Ajouter une intrigue dans votre langueA New York socialite climbs the ladder of success man by man until a life among rich gangsters gives her what she thought she always wanted.A New York socialite climbs the ladder of success man by man until a life among rich gangsters gives her what she thought she always wanted.A New York socialite climbs the ladder of success man by man until a life among rich gangsters gives her what she thought she always wanted.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 1 nomination au total
- Woman in Casino
- (non crédité)
- Mr. Fredericks - Syndicate Boss
- (non crédité)
- Castleman's Assistant
- (non crédité)
- Mrs. Sullivan
- (non crédité)
- George - Maitre d'Hotel at Grady's
- (non crédité)
- Rewrite Man
- (non crédité)
- Castleman's Secretary
- (non crédité)
Avis à la une
Like 'Mildred Pierce' it begins with a murder, and is then told via Joan's (her character's name - don't laugh - is Ethel)flashback. We're then treated to some vintage down home Joan, again like her character in 'Mildred Pierce' she is a struggling mother trying to please her child. Instead of tryng to buy a dress for Veda, in 'The Damned Don't Cry' she is trying to purchase a bike for her pathetic son.
The morality of the 50s is in full effect here, again like 'Mildred Pierce'. In the latter film, when the woman leaves the family home and has desires for a professional life, chaos and misery begins. The same is true for 'The Damned...'. Ethel wants a life better than her near-poverty existence, having to leave her husband and child. Therefore, she must be punished in the eyes of the narrative. Ethel then gets mixed up in some gangster situations. There's one amusing scene where in a restaurant her date (a poor accountant) orders 'a chicken salad and a coffee' and Joan nearly has a seizure. The mise en scene changes when Ethel is involved with the criminal activities: a gothic mansion is used and the lighting begins to contrast between light and dark. But, again, not really enough to make a convincing case for this being a noir.
Joan gives a good performance as Ethel/Lorna. Certainly not one of her best, but she is particularly good in the final scenes. If you enjoyed 'Mildred Pierce' or 'Flamingo Road', this is one to watch.
From poverty to that Mildred Pierce mink, Crawford gave a truly memorable performance. She will stop at nothing to get to the top.
Along the way, she seduces timid accountant, played masterfully by Kent Smith, to join the mob only two realize that the two of them are trapped.
Another favorite co-star of Crawford, David Brian appears as the head mobster who is against violence but must come to grips with it when renegade hood, the always terrific Steve Cochran, seduces Crawford and then goes after her when he discovers that she is a Brian stooge.
This is a gripping film-noir at its best.
I would classify this film as a film noir - it starts out as who-done-it and features noir stalwart Steve Cochran. If you are looking for an entertaining flick - you can't go wrong with this one!
Joan is an older version of the shop girl she played in her MGM days. She leaves her hard working, but dull husband Richard Egan after their little boy is killed in a traffic accident. She has beauty, but little else in the way of work skills. The answer is obvious, become a model.
The modeling gig gets her involved with the mob and she's soon trading up men from accountant Kent Smith, to mobsters, Steve Cochran, and David Brian. Along the way Joan acquires riches, polish, and a new name and identity of a wealthy Texas oil heiress. That's only befitting the position of mistress to the gangster elite.
With Virginia Hill's testimony before the Kefauver Committee and the spectacular death of Bugsy Siegel a couple of years earlier, the recognition of the characters played by Crawford and Cochran would have been easy for the movie-going public. In fact I'm surprised Steve Cochran never got to play Siegel in a biographical picture long before Warren Beatty did his film. Cochran would have been perfect in the role. Of course it was probably too close to Siegel's demise and a lot of Hollywood people might have been burned a bit.
David Brian is a sleek version of Lucky Luciano who was not as polished in real life as Brian is here. But beneath the polish, Brian's a deadly man although he would not be doing his own work if he was really Luciano at that stage. And Kent Smith in the Meyer Lansky part is really quite the stretch.
Crawford pulls all the stops out in The Damned Don't Cry. Her fans and others will really love this film.
Le saviez-vous
- AnecdotesLoosely based upon the life of sharp-tongued moll Virginia Hill and her secretive relationship with gangster Bugsy Siegel.
- GaffesAt Grady's when Ethel is seated, she places her purse on the table. However in the next cut when the Maitre d'Hotel hands her the menu, the purse is now off the table.
- Citations
Ethel Whitehead: Don't talk to me about self-respect. That's something you tell yourself you got when you got nothing else. What kind of self-respect is there living on aspirin tablets and chicken salad sandwiches?
[beat]
Ethel Whitehead: Look Marty, the only thing that counts is that stuff you take to the bank, that filthy buck that everybody sneers at, but slugs to get.
[beat]
Ethel Whitehead: I know how you feel. You're a nice guy. But the world isn't for nice guys. You've got to kick and punch and belt your way up because nobody's going to give you a lift. You've got to do it yourself, cuz nobody cares about us except ourselves.
- ConnexionsFeatured in Joan Crawford: The Ultimate Movie Star (2002)
Meilleurs choix
- How long is The Damned Don't Cry?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Los condenados no lloran
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 233 000 $US (estimé)
- Montant brut mondial
- 66 $US
- Durée1 heure 43 minutes
- Couleur
- Rapport de forme
- 1.37 : 1