trip are the troupe of entertainers that Connie Gilchrist heads. Look sharp and you'll see young Marilyn Monroe as one of the entertainers.
A Ticket To Tomahawk is a pleasant and entertaining western with nice musical interludes and dead shot Anne Baxter who learns she can't get a man with a gun.
But the music is left to traveling man Dan Dailey who gets innocently dragooned into an attempted killing of her father. Wright and Baxter dispatch the perpetrators involved easily. Dailey can't ride and shoot as well as Baxter, but he's loaded with charm and in one instance an interesting friend in high places.
To complete the terms of a contract a Hooterville Cannonball type train must make a run to the frontier terminus of Tomahawk in Colorado. But their are a couple of miles of track missing for engineer Walter Brennan and fireman Arthur Hunnicutt to surmount. Never mind everybody pitches in and the results are ingenious and pretty funny.
Of course the owner of the existing stagecoach line is doing what he can to prevent the railroad from completing its mission. And they've got a spy in the railroad crowd in the person of devilishly charming and deadly Rory Calhoun. He's making some moves on Baxter and arousing the concern and jealousy of many.
Along for the trip are the troupe of entertainers that Connie Gilchrist heads. Look sharp and you'll see young Marilyn Monroe as one of the entertainers.
A Ticket To Tomahawk is a pleasant and entertaining western with nice musical interludes and dead shot Anne Baxter who learns she can't get a man with a gun.
10TcH-3
A fun movie. Marilyn Monore had a bit part as a dance-hall girl. Colorado mountain colors were beautiful. Need more movies like this.
Tongue-in-cheek western that's better than it had any right to be. That's mainly because TCF went to the expense of filming in southwestern Colorado, arguably the state's most scenic part. Plus, the lead actors come through in vivid fashion—a charmingly affable Dan Dailey, a spunkily convincing Anne Baxter, and those two grand old grouches Walter Brennan and Will Wright. And shouldn't overlook Chief Yowlachie as the superbly deadpan Indian manikin.
Then too, the story's just wacky enough to separate from the oater pack. Seems a new railroad has to get to Tomahawk to qualify for an exclusive contract. Trouble is this would cause the stage line to go belly-up, so guess who's sabotaging the rail line's effort. And that's along with hostile Indians and 40 miles of missing track. Good thing toughie Baxter's along with her gunslinging skills, along with a pack train of sturdy horses.
I love dad Wright's effort at explaining the birds and the bees to his flummoxed daughter Baxter. Too often the actress over-emoted in her parts, but not here. She's near perfect as the thoroughly virginal tomboy, that is, until the winning Dailey teaches her how to "buss".
I guess my only reservation is with the Indian attack. It's much too conventional for a movie like this, and should have been finessed in slightly humorous fashion. Looks like it might have been included as a concession to audiences expecting something more traditional. Anyway, catch Marilyn Monroe in the fluffy yellow outfit among the four dancers getting a brief musical number. Overall, the elements come together in generally delightful fashion, making the movie something of a minor sleeper, thanks mainly to TCF's handsome budgeting and an outstanding cast.
Then too, the story's just wacky enough to separate from the oater pack. Seems a new railroad has to get to Tomahawk to qualify for an exclusive contract. Trouble is this would cause the stage line to go belly-up, so guess who's sabotaging the rail line's effort. And that's along with hostile Indians and 40 miles of missing track. Good thing toughie Baxter's along with her gunslinging skills, along with a pack train of sturdy horses.
I love dad Wright's effort at explaining the birds and the bees to his flummoxed daughter Baxter. Too often the actress over-emoted in her parts, but not here. She's near perfect as the thoroughly virginal tomboy, that is, until the winning Dailey teaches her how to "buss".
I guess my only reservation is with the Indian attack. It's much too conventional for a movie like this, and should have been finessed in slightly humorous fashion. Looks like it might have been included as a concession to audiences expecting something more traditional. Anyway, catch Marilyn Monroe in the fluffy yellow outfit among the four dancers getting a brief musical number. Overall, the elements come together in generally delightful fashion, making the movie something of a minor sleeper, thanks mainly to TCF's handsome budgeting and an outstanding cast.
This movie came out four months after "Annie Get Your Gun" with Betty Hutton. Anne Baxter plays a female sharpshooter role quite similar Annie. It suggests that if Betty Hutton had not been available, Anne Baxter would have been an excellent second choice for Annie. While the movie isn't quite as good as Annie, it is a totally entertaining piece shot in gorgeous Technicolor. If 1950 hadn't been a year filled with great movies like "Sunset Boulevard," All About Eve" (with two terrific performances by Ms. Baxter and Betty Davis), "Samson and Delilah," and the aforementioned "Annie Get Your Gun," it is possible that this one would have picked up at least a few nominations.
Dan Dailey has never been better. He is totally relaxed and charming in his role as a salesman of "mustache cups," and subscriptions to the Saturday Evening Post. Anne Baxter plays her Annie type character with surprising ease and coolness. She seems totally natural when she takes the badge and town sheriff role from her wounded grandfather (wonderfully played by character actor Will Wright who appeared on over 60 television shows in the 1950s and early 60s).
Rory Calhoun looks much younger and far handsomer than he was starring in "The Texan" a decade later. This was the first of three movies he was in with Marilyn Monroe. This is Marilyn's debut film, unfortunately she's only in it for about five minute. It is also Western star Jack Elam's debut. Look quick, he's in it for less than minute. You can also catch Victor Sen Yung (Hop Sing on the 1960's Western "Bonanza"). Walter Brennan also has two or three nice small scenes.
If you're a "Maverick" television fan, this is a must see. While not the first comedy Western, this movie is probably closer to "Maverick" in tone and style than any other movie. Its even closer than James Stewart's "Destry Rides Again."
Dailey and Baxter giving great performances is the reason to watch, but the Technicolor, beautiful Colorado scenery, and bit parts by future stars is a lot of icing on this sweet little cake of a movie.
Dan Dailey has never been better. He is totally relaxed and charming in his role as a salesman of "mustache cups," and subscriptions to the Saturday Evening Post. Anne Baxter plays her Annie type character with surprising ease and coolness. She seems totally natural when she takes the badge and town sheriff role from her wounded grandfather (wonderfully played by character actor Will Wright who appeared on over 60 television shows in the 1950s and early 60s).
Rory Calhoun looks much younger and far handsomer than he was starring in "The Texan" a decade later. This was the first of three movies he was in with Marilyn Monroe. This is Marilyn's debut film, unfortunately she's only in it for about five minute. It is also Western star Jack Elam's debut. Look quick, he's in it for less than minute. You can also catch Victor Sen Yung (Hop Sing on the 1960's Western "Bonanza"). Walter Brennan also has two or three nice small scenes.
If you're a "Maverick" television fan, this is a must see. While not the first comedy Western, this movie is probably closer to "Maverick" in tone and style than any other movie. Its even closer than James Stewart's "Destry Rides Again."
Dailey and Baxter giving great performances is the reason to watch, but the Technicolor, beautiful Colorado scenery, and bit parts by future stars is a lot of icing on this sweet little cake of a movie.
Buy the Ticket to Tomahawk and you've bought a comedy, a musical and action packed western all in one. The great adventure starts when the train has to go from Epitaph to Tomahawk through the Colorado Rockies with 40 miles of track gone, hostlile Indians and a gang of henchmen. Ann Baxter gives a riveting performance as deputy Marshal Kit Dodge Jr, who is better at tottin a gun or knife than the men folk. Dan Daily shows his multiple talents as Johnny Behind-the-Deuces. Daily is skillful at singing, joking and negotiating which comes in handy when dealing with Chief Thundercloud. Walter Brennan as Terence Sweeny has never been better as the frustrated engineer who got more than he bargained for. Rory Calhoun as the stagecoach promoter Dakota plays a tough balancing act as the hired hand trying to play both sides of the fence.
Tomahawk is notable for the debut of Marilyn Monroe in a walk-on cameo as a chorus showgirl and Western star Jack Elam. Also featured is Victor Sen Yung who was Hop Sing of "Bonanza" fame. Will Wright plays the crusty old codger he is well noted for. Pawnee (Chief Yowlachie) adds the much needed protection with his own tomahawk as the faithful deterrent. Rounding out an excellent cast are Connie Gilchrist as Madame Adelaide, Arthur Hunnicutt as Sad Eyes and Charles Kemper as Chuckity. Baxter and Monroe went on to appear in All About Eve together the same year.
Tomahawk is notable for the debut of Marilyn Monroe in a walk-on cameo as a chorus showgirl and Western star Jack Elam. Also featured is Victor Sen Yung who was Hop Sing of "Bonanza" fame. Will Wright plays the crusty old codger he is well noted for. Pawnee (Chief Yowlachie) adds the much needed protection with his own tomahawk as the faithful deterrent. Rounding out an excellent cast are Connie Gilchrist as Madame Adelaide, Arthur Hunnicutt as Sad Eyes and Charles Kemper as Chuckity. Baxter and Monroe went on to appear in All About Eve together the same year.
Le saviez-vous
- AnecdotesThe "Emma Sweeny" was portrayed by Rio Grande Southern #20, a narrow gauge locomotive built in 1899 by Schenectady Locomotive Works (not Baldwin, as stated in the film). For the film, the locomotive was repainted and fitted with a false smokestack, headlight, and other features to make it appear older. (This was a common practice in Western films, since true period-correct steam locomotives were often hard to find.) Shortly after filming completed, #20 pulled the Rio Grande Southern's last train ever in November 1951. The locomotive was then stored for many years at the Colorado Railroad Museum. In 2021, after several years of restoration work, #20 was returned to operating condition, and now runs regularly at the museum.
- GaffesToutes les informations contiennent des spoilers
- Citations
Terence Sweeny: [of his engine] Don't call Miss Sweeney a tea-kettle! She's the prettiest 10-wheeler this side of the Rockies!
- ConnexionsFeatured in Marilyn (1963)
- Bandes originalesOh, What a Forward Young Man You Are
(uncredited)
Written by Ken Darby and John Read
Performed by Marilyn Monroe, Marion Marshall, Joyce Mackenzie, Barbara Smith and Dan Dailey
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- How long is A Ticket to Tomahawk?Alimenté par Alexa
Détails
- Durée
- 1h 30min(90 min)
- Rapport de forme
- 1.37 : 1
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