Sur le territoire des comanches

A handsome, good-humoured Technicolor western about Jim Bowie, this time played by a laconic Macdonald Carey aided by wily old chum Will Geer.

Feisty, buckskin-wearing female lead Maureen O'Hara later recalled it as "a fairly decent western and the film in which I mastered the American bullwhip. By the time the picture was over, I could snap a gigarette out of someone's mouth".

George Sherman was definitely a western maker, though he has not made only this, he had a very prolific filmography. But westerns were a domain where he was very gifted. This one makes no exception, but the plot brings nothing really new, except terrific natural settings. I was lucky enough to see it is a awesome LBX frame and not in a f...pan and f...scan copy. Yes, a good western, full of charm and fifties atmosphere. Dana Andrews rarely played in westerns; we especially remember him in OXBOW INCIDENT. This western was curiously not produced by Universal Studios for which George Sherman made so many of his westerns: BATTLE AT APACHE PASS, COMANCHE TERRITORY, LAST OF THE FAST GUNS...

Famous frontiersman Jim Bowie is sent by President Andrew Jackson to make sure the terms of a treaty with the Comanche is being carried out. But another emissary has been bushwacked and the Comanches never got the new treaty. It's up to Jim with his trusty knife to investigate what's going on. Nefarious villains are after the silver that's on the Comanche land.

Of all the American frontier characters in our history, Jim Bowie has had the biggest whitewash. In real life this man was a slavetrader, a land swindler and all around frontier scoundrel. The knife he is credited with inventing was made probably to his specifications, but by someone else. He had a certain amount of charm as MacDonald Carey plays him here with, but definitely was not of good character.

Andy Jackson might have bought a slave or three for the Hermitage from Jim Bowie, but never would have sent him on a diplomatic mission. And the Comanches who were not a blip on the American frontier radar yet, would not have made a deal with Jackson if they heard anything about what happened to the Cherokee.

Maureen O'Hara got to create another redheaded spitfire character that she was doing in picture after picture at this point of her career. Will Geer as the other Jackson emissary probably has the best part in this film.

Average Hollywood western which has absolutely nothing to do with reality. But the kiddies might like it.

While the movie itself is just a standard western, the locations are absolutely beautiful, well worth watching the movie just for the scenery.

Silver has been discovered on Comanche lands. The U.S. government has reached a deal with the Comanches for mining of the land, but it seems that greedy locals want to make sure that they're not made aware of any agreement. The legendary James Bowie (Macdonald Carey) arrives on the scene, realizing that he's got his work cut out for him in trying to prevent hostilities from flaring. Among the characters that he meets are genial politician Dan'l Seeger (Will Geer) and the incredibly feisty local businesswoman Katie Howard (Maureen O'Hara).

Overall, this is a reasonably absorbing if also routine Western. It is beautifully shot, in colour, by Maury Gertsman. It treats its Indian characters with a modicum of respect, although it does take one out of the action seeing that Rick Vallin, playing Pakanah, is clearly white. A fairly short running time (76 minutes) and adequate direction (by George Sherman) help to make this pass the time agreeably. Certainly the big action finale is rousing enough.

The cast is the best asset that the movie has. Carey is an engaging lead. O'Hara is at her most fiery and ravishing as Katie. Carey and Geer have fine chemistry, and Geer, who steals the show, clearly has some fun playing a rather colourful character. Charles Drake is also good as Katies' brother Stacey. Other players include Pedro de Cordoba as Comanche chief Quisima, Ian MacDonald (the villain in "High Noon" two years later) as Walsh, film debuting Parley Baer as Boozer the bartender, James Best as Sam, and Glenn Strange as Big Joe.

There's nothing here that's really all that memorable, but it *is* entertaining.

Six out of 10.