Kansas en feu

I'll always wonder why Hollywood could waste talent when given opportunities so golden. The raw talents of much of the cast here was completely undercut by an abbreviated, romanticized script only faintly resembling historical events. Audie Murphy, so young in this case, significantly outperforms the cheesy part he's given, sometimes acting profoundly with just his eyes and body language. His trademark speech patterns, recognizable in much of his other work in my opinion ranks equal with Gregory Peck in terms of depth and sincerity. Other young actors rise to meet his level acting above the quality of the thin and barely cohesive plot.

Secondly, the director of photography deserves praise for skill and editing, but the studio gets raspberries for location. I've been to Kansas enough times to know the erratic boulder, pine, and fir strewn mountain ridges seen in this "kansas" are nowhere in reality. California is diverse enough to provide ample locations and, I know politics and money rule, but why the heck couldn't the Central Valley be considered? With the obvious well-endowed budget this film got it just appears the studio assumes its audience was too stupid to know better at the time. I hope not.

As commented by others, it's regrettable that the writers forfeited an opportunity to correctly document a basic record of the Quantrill gang and its opportunistic co-opting of the Civil War for its own gain. Inventing the early conversion of an idealistic and noble Jesse James and gang and making a fictional romance the focus of the story seems consistent with how Hollywood made money then and to a larges extent, now.

By comparison, it's a tightly edited, almost too-well edited movie. I wished some things were better developed. But, it's not dopey like so many from the period. And, the photography, as un-Kansan as it is, is beautiful.

What are you going to do when you are a national hero; the most decorated combat soldier of WWII? Among his 33 awards was the Congressional Medal of Honor, the highest award for bravery that a soldier can receive. In addition, he was also decorated for bravery by the governments of France and Belgium, and was credited with killing over 240 German soldiers and wounding and capturing many more.

Well, I guess you go kill out in the Ole West, and that is JustWhat Audie Murphy did. This is one of his early efforts and it really is not a bad one. He plays Jesse James who, along with his brother Frank, the Younger brothers and Kit Dalton join Quantrille's Raiders until they realize just what he was and become sick of the whole thing.

Tony Curtis is here - I think it may have been the second film he did.

A good shoot 'em up about a sordid chapter of our history.

"Kansas Raiders" was another of those fast moving little 80 minute westerns turned out by Universal. As was their custom, they liked to cast many of their up and coming young actors in various roles. This one is no exception.

The story takes place during the Civil War where five young riders, Jesse James (Audie Murphy), Frank James (Richard Long), Kit Dalton (Tony Curtis), Cole Younger (James Best) and James Younger (Dewey Martin), are looking to join up with Quantrill's Raiders.

They ride into Quanrill's camp and enlist in his service. Quantrill (Brian Donlevy) takes a shine to young Jesse, who in turn has an eye for Quantrill's woman, Kate Clarke (Margeurite Chapman). After Jesse kills Tate (David Wolfe), one of Quantrill's lieutenants in a knife fight, he is elevated to Tate's position. Jesse learns that Quantrill's other lieutenant, the brutal "Bloody Bill" Anderson (Scott Brady) kills without provocation.

The boys go on raids with the Raiders and Jesse sees the senseless brutality and killing of innocent people. He begins to have second thoughts. After the pillaging of Lawrence Kansas, the gang is pursued relentlessly and they decide to desert Quantrill. However Jesse and the boys remain loyal until.........................................

Murphy, Curtis, Brady, Long, Best and Martin all went on to varying degrees of success in the coming years. Donlevy had a long and successful career playing classy villains. Chapman here, looks too old for the boyish looking Murphy. This was Murphy's second film and he carries most of the picture. Richard Arlen and a young Richard Egan also appear as Union cavalry officers.

Director Ray Enright keeps the story moving and the raid sequences are particularly well done. The "glorious" Technicolor photography is equally stunning.

Audie Murphy, the most decorated US soldier in WWII, would make a career out of these fast paced little oaters over the next 15 years.

Frank and Jesse James, along with the Younger brothers and their pal Kit Dalton join Colonel Quantrill's guerrillas in order to fight the Union, but soon realize they've joined an army of bloodthirsty murderers.

This colorful studio B-picture is a decent enough showcase for war-hero Audie Murphy playing a teen-aged Jesse, as well as up-and-comers Tony Curtis and James Best, who aren't given enough to do.

As William Quantrill, Brian Donlevey gives the film's most interesting performance, portraying the rebel leader as cold, calculated, and quite mundane, all at the same time! Murphy's strange attraction to and utter revulsion for him make up most of the film's conflict.

One thing that disappoints though, is the throwaway nature of Scott Brady's character. Brady was always a pretty good character actor and a pretty mean heavy. Here, he leaves the picture way too early, long before the dramatic possibilities of his character are exhausted.

Finally, during the sacking of Lawrence, Kansas, the manager of the bank being robbed by the James gang rushes at Murphy exclaiming, "You little sh...!" before being interrupted. Was he going to say what I thought he was going to say? Did the actor's ad-libbing almost go too far?

A handsome vehicle for up-and-coming young Audie Murphy as Jesse James with an interesting cast supporting him both old (Richard Arlen), new ('Tony' Curtis, as he was now billed, now fifth billed and finally getting close-ups) and shortly to be blacklisted (David Bauer under his Hollywood alias 'David Wolfe'). Although shot in pristine Technicolor, parts of it look positively gothic and it's even rather gory in places, the blood showing up bright red.

Most westerns set in the final days of the Civil War mention Quantrill's raiders only in passing, but here he for once takes centre stage in the imposing form of Brian Donlevy, almost twice the age Quantrell was himself, who died aged 27 far less heroically than depicted here.

Marguerite Chapman as the Colonel's robust, immaculately coifed Girl Friday (aptly described as a woman rather than a girl) in glossy red lips and amazing eyebrows is obviously in her thirties and makes baby-faced Audie Murphy looks even younger than he already does; and her interest in him throughout seems more maternal than romantic).