Les Cinq Gosses d'oncle Johnny

Johnny Rutledge (William Holden) works for traveling snake oil salesman Professor Mordecai Ford. The professor gets imprisoned for thirty days. Rutledge intends to wait for his release. He encounters five young children living in a cabin with no parents. Rutledge and the kids pretend that he's their uncle. School teacher Prudence Millett takes an interest in him and the kids.

Stranger danger aside, this is a rather nice and sweet movie. The kids are cute. Even the con men are sweet. The one bad guy has a redemption story arc. It's all very sweet.

As a fan of William Holden, I can't say this is one of his better films, but it is entertaining enough if you can get past the dubbing of his singing voice. "Born Yesterday" and "Sunset Boulevard" would be released in the same year (1950).

Holden plays Johnny Rutledge, a self-described loafer who says, "The prettiest girl in the world couldn't get me--I'm woman-proof!" But he manages to get hitched to five orphaned siblings and finds himself settling into respectability and facing responsibility.

He does his best to provide for the kids. He even tries to sew a dress for the little girl May (Mary Jane Saunders) with comic results. Eventually, he realizes that a mother figure might be useful in bringing up children.

I think Mary Jane Saunders is one of the highlights of this film. She reminds me of Shirley Temple--cute and bright.

This is very light fare. There's even a scene where a life-altering decision is decided on the flip of a coin.

If you watched this film and knew nothing about William Holden, you'd likely be shocked to learn that he become a mega-star only a few years after making "Father is a Bachelor". Now I am not saying this because the film is bad...but it is very slight and the sort of film that seems to have nothing to do with Holden's later, grittier films (such as "The Bridge on the River Kwai" and "Stalag 17") seem so incredibly different and earthier. Instead, this film is almost like a Disney family film of the 1960s.

The movie begins with Johnny (Holden) singing. However, it's obviously not him singing...and he's in black face!! He's apparently part of a traveling medicine show and they are shysters. But when they run out of town with the law behind them, the law doesn't recognize Johnny without his makeup and he gets away and takes up refuge with some orphan kids. Their parents recently were killed and they have been able to scrape by...but how much longer will it be until the law also looks at them? And, what will happen when Johnny finds he's actually falling for the kids and wants to do right by them?

This is just a nice and cute film....nothing more and nothing less. Light, easy viewing and a movie that's hard to hate.

I`m a huge William Holden fan and I enjoyed this film very much.I like the nostalgic American mid-west turn of the century time setting of the film.Bill Holden has great interaction with the children-his true gentle sweetness when singing "In The Gloaming" as a lullabye to the little girl shines through.The scene with Bill trying to sew the little girl a dress from a pattern is hysterical.Buddy Clark did a wonderful job of dubbing his voice to match Bill Holden`s-if I didn`t know better,I would swear it was Bill singing. A nice family film with great sentimental, turn of the century songs with a wonderful, funny, sweet performance from Bill Holden.Its a shame Columbia has never released this on video or DVD.I obtained my copy from a private collector.

"Father is a Bachelor" is one of those facilely sentimental films that deserves a swift kick in the butt. It's reminiscent of "Pennies from Heaven" a pretty bad Bing Crosby film. But it has some merit, despite being "wholesome".

William Holden was Captain Cynic, a confirmed misanthrope; even his voice sounded world-weary and cynical, regardless of the role. This served him well in "Father Is a Bachelor", keeping the film from veering too far into sentimentality. (Had Bing Crosby starred (another reviewer notes the obvious possibility), it would have gone right over the cliff, bursting into flames before it crashed.)

The story is set in the American South, though whether antebellum or postbellum isn't clear. (I assume the latter.) Five orphaned (and not-icky) children adopt him, and he has to go through the transformation from "I don't care about anyone but me" to "I'm willing to sacrifice for someone else's happiness". The change is played mostly seriously, and is almost believable.

The story's strongest point is that Colleen Gray doesn't fall for Holden because he's good looking, but because she's convinced of his high character. (A similar transformation occurs with the town's plutocrat.) In other words, the story (sort-of) approximates a character-driven drama, rather than a plot-driven melodrama.

The man driving the rich guy's carriage is Hank Worden, probably best-remembered as Mose Harper in "The Searchers".