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Le noceur

Titre original : Balarrasa
  • 1951
  • 1h 30min
NOTE IMDb
6,3/10
187
MA NOTE
Fernando Fernán Gómez in Le noceur (1951)
CriminalitéDrame

Ajouter une intrigue dans votre langueJavier is used to make the best of his military life. When a companion is killed in his place, he makes up his mind and enters religious life. Reencountering his rich and spoiled family will... Tout lireJavier is used to make the best of his military life. When a companion is killed in his place, he makes up his mind and enters religious life. Reencountering his rich and spoiled family will show him that not all the battles were fought during the war.Javier is used to make the best of his military life. When a companion is killed in his place, he makes up his mind and enters religious life. Reencountering his rich and spoiled family will show him that not all the battles were fought during the war.

  • Réalisation
    • José Antonio Nieves Conde
  • Scénario
    • Vicente Escrivá
  • Casting principal
    • Fernando Fernán Gómez
    • María Rosa Salgado
    • Dina Sten
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,3/10
    187
    MA NOTE
    • Réalisation
      • José Antonio Nieves Conde
    • Scénario
      • Vicente Escrivá
    • Casting principal
      • Fernando Fernán Gómez
      • María Rosa Salgado
      • Dina Sten
    • 2avis d'utilisateurs
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 3 victoires et 1 nomination au total

    Photos3

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche

    Rôles principaux37

    Modifier
    Fernando Fernán Gómez
    Fernando Fernán Gómez
    • Javier Mendoza 'Balarrasa'
    María Rosa Salgado
    María Rosa Salgado
    • Mayte Mendoza
    Dina Sten
    Dina Sten
    • Lina Mendoza
    • (as Dina Stein)
    Luis Prendes
    Luis Prendes
    • Fernando Mendoza
    Eduardo Fajardo
    Eduardo Fajardo
    • Mario Santos
    Jesús Tordesillas
    Jesús Tordesillas
    • Don Carlos Mendoza
    Maruchi Fresno
    Maruchi Fresno
    • Elena
    Mario Berriatúa
    Mario Berriatúa
    • Teniente Hernández
    José María Rodero
    José María Rodero
    • Octavio
    • (as Jose Mª Rodero)
    Julia Caba Alba
    Julia Caba Alba
    • Faustina
    Gérard Tichy
    Gérard Tichy
    • Zanders
    • (as Gerard Tichy)
    Virginia de Matos
    Virginia de Matos
    • Nina
    Gary Land
    • Juanjo
    Félix Dafauce
    Félix Dafauce
    • Hombre del aeropuerto
    Eloísa Muro
    Eloísa Muro
    Fernando Aguirre
    Fernando Aguirre
    • Don Valentin
    Miguel Pastor
    • Capellán
    • (as Miguel Pastor Mata)
    Francisco Bernal
    Francisco Bernal
    • Emiliano
    • (as Paco Bernal)
    • Réalisation
      • José Antonio Nieves Conde
    • Scénario
      • Vicente Escrivá
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs2

    6,3187
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    Avis à la une

    6ma-cortes

    Classic religious film with emotion , intrigue , drama and social aspects

    After the death of their mother, the honorable Mendoza family has been ruined. The father, Don Carlos (Jesús Tordesillas) , plays cards with money he does not have. The eldest son whom everyone calls Balarrasa (Fernando Fernán Gómez) is a womanizer and his brother Fernando (Luis Prendes) is dedicated to trade currency with the swindler Mario Santos (Eduardo Fajardo) , lover of his sister Lina (Dina Stein), while the youngest sister(Maria Rosa Salgado) has left her boyfriend Ocatavio (José Maria Rodero) , a serious high school professor, for an athletic tennis player. During the Spanish Civil War, Lieutenant Balarrasa plays a night watch with his partner Javier (Mario Berriatua) , and then an enemy soldier kill him in his place. This impresses him so much that once the war is over, Balarrasa abandons his military career and enters the Pontifical Seminary of Salamanca to become a missionary, but before receiving Major Orders, his hierarchical superior advises him to go to Madrid to confront his past. . There he discovers the degradation that his family has got resulting in unexpected and tragic consequences.

    An agreeable flick showing a sour social denounce adding the typical message , as it results to be a spiritual film and full of good feeling , touching sacrifice and dramatic relationship among family members .Narrated through a long flashback by the missionary Javier Mendoza/Fernando Fernán Gómez in the middle of a snow storm in Alaska, it is one of the great successes of post-war Spanish cinema for mixing with some skill a war story with a religious one within a serial style that contains a strong moralizing charge. Its success conditions the existence of politically religious cinema written and produced by Vicente Escrivá and directed by Rafael Gil during the first half of the fifties. In the movie stands out a great main and support cast with plenty of familiar faces giving acceptable interpretations , such as : María Rosa Salgado , Dina Sten , Luis Prendes, Eduardo Fajardo, Jesús Tordesillas, Maruchi Fresno , Mario Berriatúa, José María Rodero , Julia Caba Alba, Gérard Tichy, Francisco Bernal , Felix Dafauce , Manolo Morán, José Bódalo , among others.

    The movie was made with some skill by José Antonio Nieves Conde , although this is far from the cinema that most interests him and far from his best movies , despite having a certain criticism of a dissolute bourgeoisie . Two directors of photography work in the film because due to financial problems, Manuel Berenquer cannot shoot the scenes in the Salamanca seminar that Jose F. Aguayo does . Packing an evocative and atmospheric cinematography in black and white that would not improve in color. This is an acceptable film with fine sets by Pierre Schild ; and well directed by Jose Antonio Nieves Conde , a director of great quality and with penchant for social denounce . His films debuts were three crime drama : ¨Senda Ignorada¨, ¨Angustia¨ and ¨LLegada De Noche¨. He went on to direct a successful religious movie : ¨Balarrasa¨. He's expert in filming all kinds of genres , as thought-provoking and brooding dramas : ¨Surcos¨ , ¨El Inquilino¨ ; religious cinema : ¨Balarrasa¨, ¨Cotolay¨ ; passionate story : ¨Casa Manchada¨ , ¨Mas Alla del Deseo¨ , ¨Marta¨ , ¨Historia una Traicion¨ ; Comedy : ¨Don Lucio and Hermano Pio¨ , ¨Prohibido Enamorarse¨ , an anti-communist movie : ¨Legion del Silencio¨ ,; anthology picture as the co-production : ¨Jack El Negro¨ and even Terror : ¨Sounds of horror¨ . Rating : 6/10 . Nice film , well worth watching , because being plenty of luminous sensibility , solidarity ,redemption , faith , cooperation and good feeling .
    10bertop

    It's time to look at you

    Balarrasa, a totally forgotten movie in its own country, Spain, shares lot of details with some epic movies from the 50's and 60's from Hollywood (I recall Ben Hur, Quo Vadis and Barabbas).

    Balarrasa is the nickname of a militar guy who's living in the wild side. Suddenly he experiments in the war field an extraordinary experience and he decides to give his live to God. He becomes a priest.

    Coming back to his hometown, he finds his family totally broken and living as he used to, that means in the edge of the blade. He starts a kind of crusade to save them.

    A hidden pearl in Spain movie history... Look at your hands...

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    Histoire

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    • Connexions
      References Fureur secrète (1950)

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    Détails

    Modifier
    • Date de sortie
      • 20 juillet 1951 (Mexique)
    • Pays d’origine
      • Espagne
    • Langue
      • Espagnol
    • Aussi connu sous le nom de
      • Reckless
    • Lieux de tournage
      • Salamanca, Castilla y León, Espagne
    • Société de production
      • Aspa Producciones Cinematográficas
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 30min(90 min)
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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