Sierra

Sierra is an unpretentious little western that paired Mr.&Mrs. Audie Murphy at the time, Audie and his leading lady Wanda Hendrix. Audie is cast in the first of many roles as a callow western youth who was raised by his father Dean Jagger who is a fugitive from the law.

Way back when Jagger was charged with the murder of Sara Allgood's husband and fled to the high Sierra country where he raised his son and now both make a living catching young wild mustangs of which there are plentiful in the Sierra foothills.

Hendrix is a rarity for the time, a female attorney who might gain acceptance back east, but in the rough and testosterone driven west is finding it hard to get clients. Audie and Dean might be the way to break into the man's world of the court, but both them are fighting their own sexist nature and don't take her advice.

There's a nice part in Sierra for Richard Robert who would die two years later in an automobile crash cutting short a promising career as a film villain. Tony Curtis has a small role as the son of another fugitive whose family teams up with Murphy and Jagger.

In his memoirs Tony Curtis says that soon afterward the tempestuous two year marriage of Murphy and Hendrix broke up. He tried to date Hendrix but Murphy was a jealous man with a bad case of post traumatic stress courtesy of the late World War and all the action where Audie Murphy became our most decorated soldier. Curtis describes himself as young and stupid and thinking not with his brain. He made it a point to avoid Audie for years afterward.

Best of all is Burl Ives, a hermit who lives close to Murphy and Jagger and who has some nice ballads to sing in Sierra.

Sierra is a nice western, made better with Burl Ives and his singing.

This is not one of Audie Murphy's better known movies. In fact, hardly anyone has heard of it. I saw it once many years ago, and fell in love with it. I really enjoyed Burl Ives performance also. I have wanted a copy of this movie for my colldection for a long time.

This early Audie Murphy western for Universal has Murphy as the feral son of Dean Jagger, a man "everyone knows" committed murder and then fled. No one believes in his innocence except for lawyer Wanda Hendrix (they were married at the time, but broke up soon after production ended).

Directed by Alfred Green, this movie is a master class in Technicolor camerawork by DP Russell Metty. The opening sequence in Cedar Breaks National Monument looks like an oil painting; the night scenes look like Rembrandt, and the entire movie has the rich, black undertoning that disappeared from the Technicolor lexicon soon after. Metty's reputation as an artist with the camera would continue to rise until he won an Oscar for SPARTACUS; his later work was mostly on undistinguished movies and distinguished TV specials. He died in 1978 at the age of 71.

There is quite a supporting cast, including Burl Ives -- who sings a few songs -- Tony Curtis, Sarah Allgood and James Arness. Mostly, though, I just enjoyed Metty's work.

I'm always fascinated by a movie star's early work and even more so with Audie Murphy because this was just 5 years after his heroics in WWII. It's amazing to think how much transition this young man went through in only a handful of years. Murphy is a natural fit for Westerns with his quiet manner and brooding looks. Sierra is not often shown on television, but if you have the chance to catch it, you won't be disappointed. I'd say watch for Burl Ives alone, because his voice was timeless. Such beautiful simple little Western melodies are peppered throughout the film. What's also unique about Sierra is that Murphy is costarred by his then-wife Wanda Hendrix. Their marriage didn't last long, but their chemistry is very obvious. And keep your eyes peeled for a young Anthony "Tony" Curtis as a Coulter gang member.

Handsomely photographed on location under blue Technicolor skies by Russell Metty shortly before he brought high contrast gloss to his work with Douglas Sirk. The presence of Burl Ives sauntering in and out of the action (occasionally resembling Sancho Panza straddling a mule) singing and strumming a guitar marks this out as a piece of Americana rather than a conventional Audie Murphy western. Centre stage are baby-faced newlyweds Murphy and Wanda Hendrix (both of whom died young), while sixth-billed 'Anthony' Curtis gets a few lines but no close-ups.