Experiment Alcatraz

An intriguing crime story with radiation as the plot's pivotal element. A group of Alcatraz convicts volunteer to be guinea pigs in an experiment seeking to find a cure for a blood disease (apparently related to leukemia). The convicts led by Robert Shayne (the old Superman TV show's Inspector Henderson) are only interested in gaining their freedom. The unexpected effect the radiation has on one prisoner subject leads a doctor and a nurse into a dangerous investigation which is their only hope to salvage their now damaged careers. The current negative attitude towards radiation adds an ironic counterpoint to the protagonists' noble desire to cure said blood disease, which incidentally has infected the nurse's brother. Good atmosphere and a taut narrative make this B picture worth watching.

Odd Little B-Movie (clocks in at less than an hour) from Low-Budget Wunderkind Edward Cahn. There are Enough Bizarre Scenes and the Combination of Post Nuclear Radiation Experiments on Convicts & Gangsters is a Guilty Treat.

Not Enough Time or Money to Make the Thing Much More than it is, and that is an Entertaining, Good Looking Programmer that was Actually Quite Early on the Wave of Paranoia About the Bomb's After Effects.

It Tries to Spin the Concern Into a Helper of Mankind and that Radiation and the Nuclear Age Could Be a Good Thing. In Reality the Jury was Out and Truth be Told They didn't have a Clue.

The Scene that is at the Nucleus, a Murder, Post Radiation Treatment, Makes Robert Shayne Look Like a Bug-Eyed Maniacal Monster and is an Artistic Touch that is Quite Scary. There are Some (Mad) Lab Sets with Goggled Patients, and Some Gangster Activity with a Twist or Two.

Overall, Definitely Worth a Watch for its Quirky Plot and the Director's Command of Low-Budgets with an Eye for Sets and Set-Ups.

This rather tacky independent B film has a few familiar faces from movies and television.. They are its main asset.

Five volunteer prisoners from Alcatraz consent to be experimented on with an atomic isotope which right about then were just being thought of as a medicinal aide.

One of the prisoners, Robert Shayne is a slick article up and murders another one and the isotope is blamed for driving him mad. Atomic scientist John Howard and nurse Joan Dixon don't believe it either and do their own criminal investigation.

Let's just say that this was a job for Philip Marlowe.

Cheap production values don't help this. Of the actors Shayne registers best.

... and in a good way! The direction is rather wooden, but the acting surprised me with pretty good and authentic performances from an almost anonymous cast.

The story has to do with some prisoners from Alcatraz volunteering for a medical experiment that involves receiving large doses of radiation. If the volunteers survive, then they are promised their freedom. Question unanswered - yeah, but what good does it do to radiate these guys since they don't have the blood disease for which this treatment is a cure? Well, don't expect every loophole to be closed in these old programmers.

Then unexpected tragedy as a pair of scissors slips out of the apron of one of the military nurses who is making rounds in the ward and on to the bed of convict Barry Morgan who seizes the scissors and stabs convict Eddie Ganz through the heart, killing him. Morgan and Ganz were friends, and Morgan does not remember doing what he did. Well, a deal is a deal and Morgan is set free along with the other convicts. But since the radiation is the culprit in the killing the experiment is terminated immediately. Also, the careers of the doctor whose idea this was (John Howard as Dr. Ross Williams) and the nurse who dropped the scissors (Joan Dixon as Lt. Joan McKenna) are over. McKenna has a brother with the fatal blood disease and was hoping the experiment would be a first step toward a cure.

So Dr. Williams and Lt. Joan McKenna decide to do some investigating into Ganz' and Morgan's friendship and see if they can find out if this was truly the fault of the experiment, or was it something else? This leads them into mob filled night spots, Italian restaurants where the waiter is insulted if you don't finish the calimari, an old dark house, and to a convict who is just nutty about post cards.

This film picks up a trick from other B noirs/crime dramas/mysteries of the time. If your plot is thin and has some holes, just keep moving from scene to scene and fill your film with interesting off-beat characters. Even if you do have the doctor doing silly things like continually ducking into a phone booth to ask "Have they scheduled the destruction of the isotope yet??" like he is checking on the execution of a death row inmate.

This one is an original and not a bad way to spend an hour. I'd recommend it.

EXPERIMENT ALCATRAZ (1950) is another in a very long line of ultra-cheap curios from the prodigiously prolific Edward L. Cahn, one of the undisputed "Kings of the Bs." Produced independently and picked up for theatrical distribution by RKO before eventually evaporating into the ethers of obscurity, this murky little gem ranks as one of Cahn's more interesting films.

Dr. Ross Williams (John Howard) and his crack team of army physicians are certain that by blasting "radioactive isotopes" into human guinea pigs, medical science will find a cure for a rare blood disease. A group of five Alcatraz lifers are given the opportunity to gain their freedom if they're willing to subject themselves to this hazardous and radical medical experiment. The hardened cons, led by the grizzled Barry Morgan (Robert Shayne, perennial good guy Inspector Henderson on TV's Superman) are quick to play ball without any illusions of altruism; their only interest is getting out of the can and this is clearly the only shot they're ever likely to get. But something goes horribly, weirdly wrong and Morgan winds up murdering one of the other cons in the aftermath of the experiment, throwing Dr. Williams' theory and, for that matter, entire medical career into jeopardy. The resulting mystery surrounding the peculiar events taking place at Alcatraz forms the basis for the remainder of this quirky drama.

While perhaps not as sharply drawn as other notable low budget noirs from the late 40s and early 50s, EXPERIMENT ALCATRAZ nevertheless earns its stripes through the sheer weirdness of its far-fetched story and the unexpected detours it takes along the way. At fifty-seven minutes, it can hardly be faulted for overstaying its welcome.

Edward L. Cahn had an incredible career in Hollywood, directing countless low budget features over a thirty-year period, including such classics as MAIN STREET AFTER DARK (1945), THE GAS HOUSE KIDS IN Hollywood (1947), DESTINATION MURDER (1950), CREATURE WITH THE ATOM BRAIN (1955), GIRLS IN PRISON (1956), SHAKE RATTLE & ROCK (1956), VOODOO WOMAN (1957), MOTORCYCLE GANG (1957), INVASION OF THE SAUCER MEN (1957), IT! THE TERROR FROM BEYOND SPACE (1958), RIOT IN JUVENILE PRISON (1959), GUNS, GIRLS & GANGSTERS (1959) and CAGE OF EVIL (1960).