Deux nigauds légionnaires
Titre original : Abbott and Costello in the Foreign Legion
- 1950
- Tous publics
- 1h 20min
NOTE IMDb
6,3/10
3,2 k
MA NOTE
Deux promoteurs de lutte de Brooklyn se rendent en Algérie française à la recherche d'un célèbre lutteur algérien, mais se retrouvent accidentellement enrôlés dans la Légion étrangère frança... Tout lireDeux promoteurs de lutte de Brooklyn se rendent en Algérie française à la recherche d'un célèbre lutteur algérien, mais se retrouvent accidentellement enrôlés dans la Légion étrangère française.Deux promoteurs de lutte de Brooklyn se rendent en Algérie française à la recherche d'un célèbre lutteur algérien, mais se retrouvent accidentellement enrôlés dans la Légion étrangère française.
- Réalisation
- Scénario
- Casting principal
William 'Wee Willie' Davis
- Abdullah
- (as Wee Willie Davis)
Sammy Menacker
- Bertram the Magnificent
- (as Sam Menacker)
Eric Alden
- Arab
- (non crédité)
Bobby Barber
- Arab on Jeep's Hood
- (non crédité)
Baynes Barron
- Orderly
- (non crédité)
Guy Beach
- Saleem with False Teeth
- (non crédité)
Avis à la une
Jonesy and Lou are in Algeria looking for a wrestler they are promoting. Sergeant Axmann tricks them into joining the Foreign Legion, after which they discover Axmann's collaboration with the nasty Sheik Hamud El Khalid.
The plots of the various movies don't really matter one way or the other. What really matters are the gags. I felt like the gags in this one fell a bit short. The centerpiece is a scene concerning a mirage, which never really hit its peak. And the verbal banter that these two are best at is absent, and that is disappointing.
The movie does work as sort of a cultural artifact about what Americans (or Hollywood) thought of the Middle East in 1950. While not outright offensive in any way, some of it seems surprisingly ignorant. But then again, I could probably argue that the situation has not improved in the last 60 years.
The plots of the various movies don't really matter one way or the other. What really matters are the gags. I felt like the gags in this one fell a bit short. The centerpiece is a scene concerning a mirage, which never really hit its peak. And the verbal banter that these two are best at is absent, and that is disappointing.
The movie does work as sort of a cultural artifact about what Americans (or Hollywood) thought of the Middle East in 1950. While not outright offensive in any way, some of it seems surprisingly ignorant. But then again, I could probably argue that the situation has not improved in the last 60 years.
Sep 23, 2011 In this movie Bud and Lou get there first taste of being outside the U.S., it's comical to see what in these days wasn't politically correct. The are looking for a wrestler who broke his contract and left New York in Algiers for his home country. Comedy is there, but not like some other films.
Okayish piece of nonsense wherein Bud and Lou are on the case of a wrestler in Algiers. Not their greatest work (or their worst). Some laughs, some groans but hey, did anyone ever have the pathos of poor old Lou?
Some funny stuff when the dynamicless duo are lost in the desert. Few cornball gags and some really really crappy production effects. It was obviously shot principally in a studio and it shows!
Next please!
Some funny stuff when the dynamicless duo are lost in the desert. Few cornball gags and some really really crappy production effects. It was obviously shot principally in a studio and it shows!
Next please!
Slight Abbott and Costello comedy has them playing wrestling promoters whose star attraction has quit and gone home to Algiers. The duo follow after him and are tricked into joining the Foreign Legion. This is not one of the boys' better efforts but it's still a decent way to pass the time. Most of the gags are pretty stale but I did laugh here and there. Walter Slezak and Douglas Dumbrille are good heavies but the script doesn't give them a lot to do. Patricia Medina looks like a Hedy Lamarr clone. Wrestlers Wee Willie Davis and Tor Johnson are fun to see. The wrestling gags are some of the movie's best. Maybe Bud and Lou should have made a wrestling movie instead and forgotten all this Foreign Legion stuff. Like I said, not their funniest but enjoyable enough to pass the time.
Abbott and Costello get tricked into joining the Foreign Legion; all they want is to get a brawny wrestler out of Algeria. Some good, hearty laughs in this A&C feature--their 26th film--which has surprisingly good production values, but feels a little rushed and has sloppy overdubbing. The wrestlers (William 'Wee Willie' Davis and Ed Wood's favorite actor Tor Johnson) are an added treat, and Costello as usual steals all his scenes. True, by this time the comedy duo were just relying on their proved shtick, but the movie is fast-paced and is much funnier and more tolerable than the Lewis and Martin pictures from this era. **1/2 from ****
Le saviez-vous
- AnecdotesIn the mirage sequence the skeleton is voiced by Candy Candido, who would team up with Bud Abbott after Lou Costello died.
- GaffesWhile riding in the back of the jeep, Patricia Medina reacts visibly to something hitting her eye after the windshield is shot.
- Citations
Bud Jones: What's the idea of teaching midgets to wrestle?
Lou Hotchkiss: They're for those small television sets.
- ConnexionsFeatured in The World of Abbott and Costello (1965)
- Bandes originalesPiano Sonata No. 2 in B-flat minor, Op. 35
Written by Frédéric Chopin
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- How long is Abbott and Costello in the Foreign Legion?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Abbott and Costello in the Foreign Legion
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 735 000 $US (estimé)
- Durée
- 1h 20min(80 min)
- Couleur
- Rapport de forme
- 1.37 : 1
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