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L'esclave du gang

Titre original : The Damned Don't Cry
  • 1950
  • 16
  • 1h 43min
NOTE IMDb
7,1/10
4 k
MA NOTE
Joan Crawford and David Brian in L'esclave du gang (1950)
Trailer for this thriller about a charming woman
Lire trailer2:15
1 Video
61 photos
Film NoirTragic RomanceCrimeDramaRomanceThriller

Ajouter une intrigue dans votre langueA New York socialite climbs the ladder of success man by man until a life among rich gangsters gives her what she thought she always wanted.A New York socialite climbs the ladder of success man by man until a life among rich gangsters gives her what she thought she always wanted.A New York socialite climbs the ladder of success man by man until a life among rich gangsters gives her what she thought she always wanted.

  • Réalisation
    • Vincent Sherman
  • Scénario
    • Harold Medford
    • Jerome Weidman
    • Gertrude Walker
  • Casting principal
    • Joan Crawford
    • David Brian
    • Steve Cochran
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,1/10
    4 k
    MA NOTE
    • Réalisation
      • Vincent Sherman
    • Scénario
      • Harold Medford
      • Jerome Weidman
      • Gertrude Walker
    • Casting principal
      • Joan Crawford
      • David Brian
      • Steve Cochran
    • 71avis d'utilisateurs
    • 28avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 1 nomination au total

    Vidéos1

    The Damned Don't Cry
    Trailer 2:15
    The Damned Don't Cry

    Photos61

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    Rôles principaux67

    Modifier
    Joan Crawford
    Joan Crawford
    • Ethel Whitehead (Lorna Hansen Forbes)
    David Brian
    David Brian
    • George Castleman (Joe Caveny)
    Steve Cochran
    Steve Cochran
    • Nick Prenta
    Kent Smith
    Kent Smith
    • Martin Blackford
    Hugh Sanders
    Hugh Sanders
    • Grady
    Selena Royle
    Selena Royle
    • Patricia Longworth
    Jacqueline deWit
    Jacqueline deWit
    • Sandra
    Morris Ankrum
    Morris Ankrum
    • Jim Whitehead
    Edith Evanson
    Edith Evanson
    • Mrs. Castleman
    Richard Egan
    Richard Egan
    • Roy
    Bob Alden
    • Messenger
    • (non crédité)
    Bonnie Bannon
    Bonnie Bannon
    • Woman in Casino
    • (non crédité)
    George Baxter
    George Baxter
    • Mr. Fredericks - Syndicate Boss
    • (non crédité)
    Paul Bradley
    Paul Bradley
    • Castleman's Assistant
    • (non crédité)
    Kathryn Card
    Kathryn Card
    • Mrs. Sullivan
    • (non crédité)
    Tristram Coffin
    Tristram Coffin
    • George - Maitre d'Hotel at Grady's
    • (non crédité)
    Herschel Daugherty
    • Rewrite Man
    • (non crédité)
    Diane DeLaire
    • Castleman's Secretary
    • (non crédité)
    • Réalisation
      • Vincent Sherman
    • Scénario
      • Harold Medford
      • Jerome Weidman
      • Gertrude Walker
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs71

    7,14K
    1
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    10

    Avis à la une

    gortx

    Smooth crime picture with a gritty Crawford lead performance

    Loosely based on Virginia Hill (Bugsy Seigel's moll), Director Vincent Sherman's film gives it a melodramatic gloss adapting it for star Joan Crawford. Enough of the essential underworld nastiness survives to edge it into Noir territory. Crawford plays Ethel, an unhappy housewife to an oil worker (Richard Egan). Fed up, Ethel moves to the big apple to start her life anew. She ends up as model for a fashion house, earning extra "tips" by wining and dining the firm's clients after hours. Along with the company's accountant Martin (Kent Smith), the pair end up meeting the head honcho for a crime syndicate, the oily George Castleman (David Brian). The pair finagle their way into Castleman's graces through Martin's ease with figures and Ethel's figure* (and her clawing to the top, wiles). On 'assignment' to the West Coast to keep tabs on a renegade operative in Castleman's organization, Nick Prenta (Steve Cochran), Ethel becomes further entangled. The screenplay and production are very slick. The acting smooth. DAMNED is a well done and smoothly entertaining film. Crawford gives a standout performance as the social climber who seemingly will stop on nothing to get what she wants, no matter who she has to hurt along the way. Cochran is charismatic as the Bugsy Siegel stand-in. The casting of the ultimate milquetoast Kent Smith is a master-stroke, perfectly setting up the character's story arc. David Brian has an icy frightening glare which Cinematographer Ted McCord amplifies, at one point making his eyes glow like something out of VILLAGE OF THE DAMNED! DAMNED DON'T CRY is a fine example of sunlit Noir (although there are plenty of dark scenes) and an interesting cross-over with gangster crime pictures. Using Frank Sinatra's real Palm Springs pad as Prenta's hang gives it that much extra verisimilitude. Keeping all the other superlatives in mind, this is still Crawford's picture. Her avaricious Ethel is Noir classic. Of course, any similarity to the actresses real life persona is strictly intentional!

    * P.S. One aspect of the film that is the elephant in the room is that the viewer has to accept that Crawford's physical beauty is such that it makes every man she meets melt in front of her. She was an attractive woman, particularly in her earlier years, but, by the time of DAMNED she was hitting her mid-40s. Watching men drool as if Gene Tierney, Ava Gardner or Rita Hayworth had strided into the room is a bit much.
    7ArtVandelayImporterExporter

    Too old but still smokin' hot

    Sure I agree that Joan Crawford was too old for THIS part, which required a 20-something bored with her slug of a husband. Then wanders off and has men chasing her skirt basically 24/7.

    Nevertheless - and most ironically - the decision to strip her of the usual five layers of war paint reminds viewers just how ridiculously good-looking Joan Crawford was. And pardon me for saying so,but I had no problem - None Whatsoever - believing Joan with a more natural look, parading around in model's lingerie or dinner clothes, and sporting a cheeky attitude, would have men falling all over themselves.

    She is, quite simply, a drop-ded s3xy woman, regardless of age.

    As her character gains confidence with the hustle, her character just gets more interesting. And more attractive.

    There's a plot involving an accountant but who cares. Those are details.
    8TheLittleSongbird

    Paying the price

    Absolutely love film-noir/melodrama, have done for a long time, though my main reason for seeing 'The Damned Don't Cry' was Joan Crawford. Not ever the most subtle of actresses, being prone at times to excess, but always an incredibly magnetic one who commanded the screen to transfixing effect in a vast majority of her films. 'Mildred Pierce', one of my favourite films of hers and a contender for her best performance, being a prime example of this.

    'The Damned Don't Cry' turned out to be very enjoyable and well worth the time. There are better Crawford films and performances, but she is still in a role that plays to her strengths as an actress, perfect for her actually and like it was made for her, and 'The Damned Don't Cry' itself does nothing to squander her talent or over-stretch her. Crawford is wonderful and basically is the film, intense, deeply felt and played to the hilt with utter commitment, even if subtlety is not always there. She is effortlessly commanding while not over-balancing the film too much, with it not feeling too much like the Joan Crawford Show.

    It's not just Crawford that's good. The rest of the cast fare quite well too, with Steve Cochran and especially David Brian exuding nastiness without over-doing it. Selena Royle is similarly good. 'The Damned Don't Cry' looks great too. Especially the noir-ish lighting, It's beautifully and atmospherically shot and the sets are similarly atmospheric. Crawford's clothes are stunning and like characters of their own. The music avoids being intrusive yet has presence with a haunting edge.

    One of 'The Damned Don't Cry's' most notable elements is the script, which positively crackles and has tautness, mostly not being overwrought. The story is always compelling with its fair share of surprises and suspense, surprising steaminess too. The more melodramatic element has a lot of edge and emotion. It's non stop slickness and entertainment and the pacing never lets up.

    Credulity is strained towards the end and Vincent Sherman's direction, while mostly more than competent, could have done with more restraint in places.

    Faring weakest of all is Kent Smith, the character is not an interesting one to begin with but Smith plays him incredibly colourlessly and gets practically lost amongst everything else.

    Overall, very well done with Crawford rightly dominating. 8/10
    9victrader

    Crackerjack Film Noir - Crawford at her best!

    I have to say that this is one of my very favorite films. A truly entertaining movie. Briefly, Joan Crawford plays a good woman who's world is turned upside down by a tragic event. She decides to climb her way out of poverty by using everyone she comes in contact with and falling in with a lot of shady characters. She makes her way to a life of glamour and wealth, only to see it all fall apart when her bad karma comes back to haunt her. For all the Joan Crawford jokes - this is actually quite a good movie. The dialogue is crackling and all the actors are very good. Joan does not go over the top and gives a convincing portrayal of a woman who has lost her moral compass - but then regains it in the end. There are of course some melodramatic moments, but not too many. The production values are top notch - lots of location shooting - mainly in Palm Springs, to really get you into the setting of the film.

    I would classify this film as a film noir - it starts out as who-done-it and features noir stalwart Steve Cochran. If you are looking for an entertaining flick - you can't go wrong with this one!
    9edwagreen

    The Damned Would Cheer After Seeing this Film ****

    5 years after "Mildred Pierce" and Joan Crawford is at it again. Again, she is poor and is willing to climb to the top no matter what. In this film, she becomes involved with organized crime and becomes a real pro in being used to infiltrate other wayward mobsters.

    From poverty to that Mildred Pierce mink, Crawford gave a truly memorable performance. She will stop at nothing to get to the top.

    Along the way, she seduces timid accountant, played masterfully by Kent Smith, to join the mob only two realize that the two of them are trapped.

    Another favorite co-star of Crawford, David Brian appears as the head mobster who is against violence but must come to grips with it when renegade hood, the always terrific Steve Cochran, seduces Crawford and then goes after her when he discovers that she is a Brian stooge.

    This is a gripping film-noir at its best.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Loosely based upon the life of sharp-tongued moll Virginia Hill and her secretive relationship with gangster Bugsy Siegel.
    • Gaffes
      At Grady's when Ethel is seated, she places her purse on the table. However in the next cut when the Maitre d'Hotel hands her the menu, the purse is now off the table.
    • Citations

      Ethel Whitehead: Don't talk to me about self-respect. That's something you tell yourself you got when you got nothing else. What kind of self-respect is there living on aspirin tablets and chicken salad sandwiches?

      [beat]

      Ethel Whitehead: Look Marty, the only thing that counts is that stuff you take to the bank, that filthy buck that everybody sneers at, but slugs to get.

      [beat]

      Ethel Whitehead: I know how you feel. You're a nice guy. But the world isn't for nice guys. You've got to kick and punch and belt your way up because nobody's going to give you a lift. You've got to do it yourself, cuz nobody cares about us except ourselves.

    • Connexions
      Featured in Joan Crawford: The Ultimate Movie Star (2002)
    • Bandes originales
      Make Love with a Guitar
      (uncredited)

      Music by María Grever

      Played by the band at Grady's

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    FAQ19

    • How long is The Damned Don't Cry?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 18 avril 1951 (France)
    • Pays d’origine
      • États-Unis
    • Sites officiels
      • Streaming on "JesseMonster" YouTube Channel (colorized)
      • Streaming on "Movies Noir And Classics" YouTube Channel
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Los condenados no lloran
    • Lieux de tournage
      • Palm Springs, Californie, États-Unis
    • Société de production
      • Warner Bros.
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 1 233 000 $US (estimé)
    • Montant brut mondial
      • 66 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 43 minutes
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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