NOTE IMDb
5,4/10
253
MA NOTE
Ajouter une intrigue dans votre languePrincess Leah is the rightful heir to a tribal throne which has been stolen from her by the dastardly Hassan. Bomba the Jungle Boy, of course, comes to her rescue.Princess Leah is the rightful heir to a tribal throne which has been stolen from her by the dastardly Hassan. Bomba the Jungle Boy, of course, comes to her rescue.Princess Leah is the rightful heir to a tribal throne which has been stolen from her by the dastardly Hassan. Bomba the Jungle Boy, of course, comes to her rescue.
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- Casting principal
Avis à la une
Many of the MGM Tarzan films were exceptionally good and well made. Wanting to cash in on the studio's success, many lesser production companies also made similar films, though with a fraction of the budget or attention to details. Most of these Tarzan and Tarzan-like films from other studios stink when you see them today. Too often, the films are filled with poorly integrated stock footage and silly acting...though Monogram Studio's "Bomba and the Hidden City" is a bit of an exception. It lacks the usual cheep stock footage and is a bit more plot-driven than usual.
In "Bomba and the Hidden City", some white explorer has heard reports of a white boy living in the wild. He's interested in finding Bomba...and asks the absolutely worst person to assist him, the local Emir (Paul Guilfoyle). Why? Because the man is scum...and he has a secret that Bomba knows. But what is the secret? And, how does it fit in with a headstrong young lady he's just met?
As I mentioned above, the film is NOT filled with awful stock footage...a problem in most low-budget Tarzan-style films. It does feature some American Alligators near the end, which is odd for Africa...but so are all the Arabs living in a jungle! You just have to not ask yourself quesitons about such things, though it's REALLY hard to understand how the young lady cannot recall her parents nor the Emir's actions considering the photo of her with her folks that you see near the end. It appears that the incident must have occurred a year or two previously...so how could the young lady have zero memory of them? She doesn't seem to be suffering from a head injury and I think it's just a plot hole. Still, despite several reasonable gripes due to the writing, it is better than the average Bomba film and is harmless fun.
In "Bomba and the Hidden City", some white explorer has heard reports of a white boy living in the wild. He's interested in finding Bomba...and asks the absolutely worst person to assist him, the local Emir (Paul Guilfoyle). Why? Because the man is scum...and he has a secret that Bomba knows. But what is the secret? And, how does it fit in with a headstrong young lady he's just met?
As I mentioned above, the film is NOT filled with awful stock footage...a problem in most low-budget Tarzan-style films. It does feature some American Alligators near the end, which is odd for Africa...but so are all the Arabs living in a jungle! You just have to not ask yourself quesitons about such things, though it's REALLY hard to understand how the young lady cannot recall her parents nor the Emir's actions considering the photo of her with her folks that you see near the end. It appears that the incident must have occurred a year or two previously...so how could the young lady have zero memory of them? She doesn't seem to be suffering from a head injury and I think it's just a plot hole. Still, despite several reasonable gripes due to the writing, it is better than the average Bomba film and is harmless fun.
"Bomba and the Hidden City" is a slipshod chapter of a very cut rate series of adventure sagas. It was directed, however, by a master of the serial form, Forde Beebe. This kiddie clunker was the kind of thing Beebe could direct in his sleep and judging from what follows the title, that's where he spent most of his time, jungle hammock style, collecting a cool $150 salary while waiting for the bus to another part of the forest.
The storyline follows our semi-intrepid jungle boy, by now really filling out his French cut Tarzan loin wrap. He galumphs and swings through the eucalyptus trees of the Santa Anita Racetrack Botanic Gardens, searching for some supposed hidden city. This "city" more of a couple of shacks with a forlorn palm-tree and a few added stumps,seems to be known by everyone especially the Arab suits, read villains. The plot is something like "Tarzan's Desert Mystery" or "Tarzan's Nazi Adventure" or "The Return of Somebody with a Name like Schnarzan". Forgive me, sometimes I get carried away with all the excitement. The city, hidden or not, has the sister of another member of the cast who may or may not have been there before. Nobody knows for sure. Also, in the village is somebody called "Ferengi", perhaps an escapee from a space opera, though that is probably doubtful. As can be expected, Bomba makes everything right while hardly having to fling his spear.The bad guys get their well deserved drenching and just when we are sitting on the edge of our thrones with the possibility of the jungle boy getting his first lady friend, the end comes. But one big thing we can be sure of, in the next outing of our titular hero, he still won't have any body hair, a true "child" until all the film runs out!
The storyline follows our semi-intrepid jungle boy, by now really filling out his French cut Tarzan loin wrap. He galumphs and swings through the eucalyptus trees of the Santa Anita Racetrack Botanic Gardens, searching for some supposed hidden city. This "city" more of a couple of shacks with a forlorn palm-tree and a few added stumps,seems to be known by everyone especially the Arab suits, read villains. The plot is something like "Tarzan's Desert Mystery" or "Tarzan's Nazi Adventure" or "The Return of Somebody with a Name like Schnarzan". Forgive me, sometimes I get carried away with all the excitement. The city, hidden or not, has the sister of another member of the cast who may or may not have been there before. Nobody knows for sure. Also, in the village is somebody called "Ferengi", perhaps an escapee from a space opera, though that is probably doubtful. As can be expected, Bomba makes everything right while hardly having to fling his spear.The bad guys get their well deserved drenching and just when we are sitting on the edge of our thrones with the possibility of the jungle boy getting his first lady friend, the end comes. But one big thing we can be sure of, in the next outing of our titular hero, he still won't have any body hair, a true "child" until all the film runs out!
The evil Emir Hassan tries to have Bomba killed. Although he's injured, Bomba manages to get away and is nursed back to health by a pretty village girl named Zita (Sue England). Zita develops a crush on Bomba and follows him into the jungle so she won't have to marry Hassan. Turns out Zita has forgotten her past. In an unbelievable twist, Bomba remembers some things that help him piece together who Zita really is.
The fourth in Monogram's Bomba series starring Johnny Sheffield is a particularly plot-heavy entry. This is the first one to leave the set and film on location. No, not in Africa. Don't be silly. All the pennies in Monogram's piggy bank couldn't have paid for that. I'm not sure where they filmed at. If I had to guess, I would say the LA Arboretum. This one also has some good action scenes and less cheesy stock footage. Pretty Sue England is fun and has nice chemistry with Sheffield. But since these movies were aimed at little boys, they never allowed much "mushy stuff." It's probably the best of the Bomba movies, going solely by entertainment value and nothing more.
The fourth in Monogram's Bomba series starring Johnny Sheffield is a particularly plot-heavy entry. This is the first one to leave the set and film on location. No, not in Africa. Don't be silly. All the pennies in Monogram's piggy bank couldn't have paid for that. I'm not sure where they filmed at. If I had to guess, I would say the LA Arboretum. This one also has some good action scenes and less cheesy stock footage. Pretty Sue England is fun and has nice chemistry with Sheffield. But since these movies were aimed at little boys, they never allowed much "mushy stuff." It's probably the best of the Bomba movies, going solely by entertainment value and nothing more.
Bomba has to help the beautiful Sue England (who has kind of a cute Bettie Page bangs thing going on), who is the rightful heir to the throne, but is instead forced to marry the dastardly Hassan who seeks to steal the kingdom. Silly, low budget, and completely unoriginal, but I will say I enjoyed this one slightly more than the other Bomba films I've seen.
Bomba and the Hidden City (1950)
** (out of 4)
Extremely far-fetched but entertaining entry in the Monogram series has Bomba (Johnny Sheffield) witnessing a political assassination and years later the evil ruler (Paul Gulpoyle) plans on marrying a woman (Sue England) against her wishes. It's up to Bomba to try and save the girl as well as help her remember her past. This fourth film in the series is pretty camp and there's no question that it's over-the-top but I found it to be slightly entertaining simply because of all the craziness going at. At just 71-minutes the film doesn't last too long, which is always a good thing but it also manages to be rather fast paced, which was a first for the series. Director Ford Beebe actually keeps the film moving very well and we even get some decent action scenes from start to finish. This includes Bomba taking quite a bit of abuse as he tries to flee from the bad guys who are constantly shooting and throwing knives at him. The entire mystery of who the girl isn't all that hard to figure out and I'm sure the 3-year-old kids in the theater at the time figured out who she was long before it's revealed. Sheffield once again does a good job in his role of Bomba as he certainly fit the part and has no trouble playing it. England is fairly entertaining as the girl but this film clearly belongs to Gulpoyle as the crazy one. The actor really gives it his all and you can just see the glee in his eyes from getting to play a bad guy. With all of that said, this is still a low-budget Bomba movie so the various negative things are still present.
** (out of 4)
Extremely far-fetched but entertaining entry in the Monogram series has Bomba (Johnny Sheffield) witnessing a political assassination and years later the evil ruler (Paul Gulpoyle) plans on marrying a woman (Sue England) against her wishes. It's up to Bomba to try and save the girl as well as help her remember her past. This fourth film in the series is pretty camp and there's no question that it's over-the-top but I found it to be slightly entertaining simply because of all the craziness going at. At just 71-minutes the film doesn't last too long, which is always a good thing but it also manages to be rather fast paced, which was a first for the series. Director Ford Beebe actually keeps the film moving very well and we even get some decent action scenes from start to finish. This includes Bomba taking quite a bit of abuse as he tries to flee from the bad guys who are constantly shooting and throwing knives at him. The entire mystery of who the girl isn't all that hard to figure out and I'm sure the 3-year-old kids in the theater at the time figured out who she was long before it's revealed. Sheffield once again does a good job in his role of Bomba as he certainly fit the part and has no trouble playing it. England is fairly entertaining as the girl but this film clearly belongs to Gulpoyle as the crazy one. The actor really gives it his all and you can just see the glee in his eyes from getting to play a bad guy. With all of that said, this is still a low-budget Bomba movie so the various negative things are still present.
Le saviez-vous
- AnecdotesWhen Bomba and Princess Zidah bed down for the night, the Production Code decreed that they must sleep in separate trees.
- GaffesAfter Bomba has supposedly been whipped for several minutes, Johnny Sheffield feigns being in pain, but there are no visible marks anywhere on him.
- Crédits fousStarring Bomba, The Jungle Boy
- ConnexionsFollowed by Bomba contre les chasseurs de lions (1951)
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Détails
- Durée1 heure 11 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was Bomba dans la cité mystérieuse (1950) officially released in India in English?
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