Jour de chance

First, let me say "nuts" to the cinema snobs who carp about Capra recycling footage from Broadway BILL in order to bring this picture in on budget. If that's what it took, so be it. In my opinion, RIDING HIGH is far superior to the original picture in many ways. First, the original script was followed closely but was peppered with several "toppers". Second, the comedy sequences - especially the racetrack swindle scene - are much funnier in RIDING HIGH. It was a genuine stroke of genius to give habitual track inhabitant Oliver Hardy the role of the poor sap who sinks it all on "Doughboy". Most importantly, Bing Crosby is, as Capra states in his autobio, right as rain for the role of Dan Brooks. Warner Baxter was decidedly out-of-place and his dour personality put a serious dent in the dramatic success of Broadway BILL. Sure, Colleen Gray is not Myrna Loy. But she is wonderfully natural in this picture and a wonderful mate for Bing. Also vastly improved in this version is the relationship between Dan and Whitey (Clarence Muse in both pictures). There is no real chemistry between Baxter and Muse (Baxter even gives him a malicious kick in the pants at one point) whereas Crosby and Muse exude genuine affection for one another. Another big plus is Percy Kilbride as the feed man. The scene at the track where he tries to get his bill paid is one of the most hysterical examples of frustration in a character I've ever seen. And please don't complain about the songs. Burke and Van Heusen wrote outstanding material for Crosby and these songs fit the characters and situations just fine. And it's nice to have "Sunshine Cake", except for a few bars, sung on-set and not pre-recorded. Lynne Overman may have a slight edge as a Damon Runyon type, but Bill Demarest as Happy gets much bigger laughs. All-in-all, this is one of my very favorite Capra pictures. Bravo to the great director for hitting on the idea of remaking it, all to the better.

Frank Capra did not particularly like his film Broadway Bill. It's chief problem was that Warner Baxter did not like horses and it showed. He got to re-make it with a man who loved horses. Bing at the track was a natural fit.

One of the great subjects for Crosby jokes was sports. Bing's golf and his racehorses and after he bought a quarter interest in the Pittsburgh Pirates, baseball. For awhile Bing owned a percentage of DelMar race- track.

This story is sooooo right for Crosby, I only wish he'd made it with Capra back in 1935. Capra had Paramount buy the film from Columbia and then actually was able to hire just about the entire cast from Broadway Bill to repeat their scenes with Crosby and the other players who had since passed away. The only criticism I have is I wish he could have gotten Myrna Loy from MGM.

Good Van Heusen-Burke score. Sunshine Cake became one of Bing's million sellers, a great addition to his group of upbeat philosophical numbers. My favorite number however was his version of De Camptown Races, sung while walking Broadway Bill to the track for the big race, accompanied by a gang of kids.

This film is Capra casting at its best. My favorites are Raymond Walburn and William Demarest. Demarest is one of the few of the replacement cast since Lynne Overman had died the year before. Also watch for Oliver Hardy, he has a bit that is memorable.

I had long wanted to see this picture, manly because it's the last one of a certain rotund comedian who's usually known as part of a famous team and who I found as hilarious as usual. The picture itself, with Bing Crosby putting his usual charms to good use, is a lark especially with the rest of the supporting cast in tow. Leading lady Coleen Gray is fine as Crosby's main muse, Clarence Muse is divine as the trainer, William Demarest is his usual lovably grouchy self, among others in the fine cast which includes director Frank Capra's veterans from my favorite movie of his, It's a Wonderful Life: Charles Lane and Ward Bond. The songs are entertaining especially when Bing, Clarence, and Coleen sing that classic "Camptown Races". Nothing more to say except, Riding High gets a high recommendation from me.

As a big Laurel and Hardy fan, I rented "Riding High" out of curiosity: Oliver Hardy makes a rare solo appearance here. Ollie is funny in his short cameo role, but his appearance is certainly not the only reason to see this film. To my surprise, I actually enjoyed this movie quite a bit.

Of course, I shouldn't have been too surprised. "Riding High" is directed by Frank Capra ("It's a Wonderful Life") and stars Bing Crosby. Briefly, Bing is a down-on-his-luck horse trainer trying to hit the big time with his one last chance: A horse named Broadway Bill. Yes, in many ways this is your typical sports underdog movie. There are, however, twists along the way. In fact, what happens in "the big race at the end" may very well take you by surprise.

A warning: This is the year 1950 and the "traditional" roles of men and women, not to mention blacks and whites, are clearly defined. If you can look beyond that, "Riding High" is a fun time.

...when he remade Broadway BILL (1934) as RIDING HIGH (1950). Recasting Bing Crosby as DAN BROOKS did not help a screenplay that was 'dated' in 34 let alone 50. This sad film has entire scenes lifted from the original with many of the supporting cast repeating their roles, unless they were dead. Though being older did not seem to matter to the Director. Nor that the Cars and Clothes in the background plates from 1934 did not match up too 1950s' standards. Not even 'der Bingel' singing can redeem this effort.

We rated both the original and the remake IMDb Four****Stars. Frank's touch was long gone and all that was left was CAPRA-CORN. That did not stop Mr. Capra though. After floundering around the 50's making some educational documentaries he wound up his career remaking LADY FOR A DAY (1933) as POCKETFUL OF MIRACLES (1961). Again a fine cast was let down on that IMDb Six******Star effort compared too the originals Eight********Stars. Sometimes it is better to quit while you were still ahead, right after STATE OF THE UNION (1948).