NOTE IMDb
6,7/10
1,1 k
MA NOTE
Un industriel et une pianiste qui tombent en amour dans l'Italie d'après-guerre sont déclarés morts lorsqu'ils ratent leur vol de retour, mais la femme du premier ne l'abandonne pas.Un industriel et une pianiste qui tombent en amour dans l'Italie d'après-guerre sont déclarés morts lorsqu'ils ratent leur vol de retour, mais la femme du premier ne l'abandonne pas.Un industriel et une pianiste qui tombent en amour dans l'Italie d'après-guerre sont déclarés morts lorsqu'ils ratent leur vol de retour, mais la femme du premier ne l'abandonne pas.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 1 nomination au total
Larry Arnold
- Italian Waiter
- (non crédité)
Lorenzo Belmuda
- Rinaldo
- (non crédité)
Dino Bolognese
- Flower Vendor
- (non crédité)
Nick Borgani
- Italian Workman
- (non crédité)
Enrico Caruso
- Self - Vocalist
- (archives sonores)
- (voix)
- (non crédité)
Iphigenie Castiglioni
- Maid
- (non crédité)
Harry Cheshire
- Jim
- (non crédité)
Avis à la une
An unhappily married industrialist and a pianist engage in a passionate romance after they are presumed dead in a plane crash. It gets off to a slow start, with the early scenes feeling more like a travelogue than a drama, as the lovers take a tour of Italy. However, things start to get interesting about half way through as the plot thickens. Fontaine and Cotten are charming as the lovers who find a second chance for happiness. A young and pretty Tandy plays Cotten's long-suffering wife. Given all that has transpired, the ending seems contrived and unsatisfying, perhaps restricted by the censorship in effect at the time. Rachmaninov's second piano concerto is effectively used as Fontaine's signature piece.
All the comments about this film are favorable except for Mr. Neil Doyle's. I wonder what grumpy pill he took when he watched this or maybe he just isn't a romantic guy. Not one person said his review was "helpful."
This film is well-acted, scripted, and an interesting premise. The music is fabulous and the setting great. Like another reviewer said, Joan Fontaine's facial expressions say as much or more than the words she was given to speak. She is one excellent actress and Joseph Cotten is a veteran actor who once again turns in a fabulous performance.
I unconditionally recommend this movie to all classic movie lovers to fans of Joan Fontaine and/or Joseph Cotten and to all romantics everywhere.
This film is well-acted, scripted, and an interesting premise. The music is fabulous and the setting great. Like another reviewer said, Joan Fontaine's facial expressions say as much or more than the words she was given to speak. She is one excellent actress and Joseph Cotten is a veteran actor who once again turns in a fabulous performance.
I unconditionally recommend this movie to all classic movie lovers to fans of Joan Fontaine and/or Joseph Cotten and to all romantics everywhere.
If anyone thinks that Walter Huston's singing is the memorable aspect of this film, they are mistaken or just dead emotionally.
Yes, a small amount of disbelief, some details not developed but such a context for a love affair. Very Beautiful. A simple post WWII romantic film shot with wonderful Italian backdrops.
Joan Fontaine is of course the jewel in this film. Beautiful haunting displays of emotion and thoughts. A wonderful performance in a thought provoking film. If you ever had the opportunity, would you leave the life you live now for the life you imagine that would make you blissful?
Yes, a small amount of disbelief, some details not developed but such a context for a love affair. Very Beautiful. A simple post WWII romantic film shot with wonderful Italian backdrops.
Joan Fontaine is of course the jewel in this film. Beautiful haunting displays of emotion and thoughts. A wonderful performance in a thought provoking film. If you ever had the opportunity, would you leave the life you live now for the life you imagine that would make you blissful?
This is one of my very favourite films. It is about two people who are approaching early middle age having a chance at real unconditional love - and taking that chance. The casting is so wonderful and the setting is just beautiful. Although, it is an American film it has the ambiance of the post war realism of a an Italian film (Never Take No For An Answer also has this realism). The film is romantic and yet it is unsentimental. Both Joseph Cotton and Joan Fontaine are so very convincing as the lovers. On visits to Italy my wife and I have visited most of the films location. When there I just cant stop myself from singing September Song.
10lora64
This is my first viewing so I can't start by saying it's a favorite, but with Joseph Cotten in the romantic lead and Joan Fontaine with all her charm and understanding, you really can't be far wrong to expect the best in a love story.
They meet on a plane flight, he as an untiring industrialist who has placed business and projects before his wife and son, and she as a concert pianist performing in various engagements on tour. An error in flight identity has these two fine people listed on a plane that crashed and they are mistakenly presumed dead. As their budding romance unfolds they both realize it's an opportunity for them to take hold of a new life together. That leads to complications of course, as we can expect.
I marvel at the way Joan (Manina) can reflect in her features so many subtle emotions, it's as if we can hear her unspoken words, the thoughts and agonies of a love that has many hurdles to overcome. That is great acting in my opinion.
They meet on a plane flight, he as an untiring industrialist who has placed business and projects before his wife and son, and she as a concert pianist performing in various engagements on tour. An error in flight identity has these two fine people listed on a plane that crashed and they are mistakenly presumed dead. As their budding romance unfolds they both realize it's an opportunity for them to take hold of a new life together. That leads to complications of course, as we can expect.
I marvel at the way Joan (Manina) can reflect in her features so many subtle emotions, it's as if we can hear her unspoken words, the thoughts and agonies of a love that has many hurdles to overcome. That is great acting in my opinion.
Le saviez-vous
- AnecdotesThis was the earliest American film to feature extensive location work in Italy involving the principal actors. Whilst filming, Joseph Cotten was invited to lunch by his old friend Orson Welles, who confided that he had also invited a couple of Italian businessmen whom he wanted to invest in his film version of "Othello". The presence of a film star would, Welles hoped, influence them to put up some money. Also in the restaurant was Sir Winston Churchill, whom Welles hailed most affectionately as he walked past. He later admitted to Cotten that he and Churchill had never previously met, but that he was hoping that this, too, would impress the Italians. His strategies worked; they agreed over lunch to help finance Welles's film, and Cotten and his co-star Joan Fontaine even played uncredited cameos in "Othello" whilst they were still filming "September Affair".
- GaffesRight after David Lawrence Jr says to Marianne 'Manina' Stuart, "We weren't sure that Madame Salvatini would forward it to him.", the street scene out the window behind them skips, revealing a projected film loop starting over again.
- ConnexionsFeatured in Down Came a Blackbird (1995)
- Bandes originalesSeptember Song
from "Knickerbocker Holiday"
Music by Kurt Weill
Lyrics by Maxwell Anderson
Sung by Walter Huston
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is September Affair?Alimenté par Alexa
Détails
- Durée
- 1h 44min(104 min)
- Couleur
- Rapport de forme
- 1.33 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant