Deux nigauds légionnaires
Titre original : Abbott and Costello in the Foreign Legion
- 1950
- Tous publics
- 1h 20min
NOTE IMDb
6,3/10
3,2 k
MA NOTE
Deux promoteurs de lutte de Brooklyn se rendent en Algérie française à la recherche d'un célèbre lutteur algérien, mais se retrouvent accidentellement enrôlés dans la Légion étrangère frança... Tout lireDeux promoteurs de lutte de Brooklyn se rendent en Algérie française à la recherche d'un célèbre lutteur algérien, mais se retrouvent accidentellement enrôlés dans la Légion étrangère française.Deux promoteurs de lutte de Brooklyn se rendent en Algérie française à la recherche d'un célèbre lutteur algérien, mais se retrouvent accidentellement enrôlés dans la Légion étrangère française.
- Réalisation
- Scénario
- Casting principal
William 'Wee Willie' Davis
- Abdullah
- (as Wee Willie Davis)
Sammy Menacker
- Bertram the Magnificent
- (as Sam Menacker)
Eric Alden
- Arab
- (non crédité)
Bobby Barber
- Arab on Jeep's Hood
- (non crédité)
Baynes Barron
- Orderly
- (non crédité)
Guy Beach
- Saleem with False Teeth
- (non crédité)
Avis à la une
Two wrestling promoters from Brooklyn go to Algeria, after their main wrestler quits. They want to convince him to get back in order to avoid paying back the money. The duo gets attacked by Arabs after being mistaken to be spies, leading to them getting tricked into joining the Foreign Legion, to serve for 5 years. As they struggle with their training and Arabs still seeking to kill them, the duo need to team up with a gorgeous spy and find their wrestler, to escape. The humorous situations they create during these shenanigans forms rest of the story.
The comedy lines were pretty dated, some clicked and most didn't. What worked however is Lou Costello's physical comedy. Though the humor itself was not hilarious with Bud Abbott taking the backseat a bit more than usual, letting Lou Costello to drive the film, there were scenes especially the mirage one that delivered. Patricia Medina looked gorgeous throughout and her scenes with Lou got me to chuckle a couple of times. The ending jeep chase however was too generic and barely serviceable.
The comedy lines were pretty dated, some clicked and most didn't. What worked however is Lou Costello's physical comedy. Though the humor itself was not hilarious with Bud Abbott taking the backseat a bit more than usual, letting Lou Costello to drive the film, there were scenes especially the mirage one that delivered. Patricia Medina looked gorgeous throughout and her scenes with Lou got me to chuckle a couple of times. The ending jeep chase however was too generic and barely serviceable.
Sep 23, 2011 In this movie Bud and Lou get there first taste of being outside the U.S., it's comical to see what in these days wasn't politically correct. The are looking for a wrestler who broke his contract and left New York in Algiers for his home country. Comedy is there, but not like some other films.
Okayish piece of nonsense wherein Bud and Lou are on the case of a wrestler in Algiers. Not their greatest work (or their worst). Some laughs, some groans but hey, did anyone ever have the pathos of poor old Lou?
Some funny stuff when the dynamicless duo are lost in the desert. Few cornball gags and some really really crappy production effects. It was obviously shot principally in a studio and it shows!
Next please!
Some funny stuff when the dynamicless duo are lost in the desert. Few cornball gags and some really really crappy production effects. It was obviously shot principally in a studio and it shows!
Next please!
Jonesy and Lou are in Algeria looking for a wrestler they are promoting. Sergeant Axmann tricks them into joining the Foreign Legion, after which they discover Axmann's collaboration with the nasty Sheik Hamud El Khalid.
The plots of the various movies don't really matter one way or the other. What really matters are the gags. I felt like the gags in this one fell a bit short. The centerpiece is a scene concerning a mirage, which never really hit its peak. And the verbal banter that these two are best at is absent, and that is disappointing.
The movie does work as sort of a cultural artifact about what Americans (or Hollywood) thought of the Middle East in 1950. While not outright offensive in any way, some of it seems surprisingly ignorant. But then again, I could probably argue that the situation has not improved in the last 60 years.
The plots of the various movies don't really matter one way or the other. What really matters are the gags. I felt like the gags in this one fell a bit short. The centerpiece is a scene concerning a mirage, which never really hit its peak. And the verbal banter that these two are best at is absent, and that is disappointing.
The movie does work as sort of a cultural artifact about what Americans (or Hollywood) thought of the Middle East in 1950. While not outright offensive in any way, some of it seems surprisingly ignorant. But then again, I could probably argue that the situation has not improved in the last 60 years.
In Abbott and Costello in the Foreign Legion, Bud and Lou head to Algieria to find a wrestler named Abdullah who left them high and dry and owing a mobster quite a bit of money. Once there, the boys get mixed up with Sheik Hamud El Khalid (Douglas Dumbrille) and draw his ire at a slave auction. In their attempt to escape, Bud and Lou inadvertently sign-up for the French Foreign Legion. Things only get worse when they learn that their Sergeant is in cahoots with the Sheik. Now how are they going to get back to Brooklyn?
As a general rule, I'm a fan of A&C. Some of their movies (like Who Done It?, Hold that Ghost, and A&C Meet Frankenstein) I consider to be true classics. Unfortunately, by the time the boys made A&C in the Foreign Legion, much of their comedy had started to get tired and old. The movie has a "been there, done that" feel to a lot of it. For example, the "Oui vs. We" bit reminds me of several of A&C's more classic routines. Or take a look at the scene with the fish and the false teeth. To me, it shows how desperate the boys were. It's completely ridiculous and not in the least bit funny. A solid cast, however, almost makes this movie worthwhile. Douglas Dumbrille and Patricia Medina are a lot of fun. However, even though I think Dumbrille makes for a perfect villain, he's about as Algerian as I am (which is none).
Finally, one thing I really enjoyed about A&C in the Foreign Legion was the chance to see some classic, old-school wrestlers. Wee Willie Davis vs. Tor Johnson! How cool is that?
As a general rule, I'm a fan of A&C. Some of their movies (like Who Done It?, Hold that Ghost, and A&C Meet Frankenstein) I consider to be true classics. Unfortunately, by the time the boys made A&C in the Foreign Legion, much of their comedy had started to get tired and old. The movie has a "been there, done that" feel to a lot of it. For example, the "Oui vs. We" bit reminds me of several of A&C's more classic routines. Or take a look at the scene with the fish and the false teeth. To me, it shows how desperate the boys were. It's completely ridiculous and not in the least bit funny. A solid cast, however, almost makes this movie worthwhile. Douglas Dumbrille and Patricia Medina are a lot of fun. However, even though I think Dumbrille makes for a perfect villain, he's about as Algerian as I am (which is none).
Finally, one thing I really enjoyed about A&C in the Foreign Legion was the chance to see some classic, old-school wrestlers. Wee Willie Davis vs. Tor Johnson! How cool is that?
Le saviez-vous
- AnecdotesIn the mirage sequence the skeleton is voiced by Candy Candido, who would team up with Bud Abbott after Lou Costello died.
- GaffesWhile riding in the back of the jeep, Patricia Medina reacts visibly to something hitting her eye after the windshield is shot.
- Citations
Bud Jones: What's the idea of teaching midgets to wrestle?
Lou Hotchkiss: They're for those small television sets.
- ConnexionsFeatured in The World of Abbott and Costello (1965)
- Bandes originalesPiano Sonata No. 2 in B-flat minor, Op. 35
Written by Frédéric Chopin
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- How long is Abbott and Costello in the Foreign Legion?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Abbott and Costello in the Foreign Legion
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 735 000 $US (estimé)
- Durée
- 1h 20min(80 min)
- Couleur
- Rapport de forme
- 1.37 : 1
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