Kim
- 1950
- Tous publics
- 1h 53min
NOTE IMDb
6,5/10
2,3 k
MA NOTE
Pendant le Raj britannique, l'orphelin d'un soldat britannique se fait passer pour un hindou et est déchiré entre sa loyauté envers un mystique bouddhiste et son aide aux services secrets an... Tout lirePendant le Raj britannique, l'orphelin d'un soldat britannique se fait passer pour un hindou et est déchiré entre sa loyauté envers un mystique bouddhiste et son aide aux services secrets anglais.Pendant le Raj britannique, l'orphelin d'un soldat britannique se fait passer pour un hindou et est déchiré entre sa loyauté envers un mystique bouddhiste et son aide aux services secrets anglais.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire au total
Mimi Aguglia
- Food Purveyor
- (non crédité)
Patrick Aherne
- General's Aide
- (non crédité)
Fernando Alvarado
- Indian Boy
- (non crédité)
Michael Ansara
- Harem Guard
- (non crédité)
Lailee Bakhtiar
- Native Girl on Road
- (non crédité)
Bobby Barber
- Cart Driver
- (non crédité)
Avis à la une
I saw the movie just after I had read the book and I realized that while some dialogue was copied verbatim, the end had been changed and the character played by Erol Flynn was given a greater role than in the book while the importance of some female characters that existed in the book was actually obliterated. Of course the movie cast the English as good and the Russians as bad as the book did and had all the trappings of the mythology of British imperialism as it would have been obvious in a book based on a Kipling novel.But the experience of watching it on screen was fine, since the movie had simplified some of the more esoteric meanderings of the book focusing on action or on the making a man- Kim- that is in character building, as the moral was that an essentially kind-hearted but mischievous oriental had to acquire the manners of an English gentleman-the role St Xavier's was preparing him for, and which he found difficult to follow-but at which he returned in the end through the guidance of the horse trader, a model of faith to the British. The role of he Lama was downplayed in the sense that the actions of his that the movie retained were only the ones that related with Kim's development as an individual and not the ones that had to do with his own spiritual quest. In the book, the Lama is just after Kim the second most important character while in the movie he is overshadowed by the horse trader played by Erol Flynn.Also importance is attached in the training Kim received in order to enter British Intelligence, an ambition that judging from the movie seemed to be what natives considered a crowning achievement. But still it is an enjoyable movie provided you agree with it's premises i.e. that the east is the playground of Westerners whose ways the natives would do well to emulate as Kim did or otherwise they would appear at best as well meaning but essentially exotic eccentrics as the Lama, or otherwise as dangerous criminals as all the opponent of British rule appeared in the film. The movie is really fun if you are a young westerner or someone who in latter life still retained this outlook but I suppose the same prerequisites apply to all Kipling's work- original or subject to adaptation.
MGM's Technicolor adaption of the Rudyard Kipling novel of the same name. The plot's about an orphaned boy named Kim (Dean Stockwell) in colonial India who aids the British in putting down a native rebellion instigated by Russia. It's a colorful and sometimes fun adventure flick with a good performance from Stockwell and fine work from Paul Lukas (looking almost unrecognizable without his mustache) as a Buddhist lama. Errol Flynn's better days were behind him and it's painfully apparent in every scene of his. He looks paunchy and tired throughout and that dyed orange hair and goatee does nothing to help. Still, there are these moments where you see some of that roguish charm and can't help but smile. The movie was filmed mostly on location in India, which helps by providing some lovely scenery. I didn't mind the parts filmed on set, though, as the production values here are of typically excellent quality you would expect from Metro. It goes on a little long and is never as exciting as you would hope but it is enjoyable, particularly for fans of Stockwell or Flynn completists.
Fans of The Great Game in general and Rudyard Kipling's Kim specifically will enjoy this film, I think, especially if they've read or re-read the book recently. While it is true the film shows its age, if you're not a nit-picker, you should remain engaged. Stockwell does a good job with the title character of Kim, who is the central character, just as he is in the book. While The Great Game swirls around Kim, the story is one of his education in the arts of spying and his devotion to his holy man. The courage portrayed by characters Mahbub Ali (played by Errol Flynn) and Hurree Chunder is reminiscent of the exploits of the real-life locals who served in the Indian Secret Service in the late 19th and early 20th centuries.
Excellent rendition of the Rudyard Kipling novel! True to the book, and preserving the nuance and subtleties of the original. A must see for any one and highly recomended for children. A great stocking stuffer, or gift for any child as an opening to the great writing of Kipling.
I've always thought that Rudyard Kipling's Kim might very well have been influenced by Charles Dickens and his creation of those street urchins in London led by that young survivor, the Artful Dodger. Certainly Kim as portrayed by Dean Stockwell in this film is every bit as resourceful in his way as the Dodger is in Oliver Twist.
The Dodger had the advantage of growing up poor, but growing up in his own culture in 19th century London. Kim is short for Kimball O'Hara who's growing up on the mean streets of India. Kim's dad was a British soldier and in this film, the mother who died in childbirth is also white. Kim learned the way to survive real fast.
Which makes him of great use to British Intelligence ever worried in the 19th century about Russian designs on India. Of course what they were doing in India is a question not asked in these films.
This is Dean Stockwell's film, maybe the best he did as a child actor. He's appealing as all get out in Kim. Adults like Errol Flynn as the horse trader Mahbub Ali who's really a British agent, Robert Douglas as the colonel in charge of British Intelligence, and Paul Lukas as the lama on pilgrimage who befriends young Kim are clearly in support of Stockwell.
This is familiar territory for Flynn back in his salad days he had just such a role in The Prince and the Pauper supporting the Mauch twins as Miles Hendon. By the way you might get confused a bit when you hear Flynn's character referred by name in Kim. They pronounce it in the film as one word, Mahbubali.
Flynn was loaned to MGM from Warner Brothers for That Forsyte Woman and a second film. He was given a choice of Kim or King Solomon's Mines, each film being shot on location in India and Africa respectively. Flynn opted for the Indian story although he got to Africa later in The Roots of Heaven.
Kim is still a fine boy's adventure story, should appeal to the twelve year old boy in all of us.
The Dodger had the advantage of growing up poor, but growing up in his own culture in 19th century London. Kim is short for Kimball O'Hara who's growing up on the mean streets of India. Kim's dad was a British soldier and in this film, the mother who died in childbirth is also white. Kim learned the way to survive real fast.
Which makes him of great use to British Intelligence ever worried in the 19th century about Russian designs on India. Of course what they were doing in India is a question not asked in these films.
This is Dean Stockwell's film, maybe the best he did as a child actor. He's appealing as all get out in Kim. Adults like Errol Flynn as the horse trader Mahbub Ali who's really a British agent, Robert Douglas as the colonel in charge of British Intelligence, and Paul Lukas as the lama on pilgrimage who befriends young Kim are clearly in support of Stockwell.
This is familiar territory for Flynn back in his salad days he had just such a role in The Prince and the Pauper supporting the Mauch twins as Miles Hendon. By the way you might get confused a bit when you hear Flynn's character referred by name in Kim. They pronounce it in the film as one word, Mahbubali.
Flynn was loaned to MGM from Warner Brothers for That Forsyte Woman and a second film. He was given a choice of Kim or King Solomon's Mines, each film being shot on location in India and Africa respectively. Flynn opted for the Indian story although he got to Africa later in The Roots of Heaven.
Kim is still a fine boy's adventure story, should appeal to the twelve year old boy in all of us.
Le saviez-vous
- AnecdotesErrol Flynn was initially excited about going to India, and turned down the studio's offer of the lead in Les mines du roi Salomon (1950) (which ultimately went to Stewart Granger). However, all of Flynn's scenes in this film were shot in the studio and matched in the editing room with long-shot second-unit footage of his double.
- GaffesWhen Kim is delivering a message in the evening, a Chuck-will's-widow can be heard calling. This species is found in the Western Hemisphere only.
- Citations
Mahbub Ali, the Red Beard: When a colt is born to be a polo pony, I think it would be a crime to bind him to a heavy cart.
- Crédits fousThe "I" in the title is dotted by a crescent.
- ConnexionsFeatured in Soldiers: The Face of Battle (1985)
- Bandes originalesD'Ye Ken John Peel?
(uncredited)
Traditional
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- How long is Kim?Alimenté par Alexa
Détails
Box-office
- Budget
- 2 049 000 $US (estimé)
- Durée1 heure 53 minutes
- Rapport de forme
- 1.37 : 1
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