Ajouter une intrigue dans votre langueAn Irish horsecar driver's daughter meets New York showman Tony Pastor and goes into vaudeville.An Irish horsecar driver's daughter meets New York showman Tony Pastor and goes into vaudeville.An Irish horsecar driver's daughter meets New York showman Tony Pastor and goes into vaudeville.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
S.Z. Sakall
- Miklos Teretzky
- (as Cuddles Sakall)
Marcia Mae Jones
- Katie O'Grady
- (as Marsha Jones)
John Albright
- Audience Member
- (non crédité)
Leon Alton
- Audience Member
- (non crédité)
John Barton
- Audience Member
- (non crédité)
George Boyce
- Audience Member
- (non crédité)
Jack Boyle Jr.
- Chorus Boy
- (non crédité)
Chet Brandenburg
- Audience Member
- (non crédité)
Tex Brodus
- Chorus Boy
- (non crédité)
Avis à la une
After Look For The Silver Lining Gordon MacRae and June Haver were teamed again for The Daughter Of Rosie O'Grady another period musical. This one is set in 1898 the year of the Spanish-American War and MacRae plays the real life vaudeville entertainer and impresario Tony Pastor who falls for one of the daughters of Rosie O'Grady.
MacRae looked remarkably well I have to say because in 1898 the real Tony Pastor was 61 years old and the objections of James Barton the husband and father of the daughters of Rosie O'Grady might well have been understood as cradle robbing.
June is only one of the daughters, but she's the one with the stage ambitions. Marcia Mae Jones is the oldest and is secretly married to returning Spanish American War veteran and policeman Sean McClory. But they're keeping it a secret from Barton though something is on the way that will blow the secret wide open.
Barton plays your blustering Irish American father, the part usually reserved for Barry Fitzgerald. He's got some objection to McClory so Jones and McClory are trying to work up nerve to tell him. Barton and his late wife were a vaudeville team back in the day, but her early death has soured him on show business. He has forbidden his daughters to even think about the stage and wants them to make marriages to men of substance.
The youngest daughter is Debbie Reynolds who is her usual perky self, but really hasn't a whole lot to do in this film. It might have been nice to team her with Gene Nelson who is one of the performers at Tony Pastor's. Nelson of course shows again why he came along just a tad too late to musicals.
Nothing special in The Daughter Of Rosie O'Grady, but the cast performs well and there's a nice Christmas finale to the film.
MacRae looked remarkably well I have to say because in 1898 the real Tony Pastor was 61 years old and the objections of James Barton the husband and father of the daughters of Rosie O'Grady might well have been understood as cradle robbing.
June is only one of the daughters, but she's the one with the stage ambitions. Marcia Mae Jones is the oldest and is secretly married to returning Spanish American War veteran and policeman Sean McClory. But they're keeping it a secret from Barton though something is on the way that will blow the secret wide open.
Barton plays your blustering Irish American father, the part usually reserved for Barry Fitzgerald. He's got some objection to McClory so Jones and McClory are trying to work up nerve to tell him. Barton and his late wife were a vaudeville team back in the day, but her early death has soured him on show business. He has forbidden his daughters to even think about the stage and wants them to make marriages to men of substance.
The youngest daughter is Debbie Reynolds who is her usual perky self, but really hasn't a whole lot to do in this film. It might have been nice to team her with Gene Nelson who is one of the performers at Tony Pastor's. Nelson of course shows again why he came along just a tad too late to musicals.
Nothing special in The Daughter Of Rosie O'Grady, but the cast performs well and there's a nice Christmas finale to the film.
The men are returning after the Spanish American War. Patricia O'Grady (June Haver) is the daughter of Irish Vaudeville performer Dennis O'Grady (James Barton). He fears that his wife legendary star Rosie was lost to the rigors of performing. He doesn't want any of his three daughters to follow in her footsteps. Despite that, Patricia falls for star performer Tony Pastor (Gordon MacRae). Debbie Reynolds plays younger sister Maureen O'Grady.
I'm only watching this to catch glimpses of Debbie Reynolds in one of her earliest roles. It's a side character, but it's still a main side. The movie itself is a rather standard musical. It's light drama and slightly charming. It's very harmless and perfectly nice. The dancing and songs are all fine if not excelling. This is fair for what it is.
I'm only watching this to catch glimpses of Debbie Reynolds in one of her earliest roles. It's a side character, but it's still a main side. The movie itself is a rather standard musical. It's light drama and slightly charming. It's very harmless and perfectly nice. The dancing and songs are all fine if not excelling. This is fair for what it is.
Rosie O'Grady's daughters (Marsha Jones as Katie, June Haver as Patricia, Debbie Reynolds as Maureen) live with their father (James Barton), a former vaudevilian who is still in mourning for their mother and harbouring a grudge against the theatre.
Really the interest of the film is in the musical sequences, featuring Haver with co-stars Gordon MacRae and Gene Nelson, but the story, although entertaining in parts, is so slight as to be nonexistent. It is a pleasant enough way to pass the time, though.
Really the interest of the film is in the musical sequences, featuring Haver with co-stars Gordon MacRae and Gene Nelson, but the story, although entertaining in parts, is so slight as to be nonexistent. It is a pleasant enough way to pass the time, though.
Nobody can sing a song like Gordon MacRae. If you like nothing else about the movie it is worth the time just to hear him sing. I think the movie was really good. It takes you back to a time that no longer exist and it has a good story line too. June Haver is beautiful and one of the best for song and dance. She and Gene Nelson trip the light fantastic in several numbers. I think they are just fun to watch. I may be a little over the top for some of you but one of my passions are the old musicals. Then you add in Debbie Reynolds as the cute innocent little sister and the movie just keeps getting better.
I have never seen a movie that S.Z. Sakall was in that wasn't very funny. He is without a doubt one of my very favorite actors. He made appearances in so many of the old musicals and as always was great. He and James Barton who played Dennis O'Grady were really good together. All in all if you like old musicals you should love this one. I just wish they would blow off the dust and get this one out on DVD, soon!
I have never seen a movie that S.Z. Sakall was in that wasn't very funny. He is without a doubt one of my very favorite actors. He made appearances in so many of the old musicals and as always was great. He and James Barton who played Dennis O'Grady were really good together. All in all if you like old musicals you should love this one. I just wish they would blow off the dust and get this one out on DVD, soon!
Pleasant, light headed nonsense still has its pleasures. Chief among them is Gordon MacRae singing beautifully and so handsome. He really should have been at MGM with the Freed unit to take advantage of his gifts, Warners never had the quality productions his talent deserved.
Even though made on loan-out to Warners this was made at the height of 20th Century Fox's big push to make June Haver the new Betty Grable. June had a pleasing way about her, sang and danced adequately but didn't have the punch of Grable nor the vulnerability or flesh impact of the girl who would replace her within a couple of years, Marilyn Monroe. She's serviceable in the lead but not memorable.
Debbie Reynolds in her first featured part is pert and bursting with her special brand of energy. Her role is small but even with that she registers on screen in a way Haver never does. A good illustration of star quality and the lack of it in one film. Gene Nelson stands out in the dance department although he is made to look ridiculous in some awful costumes but his footwork compensates.
The rest of the cast all perform well and the film is loaded with color but it's all a bunch of malarkey.
Even though made on loan-out to Warners this was made at the height of 20th Century Fox's big push to make June Haver the new Betty Grable. June had a pleasing way about her, sang and danced adequately but didn't have the punch of Grable nor the vulnerability or flesh impact of the girl who would replace her within a couple of years, Marilyn Monroe. She's serviceable in the lead but not memorable.
Debbie Reynolds in her first featured part is pert and bursting with her special brand of energy. Her role is small but even with that she registers on screen in a way Haver never does. A good illustration of star quality and the lack of it in one film. Gene Nelson stands out in the dance department although he is made to look ridiculous in some awful costumes but his footwork compensates.
The rest of the cast all perform well and the film is loaded with color but it's all a bunch of malarkey.
Le saviez-vous
- AnecdotesSpeaking debut of Debbie Reynolds; she had been in La mariée du dimanche (1948) previously, but without dialogue.
- GaffesThe strict censorship in force when the film was made prevented the accurate depiction of female pregnancy, which makes the revelation that eldest sister Katie O'Grady (played by Marcia Mae Jones) is expecting twins (actually triplets, as revealed in the film's finale), faintly ridiculous given that she retains the same hour-glass corseted figure of the late 1890's period setting throughout the whole of the motion picture.
- Citations
Dennis O'Grady: [Dennis goes into a saloon in shock after finding out one of his daughters is having twins, but he doesn't know which one] About how long would it take a man to drink himself to death?
Ed Powers: With our whiskey, just a matter of minutes.
[puts bottle of whiskey onto the bar]
- ConnexionsReferences Un lapin à Manhattan (1947)
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- How long is The Daughter of Rosie O'Grady?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- A Filha de Rosie O'Grady
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 44min(104 min)
- Rapport de forme
- 1.37 : 1
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