La nuit commence à l'aube

John Mills is a submarine captain, ordered with his crew to take part in maneuvers. On their way to the site, they run into a mine and are sunk. After they settle at 15 fathoms, Mills and his XO are confident their absence will be noted, and they will be located and saved. As operations proceed, however, problems arise, leaving four of them trapped.

It's based on a stage play by Kenneth Woolard, and I can see it in my mind's eye, a one-set piece. Under the reliable Roy Ward Baker, it's opened up with a prologue showing us Mills wife, and later, unsleeping Bernard Miles, leading the rescue operation. At its core, we still get to see the four characters with increasing clarity: Mills, of course, his Number One, Nigel Patrick, stoker Richard Attenborough, who starts out panicky but grows up, and stalwart Able Seaman James Hayter. As the days pass and the characters become more than sketches, the potential tragedy becomes greater.

For those of us who have seen submarine-trapped-on-the-seabed movies from several eras, it's interesting to see the evolution in rescue technology.

John Mills is superb as the indomitable submarine captain who leaves his wife and baby for a routine patrol. Richard Attenborough excels as the young sailor who cracks under pressure.

A wonderful film which may have started as a play. Well formed with portrayals which are both intimate and skilful. The "character" actors are enjoyable and colourful as the submarine sets sail, all leading to heightened drama when tragedy strikes.

If you like British black and white films about stiff upper lips and devotion to duty, you cannot do better.

God save the King.

I saw this in first run when I was about 7 years old. It was on a double bill with a Francis the Talking Mule film. My older sister made a deal with me: She'd sit through Francis if I'd sit through OPERATION DISASTER.

I remember nothing of the Francis film, but scenes from this film are still vivid in my memory. In the late 1950s John Mills was a guest on the JACK PAAR SHOW and spoke of how life imitated art in that a British submarine was lost in the North Sea under very similar circumstances to those portrayed in the film between the completion of shooting and release in the UK. He said there was criticism in the British press at the time for it's release.

I wish it was available on VHS or DVD in the Unites States, but I haven't been able to find it. I would love to see it again.

A Rank production, with passable production quality and excellent acting. Much stock footage and a healthy amt. of rear projection, par for keeping costs down on Rank dramatic quickies. Since the screenplay was adapted from a play, its stage origins are still somewhat apparent. The performances of Mills, and a very young Attenborough, plus seemingly one-half the J.R. Rank stable of regulars are very good. The sets and costumes were surprisingly ratty--long in the tooth! Still, this is only a few years after the war, and things were still very hard-up in England. Ultimately, this is a "talker" and not an "actioner", and it does fairly well for all that, though not spectacularly so. The ending, to me, disappointed. I do recommend this for classic movie fans.

I first saw this movie at the time of its original release, & it has remained in my memory quite indelibly. Particularly as one of your submissions referred to the sinking of an actual British submarine at the time of the release of "morning departure". HMS "Truculent" was the name of that submarine & the nation was very somber, but I believe the the movie realistically brought home to the public what these submariners went through. My father had served in the Royal Navy during WWII on Destoyers & had his ship sunk under him while in the Mediterranean. So I appreciated the fine acting & portrayal of the courage of the men in the Royal Navy. John Mills always epitomized the character of the rolls he took & this was one of his best for me, except for maybe Scott of the Antartic, but that's another story.