Ève...

Your number one fan, has finally met you, she's made quite a connection, and now you're paired just like a two, organises your affairs, running up and down the stairs, whatever you need doing, that's exactly what she'll do. It's not too long before the sycophant attempts, to take a little piece, of all that she has dreamt, front and centre of the stage, with an audience engaged, all established on embellishing pretence. But there's a price that success usually requires, after someone has initiated fires, their enabler's a tiger, a cunning, devious backbiter, who'll have them dangle from his strings and walk his wires.

Timeless and enduring with outstanding performances that to this day still take your breath away.

What a genius Joseph L Manckiewicz was. A literary script that is totally accessible. A melodrama for the thinking man. A film that is as engrossing and entertaining every time you see it. Bette Davis touches all the raw nerves of her mythological career. Anne Baxter never went this far. Thelma Ritter became a sort of icon. Marilyn Monroe gives us a preview of forthcoming attractions as a graduated from the "Copacabana" academy of dramatic arts. Celeste Holm represents us, all of us and George Sanders creates a prototype for a cultured monster that is immediately recognizable. I don't recall another film in which the nature of selfishness is so wittily dissected. A total triumph.

All About Eve is simply the perfect film. Fact follows fiction in the casting of Bette Davis, a star who was an incredible actress but fighting the inevitable - the passage of time. First off, Better Davis was always an incredible actress, no matter what part she took and this was the perfect part for her. Anne Baxter is tremendous in the part of Eve - she plays the part well. It's multi-faceted and challenging and she definitely rose to the challenge. Celeste Holm is great, too. She's got a smaller part but does a great job with it. Celeste Holm is an actress who has incredible stature, even in the later years of her career, like when she was in that television show "Promised Land." But Addison DeWitt - takes the cake. I can see why he won the Oscar. I don't want to say much about the story. The film is one that has to be taken in as a whole to be truly appreciated. Enjoy it - it's as tasty as honey! One thing - please never let them make a re-make of this film - it's perfect. It's off limits. It would be painting a new version of the Mona Lisa. This one is perfect!

Here's perfect writing if ever a movie ever had it-where did Joseph L. Mankiewicz come up with these people? Who would have thought he could not only revive Bette Davis' career with her greatest-ever role, but actually make her even more fascinating than she ever was before? Davis plays famous and established actress Margo Channing, a self-centred and tough but vulnerable woman who is purused relentlessly by Eve Harrington (Anne Baxter), a seemingly innocent woman who worships Channing-she even becomes her personal assistant. However, her devotion soon becomes sinister, and Margo lets her friends know, though they just think she's being selfish and unfair. Celeste Holm is excellent as Margo's best friend, who at first is on Eve's side but eventually sees how conniving Eve can be and how ruthless she is in climbing to the top. The party scene early on in the film features some of the film's best lines (`Fasten your seat belts…it's going to be a bumpy night!'), though my personal favourite is when Davis tells Baxter to put her award `where you heart should be'; Margo Channing is just about the best female character of the fifties. Features Marilyn Monroe in an early role.

You will see yourself in every character in this very intelligent, entrancing movie. Though set in "the theatre," the story could just as easily have been told in a small town, a corporation – even a religious organization. Being set in the "glamorous" world of entertainment – its seems all the more timely in these days of fame, fortune and the insufficiency (almost shame) of being ordinary. The theatre setting also underscores the reality that the world is a stage, and all its people, players.

So much to study in this movie: the genuine, trusting (and romantic) human; the streetwise, good, hardworking human, who's seen it all and doesn't embrace it; the jaded, heart-hardened, deceitful loser with power, who admires the same and disdains human goodness; the ambitious sociopath who fools so many; the unsuspecting onlookers who see only the façade of success; the inescapable fact that supreme achievement has been had by very low characters; the painful passage of an aging woman into the light of knowing she's loved for being beautiful beyond her appearance, for being HER; the touching portrayal of her lover who remembers his love for her as he passes on a much younger, beautiful, talented actress; the sorrow of a (betraying) friend who discovers the frightened and lonely heart of her successful friend … The dialogue is sharp and clever, barked and growled, smarmy and tender… A truly human movie about being human. Go – find yourself in everyone!