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Cyrano de Bergerac

  • 1950
  • Tous publics
  • 1h 53min
NOTE IMDb
7,4/10
4,8 k
MA NOTE
Cyrano de Bergerac (1950)
Trailer for Cyrano de Bergerac
Lire trailer1:48
1 Video
88 photos
SwashbucklerAdventureDramaRomance

Ajouter une intrigue dans votre langueThe charismatic swordsman-poet and provocateur in 1640s Paris helps a young guardsman woo the woman he loves, complicated by the politics of the nobility and the war with Spain.The charismatic swordsman-poet and provocateur in 1640s Paris helps a young guardsman woo the woman he loves, complicated by the politics of the nobility and the war with Spain.The charismatic swordsman-poet and provocateur in 1640s Paris helps a young guardsman woo the woman he loves, complicated by the politics of the nobility and the war with Spain.

  • Réalisation
    • Michael Gordon
  • Scénario
    • Edmond Rostand
    • Brian Hooker
    • Carl Foreman
  • Casting principal
    • José Ferrer
    • Mala Powers
    • William Prince
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,4/10
    4,8 k
    MA NOTE
    • Réalisation
      • Michael Gordon
    • Scénario
      • Edmond Rostand
      • Brian Hooker
      • Carl Foreman
    • Casting principal
      • José Ferrer
      • Mala Powers
      • William Prince
    • 66avis d'utilisateurs
    • 31avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompensé par 1 Oscar
      • 7 victoires et 4 nominations au total

    Vidéos1

    Cyrano De Bergerac
    Trailer 1:48
    Cyrano De Bergerac

    Photos88

    Voir l'affiche
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    + 80
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    Rôles principaux27

    Modifier
    José Ferrer
    José Ferrer
    • Cyrano
    Mala Powers
    Mala Powers
    • Roxane
    William Prince
    William Prince
    • Christian
    Morris Carnovsky
    Morris Carnovsky
    • Le Bret
    Ralph Clanton
    • De Guiche
    Lloyd Corrigan
    Lloyd Corrigan
    • Ragueneau
    Virginia Farmer
    Virginia Farmer
    • Duenna
    Edgar Barrier
    Edgar Barrier
    • Cardinal
    Elena Verdugo
    Elena Verdugo
    • Orange Girl
    Albert Cavens
    Albert Cavens
    • Valvert
    Arthur Blake
    Arthur Blake
    • Montfleury
    Don Beddoe
    Don Beddoe
    • The Meddler
    Percy Helton
    Percy Helton
    • Bellerose
    Virginia Christine
    Virginia Christine
    • Sister Marthe
    Gilman Rankin
    Gilman Rankin
    • Doctor
    • (as Gil Warren)
    Philip Van Zandt
    Philip Van Zandt
    • Man with Gazette
    Eric Sinclair
    Eric Sinclair
    • Guardsman
    Richard Avonde
    Richard Avonde
    • Marquis
    • Réalisation
      • Michael Gordon
    • Scénario
      • Edmond Rostand
      • Brian Hooker
      • Carl Foreman
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs66

    7,44.8K
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    Avis à la une

    10dkncd

    Striking performance from José Ferrer

    "Cyrano de Bergerac" is based on the play by Edmond Rostand about a swordsman and poet with a long nose who helps another man to win the woman he loves. The film's story is an abridged version of the play based on the famous English translation from Brian Hooker.

    José Ferrer is excellent in the title role as Cyrano de Bergerac. He handles all aspects of the character well, from the sharp poetic dialogue to the reluctance in conveying his feelings to Roxane. The rest of the performances were respectable as well, though clearly the title role requires the most acting ability.

    This film is criticized for its minimalist sets. Admittedly they never bothered me, but at times the film was excessively dark, especially during the combat scenes toward the end of the film.

    The story is abridged, but for me the essential components of the story were there with clever verse of Hooker's translation and the tragedy and humor of Rostand's story. The swordplay scenes are believable, though not exceptional other than for Cyrano's ability to fight and compose poetry simultaneously. "Cyrano de Bergerac" is a solid adaptation of Rostand's play best known for a striking performance from José Ferrer.
    8jotix100

    Jose Ferrer

    Almost never shown these days, "Cyrano de Bergerac", one of the best films of 1950, turned up the other night unexpectedly on a cable channel. It was a pleasure to see it again after so many years since we first saw it. Michael Gordon directed the screen version that became a favorite of people who were delighted to make concessions to a man that was far from being endowed with any physical attributes.

    The enjoyment of the picture is due to the amazing tour de force by that wonderful actor, Jose Ferrer, a man whose friendship we cherished because he enriched our life with his honesty, frankness and charisma. Mr. Ferrer's contribution to the stage and screen can be best sampled as we watch him become Cyrano, a man in love with his cousin Roxanne, whose great fear is the possible rejection of the beautiful young woman in favor of the handsome, and younger, Christian.

    This beloved theater play by Edmond Rostand had been translated by Brian Hooker, in what became the most familiar way American audiences met the illustrious French author. The screen play by Carl Foreman clarifies the text in ways that the movie going public of that era could relate to this man whose wit and charm outweighed his appearance, which was dominated by a big nose that rendered him an unattractive man. The poetry of the play is preserved even though it is not done in verse like the original manuscript. Dimitri Tiomkin's score lent itself to the action.

    Mala Powers was a disappointment though. Yes, she was a beauty, but her Roxanne doesn't quite come across; she is at a disadvantage playing opposite an icon of the theater like Mr. Ferrer, who certainly had more experience. William Prince does a fair job as Christian. Morris Carnovsky, another great stage actor, appears as Le Bret and Ralph Clanton makes his contribution with his take of Guiche.

    "Cyrano de Bergerac" is recommended to movie fans of all ages to watch the magnificent Jose Ferrer at his best.
    notstudyinglaw

    Will someone remaster this, please!

    This remains one of my all-time favorite movies. Ferrer is simply brilliant. But, as others have rightly pointed out, the production values are poor (to say the least), and the problem is only exacerbated by the poor quality of most video tapes currently available.

    But don't be scared, go rent this, the French version, and for fun, Steve Martin's Roxanne, and have a great time with this classic story.

    And for even more fun, check out the biography of the real Cyrano. His life was almost as fascinating as the play! Along with being a brilliant thinker, he is often credited as the first science-fiction writer.
    historyrepeating

    Absolutely brilliant.

    Cyrano has always been one of my favorite stage plays. I always felt I could very much relate to the feelings of being different. When I finally saw the film version, it took my breath away. What a spectacular piece of acting by Jose Ferrer. It was everything that the swashbucklers from the 30s and 40s were supposed to be!

    I have always thought, however, in this version, that Cyrano should have ignored that ingrate Roxanne and run off with the Orange Girl (Elena Verdugo). Yowza!
    10gcwyatt

    My Personal Favorite

    A remarkable achievement in directing, acting, and writing. Jose Ferrer delivers the performance of a lifetime that strikes deep into the heart. Anyone who has even been mocked, scored, or ridiculed, or simply felt unworthy of the affections of another will sympathize with Cyrano, and Ferrer brings the character to life as no one has ever been able to do, before or since. The movie is exceptionally smart, humorous, and tragic all at the same time. A perfect film.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The false nose that José Ferrer wore as Cyrano was reported to have cost United Artists $1,500.
    • Gaffes
      During the balcony scene, Cyrano's white plume is dark.
    • Citations

      Vicomte de Valvert: Monsieur, your nose... your nose is rather large.

      Cyrano de Bergerac: Rather?

      Vicomte de Valvert: Oh, well...

      Cyrano de Bergerac: Is that all?

      Vicomte de Valvert: Well of course...

      Cyrano de Bergerac: Oh, no, young sir. You are too simple. Why, you might have said a great many things. Why waste your opportunity? For example, thus: AGGRESSIVE: I, sir, if that nose were mine, I'd have it amputated on the spot. PRACTICAL: How do you drink with such a nose? You must have had a cup made especially. DESCRIPTIVE: 'Tis a rock, a crag, a cape! A cape? Say rather, a peninsula! INQUISITIVE: What is that receptacle? A razor case or a portfolio? KINDLY: Ah, do you love the little birds so much that when they come to see you, you give them this to perch on. CAUTIOUS: Take care! A weight like that might make you top-heavy. ELOQUENT: When it blows, the typhoon howls, and the clouds darken! DRAMATIC: When it bleeds, the Red Sea. SIMPLE: When do they unveil the monument? MILITARY: Beware, a secret weapon. ENTERPRISING: What a sign for some perfumer! RESPECTFUL: Sir, I recognize in you a man of parts. A man of... prominence! Or, LITERARY: Was this the nose that launched a thousand ships? These, my dear sir, are things you might have said, had you some tinge of letters or of wit to color your discourse. But wit? Not so, you never had an atom. And of letters, you need but three to write you down: A, S, S. Ass!

      Vicomte de Valvert: Insolent puppy, dolt, bunpkin, fool!

      Cyrano de Bergerac: How do you do? And I, Cyrano Savinien Hercule de Bergerac.

      Antoine Comte de Guiche: Vicomte, come.

      Vicomte de Valvert: Such arrogance, this scarecrow. Look at him! No ribbons, no lace, not even gloves!

      Cyrano de Bergerac: True! I carry my adornments only on my soul, decked with deeds instead of ribbons. Manful in my good name, and crowned with the white plume of freedom.

      Vicomte de Valvert: But...

      Cyrano de Bergerac: But, I have no gloves. A pity too. I had one - the last of an old pair - and lost that. Very careless of me. A gentleman offered me an impertinence. I left it - in his face.

      Vicomte de Valvert: [Drawing his rapier] So be it!

      Cyrano de Bergerac: You shall die exquisitely!

      Vicomte de Valvert: Oh, a poet?

      Cyrano de Bergerac: Oh, yes, a poet. So, while we fight, I'll improvise a ballade for you, and as I end the refrain, thrust home.

      Vicomte de Valvert: Will you?

      Cyrano de Bergerac: I will. Ballade of the duel at the Theatre of the Burgoyne, between de Bergerac and... a barbarian.

      Vicomte de Valvert: What do you mean by that?

      Cyrano de Bergerac: Oh, that? The title.

    • Versions alternatives
      Also available in a computer colorized version.
    • Connexions
      Featured in The George Burns and Gracie Allen Show: Cyrano De Bergerac (1956)

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    FAQ21

    • How long is Cyrano de Bergerac?Alimenté par Alexa
    • What is omitted in this version of "Cyrano de Bergerac"?
    • Does the film use the same rhyme scheme as the play?
    • Is the language of the translation changed any?

    Détails

    Modifier
    • Date de sortie
      • 6 novembre 1951 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Der letzte Musketier
    • Lieux de tournage
      • Motion Picture Center Studios, Hollywood, Los Angeles, Californie, États-Unis
    • Société de production
      • Stanley Kramer Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 400 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 53 minutes
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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    By what name was Cyrano de Bergerac (1950) officially released in India in English?
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