Les trafiquants du Dunbar

This is a much overlooked and underrated Ealing gem. It features fine performances by Bonar Colleano and Earl Cameron as his friend and ship-mate. Cameron's performance is an important and groundbreaking one for a black actor in a British movie. The location shots of post-war London are wonderful. I thoroughly commend this movie

Ealing goes to the docks in this marvellous story, about robbery, smuggling and life in general aboard a ship, docked in the old port of London. Bonar Colleano plays Dan MacDonald , a seaman on board the freighter 'Dunbar' who supplements his income, by a little harmless smuggling, when he is approached by a gang to take the proceeds of a daring jewel robbery, to a fence abroad.

Shot in and around Tower Bridge, and the area of Southwark, It shows a side of London, still reeling from all the bomb damage from the blitz.The present generation would do well to see this slice of history.

As a post-war British movie, this has it all in terms of story and setting. The backdrop in the stark, bomb-site ridden City of London, centred round the old docks by Tower Bridge, brings home the reality of everyday privations in a period of austerity before the gradual economic recovery during the 1950s. Good acting across the board from Bonar Colleano to Max Adrian. I liked Colleano in the Way to the Stars and he is just as convincing in this thriller, one of the better examples of the British (Ealing) crime film of the period.

I can see why it is sometimes called 'noir' but I think that's more to do with the effective cinematography than the storyline, which is enhanced in interest by including a Jamaican seaman. sympathetically played by Earl Cameron. As another commentator said, it is nice to see that he has consistently acted until today.

I appreciated the comments from admirers of this film who were involved in the film-making, and lived in the area where it was filmed. These kind of comments help make IMDb the informative and interesting film site it is; thank you to them.

Thoroughly enjoyed this film and recommend it to anyone interested in this crucial period of British film-making.

Quite splendid and surprisingly good British film with marvellous and evocative location shooting, mainly in and around the Tower Bridge and the docks. Fast moving, with decent story, well acted and directed, I am amazed I have never come across this before. Living in Greenwich, I was particularly thrilled to see a sequence shot in the Maritime Museum plus a shot which included a glimpse of what looked like a derelict observatory, certainly not surrounded by tourists as it is today. Also great to see the power station billowing smoke and absolutely no docklands development beyond. Earl Cameron plays the West Indian sailor who is shown getting pretty close to the action, even if he is considered, 'Just like all the rest.' Good to see he has continued to work right up to the present. Unlike the co-lead, very popular in his day apparently, Bonar Colleano, who died in a motor accident eight years after making this. Not a 'noir' as some have suggested, but a rattling good yarn and if you are interested in a glimpse of early post-war London, trams and all, this is a must.

When the cargo ship Dunbar is moored at the Pool of London, the crew is released to have the weekend for entertainment in the city. The customs officer asks if the sailors have anything to declare before they go to London. The wolf Dan MacDonald (Bonar Colleano) and his best friend, the Jamaican Johnny Lambert (Earl Cameron), go together and Dan meets his girlfriend Maisie (Moira Lister) while Johnny befriends the ticket vendor Pat (Susan Shaw). Meanwhile Dan meets a stranger that proposes one hundred pounds for him to smuggle a small box to Rotterdam. They schedule a meeting at a church on the next morning to deliver the package to Dan. The stranger, who is a gangster, heists jewels earlier with his gang but the robbery goes wrong, they kill the guard and the police chase them. Later he delivers the box to Dan during the mass. Dan, who had problem with the costums officer before leaving the ship, asks Johnny to bring the box onboard. But when he learns that there are stolen jewels in the box and is wanted by the Scotland Yard, he lives a dilemma: shall he flee or save Johnny from the Scotland Yard.

"Pool of London" is a surprisingly good unknown British film. The post-war London is impressive, with a few cars on empty streets. The screenplay and the cinematography are top-notch, with several sub-plots and characters well-developed. But the most impressive in the story is the racism with the mullato Johnny, who feels outcast in London. The moralist conclusion fits perfectly to the melodramatic plot. My vote is seven.

Title (Brazil): "Encontro em Londres" ("Meeting in London")