Une rousse obstinée

The Reformer and the Redhead is a poor man's version of a combination of State of the Union and Mr. Smith Goes to Washington on a more local level. Dick Powell is an ambitious attorney who was raised in an orphanage and now aspires to be mayor of his small California town. On the campaign trail he meets June Allyson, redheaded daughter of Cecil Kellaway who was fired from his job as zookeeper.

Through them he learns some interesting facts about the creation of the zoo and after some research he uses his knowledge to blackjack the local boss, Ray Collins, to support his candidacy. Of course when that comes to the attention of June Allyson it throws a great big shadow on their relationship.

My guess is that Mr. and Mrs. Powell got this one because Tracy and Hepburn turned it down. As well they should have because I don't think that even their presence could have made it a classic. Politics has and always will be the art of compromise. Powell has certain goals in mind for his community and he can achieve them with Collins' support. In the real world, Powell's silence should have satisfied all concerned. It's like Mr. Smith Goes to Washington in that just why was it so important for James Stewart to have his national boys camp at that location where it was interfering with some pet graft scheme of Edward Arnold. It's the weakness of that film and it's an even more glaring weakness in this film.

In a way The Reformer and the Redhead is also a looking glass version of an aspect of All the King's Men. In that one an upright judge who is now the Attorney General of that state through some diligent research by John Ireland is blackmailed by Broderick Crawford and kills himself. Just what is the role of blackmail in our political system.

The more serious questions The Reformer and the Redhead raises are smothered over with some comedy concerning June and Cecil's bizarre collection of ailing zoo animals, including a lion named Herman they keep as a house cat. I can't really blame Powell for that, I have a neighbor who has kept an alligator for one for years. I've seen Albert the Alligator from a very discreet distance.

The Reformer and the Redhead is good, not great, but entertaining enough in the comedy department. But it leaves more questions unanswered when dealing with the more serious aspects of the film.

The Reformer and the Redhead is a fun film to watch because it stars a real life Hollywood couple: Dick Powell and June Allyson. The two are wonderful together, sweet and funny.

The film is about a zoo-keeper's daughter and a man running for mayor. When the girl's father is at risk of losing his job for a phony reason supplied by a corrupt power over the city, she enlists the help of the man, hoping for him to stay true to his pledge of being a reformer and to help her. The two become involved in a relationship along with many funny events, several including a sweet lion a la Bringing up Baby.

The movie is very enjoyable, but nothing special. It is a breezy film with a good cast, a great choice for a bad day.

Mild comedy played in straight fashion by fine cast. The plot's rather contemporary in its concern for wild animals and exposing political skullduggery. And, by golly, Allyson's headstrong zoo keeper is going to take down crooked politician (Collins) before he does more to glorify trophy hunting. Trouble is her potential ally, the politically ambitious Powell, can't seem to decide which side he's on. Maybe Herman the lion can help him decide. He certainly has Powell clambering over the furniture in acrobatic fashion. Then too, Allyson's winning ways are hard for any guy to ignore, even if the actress allowed herself to be deglamorized.

Real life husband and wife, P&A, get center stage, while Wayne gets the many snappy throwaway lines, along with an amusingly bookish Marvin Kaplan. Also look for cult figure Tor Johnson as the mountainous Finnlander next to Powell in that well-crafted scene. Expert writers Panama and Frank come up with a witty script that's mostly amusing, but it's clear they have the two serious targets in mind, even if the animal scenes are likely the movie highlights. Though there's the physical comedy, neither direction nor editing goes for bouncy type humor, relying instead on script and situation for the chuckles. Nonetheless, I love it when Wayne wonders what Powell sees in the shapely Allyson, and Powell archly replies there's "a couple of reasons". Of course, this was back in the day when such innuendo was cutting edge.

Anyway, it's a consistently amusing 90-minutes thanks to shrewd MGM craftsmanship. Then too, a special award should go to the kings of the jungle who perform brilliantly. I just wonder what the sets were like during filming. Also, a special nod to P&A who don't mind getting upstaged or sharing the spotlight. True professionals.

Just another TCM time-passer. June Allyson brings her usual earnest charm to a movie that just didn't have much to it. The essential weakness is that the screenplay cannot make up its mind whether it wants to be a "look at all those crazy animals" comedy or a political "the honest man will win" film. When the movie finally makes its decision at the end, it just made me wonder why it spent all that time on the other thread. I've also been fairly suspicious of movies that have more than one credited director. Maybe that played a role here too.

The high point for me was the performance of Cecil Kellaway as the father. TCM and IMDb make a great combination for learning about the wonderful character actors of Hollywood history.

Anything with June Allyson draws my attention. A number of my favourite movies include her in the marquee, especially The Glenn Miller Story. While profitable for MGM, 'The Reformer and the Redhead' seems to have all but disappeared for today's viewers. With her husband Dick Powell, I found their interactions much more enjoyable than I expected.

Local political conflicts see Kathleen's (Allyson) father dismissed from his position of 20 years at the zoo. With a lifetime of unmanaged anger has her needing a lawyer after assaulting the trophy-hunting daughter of the town's leading citizen, Commodore Parker.

Of course the lawyer, Hale (Powell), is already being engaged with Commodore for the probable future as Mayor, and best choice for her defence is suggested to be lawyer Hale. Hale's distrust of the Commodore requires information to resolve, and so we find Kathleen's family to become a source of that info.

We are drawn into a somewhat predictable story with fun and clever shooting of cast and animals back at the ranch. For me, a lion peeking over a sofa made me laugh. In this case, a predictable story is part of what made it fun and enjoyable. Allyson and Powell are a great match, in what I believe is the only movie they did together while married (they were both in 'Meet the People (1944)' before their marriage).

Don't pass up the chance to enjoy this movie if you can find it.