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Trois petits mots

Titre original : Three Little Words
  • 1950
  • Tous publics
  • 1h 42min
NOTE IMDb
6,9/10
2,2 k
MA NOTE
Fred Astaire, Arlene Dahl, Red Skelton, and Vera-Ellen in Trois petits mots (1950)
Regarder Official Trailer
Lire trailer3:40
1 Video
57 photos
BiographieComédieMusicalRomanceComédie romantique

Ajouter une intrigue dans votre langueThe story of the successful Tin Pan Alley songwriting team of Bert Kalmar and Harry Ruby is told loosely and lightheartedly.The story of the successful Tin Pan Alley songwriting team of Bert Kalmar and Harry Ruby is told loosely and lightheartedly.The story of the successful Tin Pan Alley songwriting team of Bert Kalmar and Harry Ruby is told loosely and lightheartedly.

  • Réalisation
    • Richard Thorpe
  • Scénario
    • George Wells
  • Casting principal
    • Fred Astaire
    • Vera-Ellen
    • Red Skelton
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,9/10
    2,2 k
    MA NOTE
    • Réalisation
      • Richard Thorpe
    • Scénario
      • George Wells
    • Casting principal
      • Fred Astaire
      • Vera-Ellen
      • Red Skelton
    • 45avis d'utilisateurs
    • 18avis des critiques
  • Voir les informations de production sur IMDbPro
    • Nommé pour 1 Oscar
      • 3 victoires et 3 nominations au total

    Vidéos1

    Official Trailer
    Trailer 3:40
    Official Trailer

    Photos57

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    Rôles principaux81

    Modifier
    Fred Astaire
    Fred Astaire
    • Bert Kalmar
    Vera-Ellen
    Vera-Ellen
    • Jessie Brown Kalmar
    Red Skelton
    Red Skelton
    • Harry Ruby
    Arlene Dahl
    Arlene Dahl
    • Eileen Percy
    Keenan Wynn
    Keenan Wynn
    • Charlie Kope
    Gale Robbins
    Gale Robbins
    • Terry Lordel
    Gloria DeHaven
    Gloria DeHaven
    • Mrs. Carter De Haven
    • (as Gloria De Haven)
    Phil Regan
    Phil Regan
    • Phil Regan
    Harry Shannon
    Harry Shannon
    • Clanahan
    Debbie Reynolds
    Debbie Reynolds
    • Helen Kane
    Paul Harvey
    Paul Harvey
    • Al Masters
    Carleton Carpenter
    Carleton Carpenter
    • Dan Healy
    George Metkovich
    • Al Schacht
    Harry Mendoza
    • The Great Mendoza
    • (as The Great Mendoza)
    Jean Adcock
    • Woman
    • (non crédité)
    Richard Allan
    Richard Allan
    • Chorus Boy
    • (non crédité)
    William Bailey
    William Bailey
    • Man in Audience
    • (non crédité)
    Harry Barris
    Harry Barris
    • Pianist at Party
    • (non crédité)
    • Réalisation
      • Richard Thorpe
    • Scénario
      • George Wells
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs45

    6,92.1K
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    Avis à la une

    dcoughlin

    ASTAIRE'S BEST ACTING PERFORMANCE

    Although Astaire was a bit past his prime in the dancing area, this is by far the best acting performance he gave (Towering Inferno Oscar nod included). His Bert Kalmar is complex, restless, at times testy, and very much a real person compared to the standard Astaire character. Whether the circumstances depicted in the movie were fact or fiction, he is really a character with a distinct persona, as opposed to Fred Astaire essentially playing himself as in most other his other films.
    7movibuf1962

    Less is more.

    After seeing all the overstuffed musical biographies which pay homage to Kern, Rodgers, Hart, Gershwin, and the like, this one is a breath of fresh air as it is much simpler and more basic in its construction. Its two main leads (Fred Astaire and Red Skelton) do not take the material over-the-top; instead they underplay, and in Skelton's case, he is so subdued that he reveals a wonderful, sensitive, acting talent. The musical numbers, of course ("Who's Sorry Now?" "Nevertheless," "Sunny Tennessee," "I Wanna Be Loved By You," "Three Little Words"), speak for themselves. And Astaire and Vera-Ellen are perfection on the dance floor- and no less than *three* times: in the tuxedoed duet "Where Did You Get That Girl?"; a tongue-in-cheek homage to dance domesticity- "Mr. & Mrs. Hoofer;" and the best moment- a tender, romantic adagio in an elaborate stateroom, "Thinking of You." There is also fine support from gorgeous redhead Arlene Dahl and spirited brunette Gloria DeHaven. And, of course, there is Debbie Reynolds (a full year before 'Singing In The Rain') performing as Helen Kane- with singing voice provided by Kane herself!!
    7willrams

    That Crazy Little Kid can act

    This is my favorite of all Red Skelton's movies; he does a fine job as Ruby and his partnership with Kalmar, played by Fred Astaire who wrote many songs back in the 1920s and 30s. Of course, the music is grand and the dancing of Astaire and Vera-Ellen is most enjoyable. And the beautiful Arlene Dahl is the wife of Red. I thought she was more gorgeous than Rita Hayworth. Of particular note, a cute little blonde got her start in films as the voice of that Betty Boop girl, Helen Kane. She was Debbie Reynolds who sang "I Want to be Loved By You". Lots of the good old songs!
    9ccthemovieman-1

    Looks Good, Feels Good

    This was a wonderful, feel-good movie with tons of songs, many of them appealing. There also were some great dancing scenes, no surprise there since Fred Astaire is one of the stars. Astaire and Vera-Ellen paired up well for those numbers.

    This is one of the few films, even in the musicals, in which all the characters were nice people. In other words, there were no villains, no nasty people, which is refreshing to see now and then. It is supposedly the true-life account of songwriters Bert Kalmar (Astaire) and Harry Ruby (Red Skelton). Ruby is good at writing tunes, but not with lyrics. Kalmar supplies the lyrics and dance. Skelton also shows he had a decent singing voice.

    The only unhappy moments in the movie are the squabbles between the two leading men, but that's not overdone and sometimes it's humorous. Skelton's character is the nicer of the two.

    The leading ladies are wholesome-looking beautiful women. Vera-Ellen is a Shirley Jones-type pretty blonde with a great dancer's body. She's enjoyable to watch. Arlene Dahl, who was stunning, is the other leading female but her role was minor, unfortunately.

    The movie is a good mixture of song, dance, comedy and drama and is an underrated film in that it that doesn't get a lot of publicity. Astaire was quoted as saying this was his favorite film. I agree. It's my favorite of his, too.
    8hcoursen

    Fun

    This film didn't try to do much more than bring us the songs. And that was good. It was wildly anachronistic -- the early number with Astaire and Vera Ella was danced to jazz that had to be some 15 or 20 years later than the date of the film, which at that point would be early 1920s, the age of the Turkey Trot, when bands were still coming out from their military origins. But the later sequence in the capacious ballroom of the ocean liner to "Thinking of You" was lovely. And the shot of the liner was the Normandie, wasn't it? Queen Mary was a four stacker. Vera Ella was a wonderfully acrobatic dancer. Al Schacht WAS a pitcher -- for 3 years (1919-21) for the Senators. The poster who said he was a catcher may have been thinking of Ray Schalk, a hall of fame catcher for the White Sox (including the 1919 nine, though not implicated in the throwing of the Series). And Barris, Rinker, and Bing sang with Paul Whiteman, not Duke Ellington. The MGM color in the 40s and 50s was magnificent -- and this film shows it off superbly. This one is a very enjoyable musical, one of the best of a period that produced some great ones.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Bert Kalmar and Harry Ruby were friends of Fred Astaire from their early days together in vaudeville. Astaire said the film was one of his all-time favorites.
    • Gaffes
      The stills of the The Marx Brothers (three rather than four) outside the opening of Animal Crackers (Broadway, 1928) is actually from Les Marx au grand magasin (1941).
    • Citations

      Bert Kalmar: I wouldn't write that song with you if you begged me.

      Harry Ruby: Begged ya? I didn't even ask ya.

      Bert Kalmar: I guess you just can't help it, Harry. I feel sorry for you.

      Harry Ruby: Feel sorry for me? You must think I'm just a...

      Bert Kalmar: I could tell you what I think of you in just three little words. You're a dope!

    • Crédits fous
      The opening and end titles use various first pages of Kalmar-Ruby sheet music as backgrounds.
    • Connexions
      Featured in Metro-Goldwyn-Mayer's World Famous Musical Hits! (1962)
    • Bandes originales
      Where Did You Get That Girl?
      (uncredited)

      Written Harry Puck, Bert Kalmar

      Sung and Danced by Fred Astaire, Vera-Ellen (dubbed by Anita Ellis)

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    FAQ18

    • How long is Three Little Words?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 1 septembre 1951 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Tres palabritas
    • Lieux de tournage
      • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, Californie, États-Unis(Studio)
    • Société de production
      • Loew's
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 1 470 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 42min(102 min)
    • Couleur
      • Color
    • Rapport de forme
      • 1.37 : 1

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