The Scarlet Pumpernickel

The Scarlet Pumpernickel is a great and very interesting take on the Alexandre Dumas classic The Scarlet Pimpernel. The short starts with Daffy getting frustrated at only being typecast in comedy, and reads HIS version of the classic to the producer. The rest is a roller-coaster of priceless performances from the toons, swashbuckling and sight gags complete with references to Errol Flynn, with an unexpected ending to boot. The animation is pretty much spotless, and the music is rousing. The story is fun, and there are some many good moments, so much so I cannot think of my favourite part.

The toons however are the real stars here; Daffy takes on the role of "The Scarlet Pumpernickel" and does so with gusto. Porky is given little to do but does what he can with The Lord High Chamberlain, while Sylvester relishes his part as the Duke. Also Melissa is a very beautiful and cute duck I think. All thanks to the marvellous vocal talents of the immortal Mel Blanc. All in all, hugely entertaining. 9/10 Bethany Cox

Scarlet Pumpernickel, The (1950)

*** (out of 4)

Daffy Duck, tired of playing comedy roles, goes to J.L. Warner with a new swashbuckler screenplay and begins to read it. It features our hero (Daffy) trying to save the woman he loves from her evil father (Porky Pig) and the man he wants to marry her off to (Sylvester). This film has a lot of heart and imagination but not enough laughs to make it one of the best from Merrie Melodies. The visual animation is top-notch from start to finish with some beautiful looking backgrounds especially those inside the castle. The wedding scene in pedicular stands out as does the ending where we see a volcano go off as well as a dam break. Sylvester is pretty much wasted in the film as is Porky but we do have Daffy going all out.

Daffy is tired of being cast in comedy roles. He writes a script where he will appear as the Scarlet Pumpernickel, a highwayman who gets what he wants. In this case, it is the hand of a princess (whose father is a pig and who is, herself a duck). Don't ask. Anyway, on her way to marry Sylvester who is a viscount, Daffy/Pumpernickel absconds with her. No wedding takes place. Then it is up to Daffy to keep what is his. Very crisp animation of Chuck Jones makes this work. Even though he is playing a serious role, Daffy continues to be Daffy. His script appears to be several thousand pages long. I've seen this so many times. It is somewhat endearing.

This cartoon starts out with Daffy Duck in J. L.'s (Jack L. Warner's) office pitching for a dramatic role. He's tired of having anvils drop on his head and never getting the girl. In his buildup of the proposed plot, he has J. L., and us, on the edge of our seats.

This is not your typical Looney Tunes fair. It's a roller coaster ride of slapstick comedy, cameos and that special brand of humor from writer Michael Maltese, all beautifully animated by one of the best crews ever assembled. It's a welcome departure from the formulaic series that the Warner Bros. cartoon factory from this era did so well, but the recipe from this one was to be tried out again with great success in later Daffy Duck shorts (Duck Dodgers, Stupor Duck).

Tired of being typecast in comedy-duck roles, Daffy pitches an adventure story to a studio executive. He tells the story of the Scarlet Pumpernickel, a gentleman bandit that befuddles the authorities, until, that is, the Lord Chamberlain devises a cunning plan to draw him out and trap him.

This cartoon is a mix of period piece and studio-spoof; it starts and ends in the studio and has a vague Errol-Flynn tale in the middle. The main story is surprisingly unfunny and really could have used a great deal more spark to really make it enjoyable. As it is it only has a few gags, such is the time given to the array of characters and the frame of the plot. The studio set bits are quite funny due to the joke of how hard it is to sell the story, the idea that Daffy is a real actor worried about typecasting and the delivery of the duck himself - but these aren't enough to carry it.

The cast are very good on paper, the problem is there are too many players. Daffy is funny in his twin roles as actor and character, but Porky is given too little time to really do anything. Likewise Sylvester is pretty much wasted. The feeling of an ensemble cast is not necessarily a good thing in a 4 minute long film - sometimes things need to be scaled down to be more effective.

Despite the promise shown by the film, it tries to do too many things and the end result is that it doesn't do the main story or the studio stuff justice. If anything I was surprised by just how average this cartoon was!