Les aventuriers du désert

Despite presence of cowboy vet Randy Scott, this is not really a western. Instead it's a modern adventure tale of gold fever. A bunch of disparate saloon characters goes hunting for buried treasure amid treacherous sand dunes of the Southwest. Each has his own reason for going and his own past, so naturally conflicts develop. And, oh yes, lovely Ella Raines shows up on horseback as relief from the ugly guys. Scott's the most level-headed of the bunch, but he's no paragon— is his willingness to abandon the wounded Johnny because of hard-headed realism or selfish greed.

It's an unusual collection of distinctive Hollywood players, including a shifty Kennedy, a nasty Ireland, a sneaky Collins, and, of course, a jovial Buchanan. Too bad the star-crossed William Bishop died too young to establish a screen persona. And how unexpected for blues singer Josh White to turn up as one of the fortune hunters. His musical interludes may seem artificially inserted but are pleasantly entertaining.

For me there are two highlights. The sandstorm, of course, is really well done-- on a set I would assume, but still a marvelously staged effect. The other is that battle of shovels atop a swirling dune, (move over Japanese martial arts). It's like nothing I've seen. Then too, the location staging in Death Valley may send you out for water, so bring a canteen.

Including flashbacks, the narrative itself is pretty crowded for a 78-minute runtime. So don't expect a tight format. Action and characters tend to be sketched through the proverbial glass darkly. Nonetheless, the movie's an unusual production that's remained oddly memorable since my first viewing, lo, so many years ago.

It doesn't take $175 million to make a good movie. Hollywood just squandered $175 million on a stupid comedy called Evan Almighty, which garnered scant public attention. I doubt that John Sturges and Columbia Pictures spend as much as $175 THOUSAND making The Walking Hills; but people are still searching for it on eBay some 60 years later.

Sand dunes are "walking hills" as my family found out in North Carolina when I was 8 years old and we found our motel room at Nags Head 90% buried under the sand, following a gentle storm.

Eight men playing poker in a bar's back room meet a young guy who accidentally blurts out a king sized clue on the whereabouts of a gold carrying wagon train that legend says disappeared in the desert a hundred years earlier. Eight men and one woman (Ella Raines) band together and quietly head out into the desert --- just 8 miles from town --- looking for the gold. The men will battle Mother Nature and each other seeking the gold --- in a story which is relentlessly compelling. Find this movie and watch it.

A very rewarding "lust for gold" adventure that tells its story in a brief 78 minutes and is all the better for it. Director John Sturges would later in his career allow some of his films to run overlong (THE GREAT ESCAPE) or blow up what should have been more simply told (GUNFIGHT AT THE OK CORRAL - the depicted gunfight itself is but one example), but earlier in his career made a number of lean, taut treasures, this is one of them.

A group of people are bound together in the search for some wagons believed to have been lost in the desert a century earlier, and the legend has it that gold was on them. When the youngest of them happens to mention something spotted in the desert, the need for secrecy binds the group together lest someone reveal the "golden opportunity." Several in the group have pasts that they are trying to hide and potential futures they are trying to escape if caught. One of them is a detective hot on a fugitive's trail, but willing to set aside duty for his share of the loot.

Randolph Scott headlines as the more or less moral center of the group, even if his intentions and actions seem to defy that description. For a slightly less than "A" feature, the film boasts an admirable cast of characters, among them Ella Raines, John Ireland, Arthur Kennedy, Edgar Buchanan (scene stealing as usual) and blues/folk revivalist singer Josh White whose musical contributions to the film capture a legendary performer for posterity. William Bishop, a young man whom Columbia was grooming for stardom (but who failed to click and would soon "descend" to mostly TV work) is the least familiar perhaps of the major actors, but he's impressive enough here for one to wish he had done better within the ten years that he had left before cancer took him at 41.

An interesting subplot has Scott's mare about to foal - a metaphor for new life or spiritual rebirth being created among the desert ruins. It gives nothing away to reveal that the fugitive surrenders or that some characters realize that gold fever can cause one to suspend principles - the latter is expected in such melodramas. But with its stunning black-and-white cinematography, especially in night scenes and the climatic desert storm, this film is as much of a treasure as that which its protagonists seek. Camera ace Charles Lawton must have impressed Scott and producer Harry Joe Brown as he would do five more films with the pair in the next decade. Highly recommended.

Since 1945 when Randolph Scott decided to concentrate almost exclusively on westerns only one of his westerns was set in the modern west and that is this one, The Walking Hills. Shot on location the film holds it own with such gold hunting classics as The Treasure Of The Sierra Madre and Lust For Gold.

Sitting around a poker table one night Edgar Buchanan starts recounting a tale in which a wagon train loaded with sacks of gold dust got lost in the desert in the great Southwest. They're quite an assortment of characters in the place, they include at least one private detective in John Ireland and he's after one of the people in the room. But more than one of them has a reason to fear the law.

So all that were in that small barroom set out to the desert fueled by another story that Jerome Courtland tells about coming across an old wagon wheel that would have been contemporary with that gold train. Quite an assortment go besides those in the cast I've already mentioned the guys include William Bishop, Arthur Kennedy, Joe White, Russell Collins and Charles Stevens. Bishop adds an additional plot component, not only is he a suspect, but he's wooing Ella Raines who used to go out with Scott. As for Scott he's concerned with a mare in foal and he brings her along as well. Later on Ella Raines declares herself in on the gold hunt.

Although with a lot more cast members out in the desert some people's true nature starts to surface. Quite a few of the cast meets their doom. As for the gold, just about the same ironical ending as in The Treasure Of The Sierra Madre.

In a book on the Films of Randolph Scott there's a story told about Ella Raines's husband Ransom Olds who was an air ace from the recent war and would be one again in Korea and Vietnam. It seems as though for a joke he buzzed the company on location. He thought it was funny, but the roaring jet passing over frightened all the horses and the wranglers spent the rest of the day rounding them up. Ella was not amused either, nor I'm sure was Harry Cohn.

Not as good as Lust For Gold or The Treasure Of The Sierra Madre, The Walking Hills still holds its own with the others and holds up well for today's audience. Greed is a timeless and universal theme.

We have been seeing this on the TV Westerns channel. It's a very film noir western. Beside the always sturdy and moral Randolph Scott, there were two special delights. Ella Raines is my long favorite among the older actresses, with her bright eyes and rather sarcastic manner always seeming to be laughing at some private joke. I feel a personal connection to her in that she was born a month after my father and followed him by a month in death. She first captured my fascination in "The Suspect" with Charles Laughton and then in "The Strange Affair of Uncle Harry" with George Sanders. Josh White is the really special feature here. How often do you find such wonderfully played Delta Blues inexplicably inserted into the plot of a 1949 western? It's not a truly great movie but still a must-see because it is so ahead of it's time. "Bad Day at Black Rock" meets "O Brother Where Art Thou."