Harvey

"Years ago, my mother used to say to me, she'd say: 'In this world, Elwood,' she always used to call me Elwood. 'In this world, Elwood, you must be oh, so smart or oh, so pleasant.' Well, for years I was smart. I recommend pleasant. And you can quote me." - Elwood P. Dowd (James Stewart)

And, though you suspect James Stewart was never anything less than thoroughly pleasant, that quote from this completely bewitching movie, sums up perfectly the career of James Stewart and this movie in particular. It is one of those rare, rare movies that, when one has watched it, makes you want to try harder to be a nicer, better person. I recommend 'pleasant,' also. And I recommend this movie.

For about the first thirty minutes, I was thinking of some way to politely inform those who recommended this film that it wasn't my cup of tea, but the more I stayed, the more captivated I became. Based on a stage play that opened six years earlier, Harvey, the 1950 film directed by Henry Koster, is a delight. If this Jimmy Stewart classic doesn't make you feel good, you must be related to Mr. Henry F. Potter of Bedford Falls. Harvey is a 6' 3'' Pooka who has befriended a certain Mr. Elwood P. Dowd and this causes all sorts of complications for those around him. In case you didn't know, in Celtic mythology a Pooka is a fearsome spirit that usually takes the form of a sleek dark horse that roams the countryside at night, creating harm and mischief. Well, Harvey is not like that at all.

In fact, Harvey is a very gentle spirit who is always helping people out and can make everybody around him feel relaxed and in a good mood. Now Dowd needs all the help he can get. He likes to take a nip once in a while and is always talking to that danged rabbit to the chagrin of his sister Veta Louise (Josephine Hull) whose social life takes a nosedive when brother Elwood is around. Elwood's shenanigans also interfere with her plans to marry off her daughter Myrtle Mae (Victoria Home). When Veta decides that she has had enough and tries to commit Elwood to a psychiatric institution, the tables are turned and she ends up being committed in a hilarious case of mistaken identity. When Elwood leaves the hospital after being released, the medical staff in the hospital (a bit eccentric themselves) realize their mistake and all try to find him.

The madcap beginning soon turns into a gentle and moving drama. Jimmy Stewart is flawless as the decent man who never loses his temper and always has a smile on his face, giving everyone his card and inviting strangers home for dinner. The supporting cast is top notch as well including the unpleasant Dr. Chumley (Cecil Kellaway), the egotistical psychiatrist Dr. Sanderson (Charles Drake), his love struck assistant Miss Kelley (Peggy Dow) and the overwrought orderly (Jesse White, later known as the Maytag repairman).

Eventually some that ridiculed Elwood and his rabbit privately admit that they could see Harvey themselves and by the end we are gradually convinced that the so-called normal people may be stranger than Mr. Dowd. Harvey is considered a classic and with good reason. It works because of its good-natured humor and its gentle slap at those who automatically condemn ideas that are outside socially acceptable norms without thinking for themselves.

"In this world, you must be oh so smart, or oh so pleasant. Well, for years I was smart. I recommend pleasant." So says Elwood P. Dowd (Jimmy Stewart), a character who combines the gentle temperament of the Dalai Lama with the martini intake of Frank Sinatra. He also seems a bit crazy, seeing as his pal is an invisible 6'3½" rabbit named Harvey, and happily introduces him to everyone he meets. While he seems harmless, his sister (Josephine Hull) wants to commit him to a sanitarium, and in a comedy of errors, gets locked up herself. From there it's a series of screwball moments, with the hospital staff trying to track down Elwood, and him oblivious to it all.

The film is a little bit of indictment of the mental health industry, with one doctor (Lyman Sanderson) jumping to harebrained conclusions and an orderly (Jesse White) aggressively putting his hands on people. He alludes to having had to take the corset off of Hull's character while stripping her, a fact that intrigues her daughter (Victoria Horne), in one creepy and awkward scene. Horne at 39 was far too old for the role (Jimmy Stewart, playing her uncle, was 42), and scenes with her and White are the low points of the film.

If it seems like just another goofball comedy in the first half, stay with it and let Elwood Dowd's benevolence sink in. He engages everyone he meets in real conversation, cares about them, and almost always invites them over to his house for dinner or for drinks. He does that not out of politeness, but actually wants and expects them to show up. The character is quite endearing, and Stewart's performance is nuanced and brilliant. In this screwball comedy, there is a real message of the importance of simple kindness, and it's delivered in a subtle way.

A wonderful comedy-drama starring the immensely talented James Stuart as kind hearted Elwood P. Dowd, a man who has refused to be ruled by life. The brilliance of this film is the subtlety of the story and the layers of the character. Under the polite veneer of fifties Hollywood conventions, Harvey has a decidedly dark undercurrent, one that deals with alcoholism, loneliness and rejection. Not that this should deter you from enjoying the many comic scenarios that Harvey throws at the viewer during the course of the film, as this is definitely a comedy gem. But the truth and beauty behind what Elwood is saying only make the entire package all the more exquisite, like putting chocolate on a donut.

The most beautiful scene I've seen in any film is the scene in which Elwood explains how Harvey has enriched his life, though the people who are listening to the story doubt Harvey's existence, thus doubting Elwood's sanity, the words of his speech, coupled with the delivery of Stuart's performance are so touching and true that even the most jaded audience will be won over into believing Harvey to be real. The enjoyment that Elwood now gets from life, the wonderful times he has, wherever he is, whoever he's with, is the kind of enjoyment everyone strives to achiever from life. This is bygone film-making at it's best; Stuart is such a joy to watch that you'll remember this film for a long time after viewing. With fine support from all the actors, this is one film that truly deserves its classic status.

A film is like a recipe, you need the right ingredients.

Start with a Pulitzer Prize willing play.

Cast the perfect screen ensemble.

Mix well, bake at 350 degrees, and serve hot.

Never mind the B&W. Never mind that young people of the current era (whenever you read this review) will think the look is dated or the actors are of a bygone age.

This version of Harvey will never be surpassed. Stewart owns this role the way Eastwood owns the Man with No Name, or Harrison owns Indiana Jones.

Have seen this six or seven times and each time I catch some nuance in the script I missed before.

Roger Ebert used to say that the mark of a fine film was inverse to the number of times you looked at your watch. I never look at my watch when I watch Harvey.

In the grand tradition of Pooka magic, time stops.

((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))